Contemporary Realism
1859
67.0 x 59.0 cm
필라델피아 미술관이 페이지에 표시된 작품은 저작권법의 보호를 받으며, 이에 따라 동일한 복제품을 제작하거나 판매하는 것은 법으로 금지되어 있습니다. 이러한 권리 보호는 다음과 같은 국제 협약에 따라 시행됩니다. 베른 협약 또한 다음에서 명시하는 법률을 포함한 국내법에 의해 보호됩니다. 미국 저작권법 제17조.
이 방식은 저작권 보호를 받는 예술 작품을 복제하거나 그대로 재현하는 것이 아니기에 저작권 규정을 완벽히 준수합니다. 대신, 이는 창의적인 재해석의 과정을 거칩니다. 즉, 원작에서 영감을 받되 원작과 동일하지 않은 새로운 회화 작품을 의미합니다.
빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. (
수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.
Storage Jar
복제본 규격
The stoneware jar presented here transcends mere utilitarian function; it embodies a profound narrative of survival, creativity, and cultural heritage—a story inextricably linked to the life and legacy of Dave the Potter.
The photograph captures a close-up view of the jar against a stark white backdrop, emphasizing its textural surface and highlighting the delicate cursive lettering that adorns its side—a testament to Dave’s unwavering commitment to preserving his craft and communicating his vision.
Dave Drake's contribution to ceramic art is unparalleled. He stands as one of the first enslaved African Americans recognized for mastering a complex artistic skill, defying legal restrictions that sought to stifle Black literacy and creativity. His dedication to honing his craft—producing an estimated 40,000 pieces during his lifetime—solidifies his place in American art history.
The alkaline glaze technique employed by Dave is more than just a method of surface treatment; it’s a deliberate choice that reflects the potter's understanding of material properties. Combining wood ash, sand, and water—ingredients readily available in Pottersville—Dave achieved a distinctive brown coloration through careful experimentation and observation.
The inscription of poetry onto Dave’s vessels represents a powerful act of defiance against legal prohibitions prohibiting Black literacy. Each poem serves as a conduit for emotion, intellect, and cultural heritage—a declaration of independence from societal constraints and an affirmation of artistic expression.
Today, reproductions of Dave the Potter’s stoneware jar continue to inspire collectors and interior designers alike. Its understated beauty speaks volumes about resilience, creativity, and the enduring spirit of African American artistry—a legacy that transcends time and celebrates the transformative power of art.
"Storage Jar"의 색채 조화는 Unified Palette로 기록되어 있습니다.
1859년에 제작된 "Storage Jar"은(는) Dave The Potter의 Mature Period에 해당합니다.
Dave The Potter의 "Storage Jar"의 수작업 복제화는 본 웹사이트의 수작업 유화 복제화 페이지를 통해 리넨 캔버스 위에 손으로 직접 그린 유화 복제화에서 구매하실 수 있습니다.
Born around 1800 in South Carolina, David Drake, more famously known as Dave the Potter, lived a life deeply marked by the institution of slavery. He was first enslaved by Harvey Drake, who co-owned a large pottery business with Abner Landrum in Edgefield County, South Carolina. It is believed that Landrum, unusually for the time, taught Dave to read and write – a skill forbidden to enslaved people under South Carolina law.
Dave’s career as a potter began within Drake and Landrum's workshop. He quickly demonstrated exceptional skill in crafting large alkaline-glazed stoneware vessels, primarily jugs. His earliest recorded work dates back to July 12, 1834, marking the beginning of his unique artistic practice. Between the 1820s and 1870s, Dave produced an estimated 40,000 pieces during his lifetime.
What sets Dave the Potter apart is not merely his skill as a potter but his groundbreaking practice of inscribing his work. He signed many vessels with “Dave” and, remarkably, included original poetry – often rhyming couplets – alongside dates and maker’s marks. This was an unprecedented act for an enslaved African American artist.
While direct artistic influences are difficult to pinpoint, Dave’s work existed within the context of Edgefield County pottery traditions. However, his literacy and poetic voice were exceptional for an enslaved person. The very act of self-expression through inscription was a form of resistance and assertion of identity in a system designed to deny both.
Dave the Potter’s achievements lie not only in his prolific output but also in his defiance of societal norms. He became the first enslaved potter to sign his work and incorporate poetry, leaving behind a legacy that challenges conventional narratives about African American art and history.
Dave the Potter's story represents a powerful testament to human creativity and resilience in the face of adversity. His pottery provides invaluable insights into the lives and experiences of enslaved African Americans during the 19th century. He is now celebrated as a significant figure in Southern folk art, American ceramics, and African American history.
His work continues to inspire artists and scholars today, prompting ongoing discussions about race, identity, and artistic expression.
1800 - , United States of America
Explore the profound beauty of American Regionalism. Delve into the art history of Grant Wood and John Steuart Curry, uncovering how these masters captured the soul of the American Heartland through iconic landscapes and rural identity.
Explore the profound beauty of American art history. From the Hudson River School to iconic landscapes, discover a curated journey through the masterpieces that defined a nation's spirit and the enduring legacy of American Romanticism.
실제 크기로 보기
보내기
공유하기
상세 보기
가이드 보기
이미지 다운로드
유사 작품 더 보기
X-레이
슬라이드 쇼 보기
통계 정보
상세 보기
유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
