2014
132.0 x 190.0 cm원하는 크기와 액자로 주문 제작되는, 작가들이 직접 캔버스에 손으로 그린 유화 작품입니다. ( 프린트 판매로 전환
디지털 이미지로 전환)
작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞도록 직접 크기를 입력할 수 있습니다. 선택하신 크기가 원본 이미지의 비율과 일치하지 않는 경우, 작품을 자르거나 추가적인 손으로 그린 요소를 사용하여 그림을 확장합니다. 제작 시작 전 승인을 위해 디지털 목업을 보내드립니다.
화면 미리 보기는 실제 자르기 또는 확장을 반영하지 않습니다. 최종 구성은 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 크기 제작도 가능하지만, 원본 비율을 유지하기 위해 사전 정의된 목록에서 크기를 선택하시는 것을 권장합니다.
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복제본 크기
In the turbulent, layered history of Beirut, where the echoes of conflict often mingle with a resilient creative pulse, Annabel Daou emerged as a voice capable of articulating the profound anxieties of our modern age. Born in 1967, Daou’s artistic consciousness was forged amidst the socio-political complexities of Lebanon, a landscape that inherently understands the fragility of peace and the persistence of memory. Her journey eventually led her to Concordia University Montréal, Canada, where she refined her mastery over sculpture and performance—disciplines that would become the primary vessels for her exploration of human connection and psychological depth. Daou does not merely create objects; she constructs spaces where the mundane meets the monumental, and where the personal becomes a mirror for the political.
Daou’s practice is a delicate dance between presence and absence, often utilizing paper-based constructions, sound, video, and performance to capture the ephemeral language of daily life. Her work possesses a unique ability to suspend or carve out moments from the flow of time, recording the textures of existence ranging from the intimately personal to the urgently political. Through her sculptural explorations, she delves into spatial relationships and textural contrasts, frequently employing found objects and repurposed materials to evoke themes of rupture and chaos. Yet, even within these depictions of fragmentation, there remains a tenacious, almost haunting possibility for repair and reconstruction.
One of the most poignant milestones in Daou’s career arrived during the global stillness of the 2020 COVID-19 pandemic. In an era defined by isolation and uncertainty, she staged her groundbreaking performance piece, I will worry for you (from dusk till dawn). This ambitious undertaking was a radical act of empathy; by soliciting anxieties and concerns from her audience via email, Daou took upon herself the psychological burden of their fears. Through this medium, she transformed the solitary experience of dread into a shared, artistic ritual, proving that art can serve as a vital conduit for collective healing and dialogue in times of unprecedented vulnerability.
This commitment to interpersonal connection extends through her diverse body of work, which often investigates shattered hierarchies and the operations of power. Whether she is working with the tactile nature of sculpture or the temporal fluidity of performance, Daou’s themes remain consistent: trust, intimacy, and cross-cultural exchange. Her ability to navigate these heavy subjects with conceptual rigor allows her to challenge conventional boundaries, making her work not just an aesthetic experience, but a profound psychological encounter.
The significance of Annabel Daou’s contribution to contemporary art is reflected in the prestigious institutions that have embraced her vision. Her work has been exhibited on major international stages, including the National Museum of Beirut, the KW Institute for Contemporary Art in Berlin, and the Park Avenue Armory in New York. The inclusion of her pieces in the permanent collections of the Brooklyn Museum and the Columbus Museum in Georgia underscores her lasting impact on the global art canon.
As she continues to evolve, Daou’s recent endeavors—ranging from billboard projects in Beirut to residencies at ISCP in New York and Haus Des Papiers in Berlin—demonstrate an artist who remains deeply engaged with the shifting currents of the world. Her practice, which integrates the influences of writing and literature, continues to expand the definition of what it means to witness history through art. Daou stands as a sculptor of the unseen, a performer of the felt, and a chronicler of the enduring human spirit amidst the wreckage of uncertainty.
1967 - , Lebanon