“The devil’s train”“The luggage they brought with them to São Paulo was filled with hope. Some came for work, others were looking for relatives who’d been swallowed up by the big city, others dreamed of recovering their lost health. They all wanted that one thing that for many was no more than a wish: a better life. And now the time had come for them to go back home: a place in the middle of nowhere in Minas, a small town in the backlands of Bahia. With a bundle of clothes and charity train fare, they boarded the red wood cars of the “Bahian train.” Creatures mistreated by fate were heading home with no more hope. The journey is long and arduous.” (article published in Realidade magazine, May of 1969, with text by Patricio Renato)In late February and early March of 1969, Andujar took the long train ride from Roosevelt Station (today Brás) in São Paulo to Salvador, Bahia. The journey lasted 7 days and most of the passengers were migrants from other states who had tried their luck in São Paulo. With no prospects in the capital, they ended up at the Department of Immigration and Colonization of the Secretary of Agriculture of São Paulo state, where they received a boxed lunch and a ticket home. Andujar took the long trip, registering the passengers with admirable empathy.
질의응답
클라우디아 안두자르의 "The devil"은(는) 어떤 색채 조화를 보여주나요?
클라우디아 안두자르의 "The devil"의 색채는 Softly Mixed Palette 조화를 보여줍니다. 조화란 색상들이 서로 어떻게 어우러지는지를 의미합니다.
클라우디아 안두자르의 "The devil"의 디지털 이미지는 어디에서 구매할 수 있나요?
클라우디아 안두자르의 "The devil"의 디지털 파일을 소장하시려면, 디지털 이미지 페이지에서 고해상도 디지털 이미지 다운로드을(를) 주문해 주세요.
"The devil"의 뒤에 숨겨진 예술가와 화풍은 무엇인가요?
"The devil"은(는) Documentary Photography 양식으로 클라우디아 안두자르가 제작하였습니다. 작가와 미술 사조는 해당 작품의 전통을 나타냅니다.