작가가 직접 캔버스에 손으로 그린 유화 작품으로, 원하는 크기와 액자로 맞춤 제작해 드립니다. ( 프린트 판매로 전환
디지털 이미지 판매 채널로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
특정 프레임이나 공간에 맞춰 원하는 크기를 직접 입력하실 수 있습니다. 선택하신 크기가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 자르거나 추가적인 수작업 요소를 더해 그림을 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업을 보내드립니다.
화면상의 미리 보기는 실제 크롭(자르기)이나 확장된 상태를 완벽히 반영하지 않을 수 있습니다. 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 크기 제작도 가능하지만, 원본의 비율을 그대로 유지하기 위해서는 미리 정의된 목록에서 크기를 선택하시는 것을 권장합니다.
Untitled (Face in Dirt)
복제본 규격
David Wojnarowicz was born in 1954 in Red Bank, New Jersey, into a Catholic family. His upbringing significantly influenced his later exploration of themes surrounding religion, sexuality, and societal norms. After attending high school at the High School of Performing Arts in New York City, he briefly pursued formal education but ultimately chose to forge his own path as an independent artist.
Wojnarowicz’s early artistic endeavors were diverse. He lived a nomadic life for a period, working as a farmer near the Canadian border before returning to New York City. In the 1970s, he became involved in the vibrant East Village art scene, experimenting with Super-8 filmmaking – including works like *Heroin* – and photography, notably a series inspired by Arthur Rimbaud. He was also a member of the band 3 Teens Kill 4. A pivotal relationship began in the early 1980s when he met photographer Peter Hujar. Hujar encouraged Wojnarowicz to focus more on visual art, and their deep friendship became a source of mutual inspiration.
Wojnarowicz’s work is characterized by its raw emotional intensity and unflinching exploration of challenging subjects. His artistic style was multifaceted, encompassing painting, photography, writing, and film. Recurring themes in his art include:
Wojnarowicz exhibited his artwork in prominent galleries within New York City’s East Village, gaining recognition for his unique vision. He participated in the 1985 Whitney Biennial, a significant platform for contemporary art. Following Peter Hujar's death in 1987, Wojnarowicz created a deeply moving series of works documenting Hujar on his deathbed, culminating in the triptych *Untitled (Dead Peter Hujar)* (1989). His final book, *Memories That Smell Like Gasoline*, published posthumously in 1993, received the Lambda Literary Award.
David Wojnarowicz’s work remains profoundly relevant today. He is remembered as a courageous artist and activist who fearlessly confronted difficult truths about society, sexuality, and mortality. His art continues to inspire dialogue and challenge viewers to confront uncomfortable realities. He collaborated with other influential artists of his time including Nan Goldin, Luis Frangella, Kiki Smith, Richard Kern, James Romberger, Ben Neil, Bob Ostertag and Phil Zwickler. Wojnarowicz’s legacy extends beyond the art world, serving as a powerful reminder of the importance of artistic expression in the face of adversity.
1954 - 1992 , United States of America