작가가 직접 캔버스에 손으로 그린 유화 작품으로, 원하는 크기와 액자로 맞춤 제작해 드립니다. ( 프린트 판매로 전환
디지털 이미지 판매 채널로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
특정 프레임이나 공간에 맞춰 원하는 크기를 직접 입력하실 수 있습니다. 선택하신 크기가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 자르거나 추가적인 수작업 요소를 더해 그림을 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업을 보내드립니다.
화면상의 미리 보기는 실제 크롭(자르기)이나 확장된 상태를 완벽히 반영하지 않을 수 있습니다. 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 크기 제작도 가능하지만, 원본의 비율을 그대로 유지하기 위해서는 미리 정의된 목록에서 크기를 선택하시는 것을 권장합니다.
Pink Steam
복제본 규격
David Haines and Joyce Hinterding are not merely artists; they are investigators, sonic explorers, and visual cartographers of realms beyond our immediate perception. Based in the Blue Mountains of Australia, this collaborative duo has spent decades forging a unique artistic practice that delves into the unseen forces shaping our existence – electromagnetic fields, cosmic radiation, and the subtle energies woven into the fabric of the earth itself. Their work isn’t about *representing* these phenomena but rather *revealing* them, creating immersive experiences that challenge our understanding of reality and invite us to listen more closely to the world around us.
Both Haines and Hinterding established independent artistic practices before their paths converged in 1995. Joyce Hinterding’s early work focused on exploring physical and virtual dynamics, driven by a fascination with energetic forces. She developed custom-built technologies for field recording and monitoring, seeking to capture acoustic and electromagnetic phenomena that typically remain unheard and unseen. Her investigations led to sculptural antenna works, experimental drawings, and sound installations—a testament to her desire to translate invisible energies into tangible forms. David Haines, meanwhile, built a practice around drawing, photography, and installation, often exploring the intersection of hallucination and the environment. His work hinted at altered states of consciousness and the subjective experience of landscape.
The collaboration between Haines and Hinterding proved transformative. It wasn’t simply a merging of styles but a synergistic dialogue that amplified their individual concerns. They began to explore how these seemingly disparate interests—Hinterding's focus on external energetic forces and Haines' internal landscapes—could be interwoven, creating works that blurred the boundaries between science, art, and spirituality.
The core of Haines and Hinterding’s practice lies in their ability to make the invisible visible. They achieve this through a diverse range of media, including drawing, photography, video, sound, and installation. However, it's their innovative use of technology that truly sets them apart. Custom-built electronics, modified cameras capable of detecting parts of the electromagnetic spectrum beyond human vision, and interactive projection systems are all tools in their arsenal. Their work often incorporates real-time data—the detection of muons (particles created by cosmic rays colliding with the earth’s atmosphere), for example—transforming scientific measurements into sonic landscapes and visual patterns.
Key themes permeate their oeuvre. The tension between the fictive and the phenomenal is a constant thread, as they explore how our perceptions shape reality and how easily those perceptions can be altered. They are deeply interested in the interconnectedness of all things—the cosmic forces that bind the universe together and the subtle energies that flow through the earth and our bodies. Their work often evokes a sense of wonder and mystery, prompting viewers to question their place within this vast and complex cosmos.
Haines and Hinterding’s collaborative work has garnered significant recognition both nationally and internationally. A major survey exhibition, Energies: Haines & Hinterding, at the Museum of Contemporary Art in Sydney (2015) showcased the breadth and depth of their practice. Their interactive projection work, Geology, won the Anne Landa Award for Video and New Media Arts in 2011, demonstrating their mastery of cutting-edge technology and immersive storytelling. They have exhibited extensively at international biennales, including the Biennale of Sydney (2022), MetaMorph in Trondheim, Norway (2016), and the São Paulo Biennial (2004). Their participation in these prestigious events has solidified their position as leading figures in contemporary Australian art.
Their recent work, such as Pink Steam (2022) for the Biennale of Sydney, exemplifies their ongoing exploration of cosmic forces. Filmed on the Fish River in Wiradjuri Country, the piece utilizes modified cameras to reveal parts of the electromagnetic spectrum invisible to the naked eye, accompanied by a soundscape generated from real-time muon detection. This work is not simply an aesthetic experience; it’s a scientific investigation presented as art—a testament to their commitment to bridging the gap between disciplines.
David Haines and Joyce Hinterding occupy a unique space within contemporary art history. Their pioneering use of technology to explore unseen forces has influenced a generation of artists working at the intersection of science, art, and spirituality. They have challenged traditional notions of representation, moving beyond mere depiction to create immersive experiences that engage all the senses.
Their work resonates deeply with contemporary concerns about our relationship with the environment and the interconnectedness of all things. In an age increasingly dominated by technology and scientific advancements, Haines and Hinterding remind us of the importance of listening—to the subtle energies around us, to the rhythms of the earth, and to the whispers of the cosmos. They offer a powerful vision of art as a tool for investigation, revelation, and ultimately, a deeper understanding of our place within the universe.
Australia