실제 크기로 보기 AR로 미리보기 수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환 보내기
상세 보기 가이드 보기 즐겨찾기에 추가 이미지 다운로드 유사 작품 더 보기 X-레이 슬라이드 쇼 보기 통계 정보

Benefits

  • 크기23.0 x 18.0 cm

Dan Lam is an American sculptor of Vietnamese ancestry known for her vibrant 'drippy' sculptures using polyurethane foam & epoxy resin. Her work explores desire, disgust, and the boundary between beauty & grotesque, gaining recognition through social

지클레 / 아트 프린트

빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. ( 수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환)

표준 규격
맞춤 제작
CM
INCH

작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.

가로 너비
높이

특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.

전 세계 배송()은 일반적인 4~5주의 소요 기간 대신 2주 이내에 완료됩니다. (28 9월)

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전 세계 무료 특급 배송
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고품질 린넨 캔버스
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배송 전 과정 보험 적용
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관세 환급 보장 서비스
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원본 색상 일치 보장
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제조 결함 발견 시 100일 이내 반품 가능
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100% 환불 보장
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다량 구매 할인 혜택

총 결제 금액

₩ 93697

reproduction

Benefits

지클레 / 아트 프린트

복제본 규격

-

총 결제 금액

₩ 93697

Benefits is a work by the artist Dan Lam (Morong, Philippines, 1988). The daughter of Vietnamese migrants, born in the Philippines and raised in Texas, she generates sculptures that melt before the gaze of the spectators. Influenced by Lynda Benglis, the artist decided to start working with resin, glues, and plastic polymers. Her works, full of curves and bulges that spill over what supports them, are presented as organic elements before the viewer. “I want the sculptures to offer that illusion of being alive, but without needing to take drugs to see it,” says Dan Lam, who uses psychedelia and neon colours to turn the inert into a completely different reality.

작가 소개

The Visceral Allure of Dan Lam

In the contemporary art landscape, few artists command attention with such an immediate, sensory impact as Dan Lam. Known for her signature "drippy" sculptures, Lam creates works that seem to pulse with a life of their and defy the stillness of traditional sculpture. Her aesthetic is a mesmerizing paradox, sitting precariously on the razor's edge between the beautiful and the grotesque. Utilizing a vibrant palette of neon colors and unconventional materials like polyurethane foam, epoxy resin, and acrylic paint, she crafts organic forms that appear to melt, bulge, and spill over their supports. To witness her work is to experience a profound tension; it evokes a simultaneous sense of desire and disgust, pulling the viewer into a psychedelic realm where the synthetic becomes startlingly biological.

The roots of Lam’s unique perspective are deeply embedded in a history of movement and resilience. Born in 1988 in a refugee camp in Morong, Bataan, Philippines, she is the daughter of Vietnamese migrants who fled their homeland in 1986. Her early months were spent in the uncertainty of a displacement camp before her family eventually established a home in Houston, Texas. This nomadic beginning and the challenges of refugee life fostered an innate curiosity and a profound connection to experimentation—qualities that would later become the bedrock of her artistic practice. As an only child, Lam often found solace in solitary creation, manipulating whatever materials were at hand, a habit that blossomed into a sophisticated mastery of complex polymers.

Materiality and the Illusion of Life

Lam’s technical evolution is marked by a deliberate departure from traditional sculptural mediums. Influenced heavily by the work of Lynda Benglis, Lam began to move away from the rigid structures of classical art toward more fluid, unpredictable substances. Her process involves the strategic use of plastic polymers, glues, and resins to create textures that mimic organic decay or cellular growth. She describes her creative intent through a striking metaphor: “I want the sculptures to have that illusion of being alive, but you don’t need drugs to see it.” This pursuit of "living" art is achieved through the way her pieces interact with gravity, often dangling over shelf ledges or cascading downward in colorful, viscous drips.

During her academic journey, which included earning both a Bachelor’s and a Master’s degree in Drawing and Painting from the University of North Texas and Arizona State University, Lam faced pivotal moments of artistic growth. A significant turning point occurred during her graduate studies when a professor challenged her for making work that was "too pretty." This critique served as a catalyst, pushing her to explore the concept of excessive beauty and to embrace the unsettling, the messy, and the overwhelming. By leaning into the "gross" or the hyper-saturated, she found a way to confront uncomfortable emotions through a lens of extreme visual pleasure.

Digital Resonance and Contemporary Significance

The rise of Dan Lam is inextricably linked to the power of the digital age. After moving to Midland, Texas, and embarking on a period of solitary studio work, Lam utilized social media to bridge the gap between her isolated practice and the global art community. Her Instagram presence became a vital engine for her fame; in 2016, her following surged from thousands to tens of thousands, attracting the attention of high-profile celebrities like Miley Cyrus. The viral nature of her work—such as a video of a finger poking into a molten, cake-like sculpture that garnered millions of views—demonstrates how her tactile, "squishy" aesthetic is perfectly suited for the era of the moving image.

Today, Lam stands as a significant figure in contemporary sculpture, representing a new wave of artists who leverage social media to bypass traditional gatekeepers. Her work does more than just decorate; it challenges the boundaries of taste and forces a confrontation with the visceral reality of our material world. Through her mastery of the synthetic and her ability to evoke deep-seated biological responses, Dan Lam has secured her place as an artist who can turn the inert into something undeniably, and sometimes uncomfortably, alive.

Dan Lam

Dan Lam

1988 - , Philippines

작가 정보 요약

  • Artistic Movement Or Style: Contemporary Sculpture
  • Artists Or Movements Influenced By This Artist: ['Sculpture']
  • Artists Who Influenced This Artist: ['Lynda Benglis']
  • Date Of Birth: June 3, 1988
  • Full Name: Dan Lam
  • Nationality: American
  • Notable Artworks: ['Blobs, drips and squishes']
  • Place Of Birth: Morsang, Philippines