設置イメージを確認 ARで壁に飾るイメージを見る プリント版に切り替え デジタル画像販売へ切り替え 送る
詳細情報 ガイドを表示 お気に入りに追加 画像をダウンロード 似ている作品 X線調査 スライドショー 統計情報

While We Wait 1

Intimate black and white portrait of two women by Tonia Nneji captures quiet connection; discover this evocative piece of contemporary Nigerian art today.

Explore Tonia Nneji’s bold & intricate art! Confronting trauma & women's health through vibrant textiles & powerful patterns, her work examines identity, belonging, and cultural narratives.

このページに掲載されている作品は著作権法によって保護されており、当社の許可なく同一の複製物を制作または販売することは法律で禁じられています。この保護は、以下のような国際条約に基づき執行されます。 ベルヌ条約 および、以下の条項に定められたものを含む各国の法律により、 米国著作権法 第17編。

敬意を払った法的な代替手段として、私たちはオリジナルにインスピレーションを与えられた、カスタムの手描きアートワークを提供しています。私たちの熟練したプロのアーティストは、元の作品が持つスタイル、情緒、そして芸術的なエッセンスを注意深く研究し、独自の創作物でありながら、同じ感性を呼び起こすような、新しくユニークな作品を作り上げます。

この手法は、著作権で保護された作品の複製や複写を伴わないため、著作権法に完全に準拠しています。これは単なる模倣ではなく、創造的な再解釈です。元の作品からインスピレーションを受けつつも、それとは異なる、全く新しい絵画を生み出すものです。

手描き油彩複製画

当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 ( プリント版に切り替え デジタル画像販売へ切り替え)

Corner sample of the P118B picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118B ¥10
Corner sample of the P118H picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118H ¥10
Corner sample of the P118W picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118W ¥10
Corner sample of the P438Z picture frame: 成型ポリスチレン, 5.5 cm wide and 3.5 cm thick
P438Z ¥10
Corner sample of the P508JH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508JH ¥12
Corner sample of the P508YH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508YH ¥12
Corner sample of the P805H picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805H ¥10
Corner sample of the P805Z picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805Z ¥10
Corner sample of the P919BZ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919BZ ¥10
Corner sample of the P919G picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919G ¥10
Corner sample of the P919XJ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919XJ ¥10
Corner sample of the P959ZH picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P959ZH ¥10
Corner sample of the P968JZ picture frame: 成型ポリスチレン, 6 cm wide and 4 cm thick
P968JZ ¥12
Corner sample of the W106C picture frame: 天然木, 5 cm wide and 3 cm thick
W106C ¥8
Corner sample of the W218G picture frame: 天然木, 5 cm wide and 3 cm thick
W218G ¥10
Corner sample of the W218JH picture frame: 天然木, 5 cm wide and 3 cm thick
W218JH ¥8
Corner sample of the W218Y picture frame: 天然木, 5 cm wide and 3 cm thick
W218Y ¥10
Corner sample of the W307PJ picture frame: 天然木, 6 cm wide and 3 cm thick
W307PJ ¥10
Corner sample of the W316G picture frame: 天然木, 6 cm wide and 3 cm thick
W316G ¥10
Corner sample of the W316PJ picture frame: 天然木, 6 cm wide and 3 cm thick
W316PJ ¥8
Corner sample of the W316Y picture frame: 天然木, 6 cm wide and 3 cm thick
W316Y ¥10
Corner sample of the W398PJ picture frame: 天然木, 5 cm wide and 3 cm thick
W398PJ ¥8
Corner sample of the W4111J picture frame: 天然木, 6.5 cm wide and 3.5 cm thick
W4111J ¥10
Corner sample of the W500HY picture frame: 天然木, 7 cm wide and 5 cm thick
W500HY ¥15
Corner sample of the W500JH picture frame: 天然木, 7 cm wide and 5 cm thick
W500JH ¥15
Corner sample of the W692G picture frame: 天然木, 8 cm wide and 4 cm thick
W692G ¥12
Corner sample of the W849H picture frame: 天然木, 5 cm wide and 3 cm thick
W849H ¥8
Corner sample of the W940BG picture frame: 天然木, 7.5 cm wide and 4.5 cm thick
W940BG ¥15
Corner sample of the W953PJ picture frame: 天然木, 6 cm wide and 3.5 cm thick
W953PJ ¥8

標準サイズ
カスタムサイズ
CM
INCH

作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。

横幅
高さ

フレームや壁のスペースに合わせて、ご希望の幅と高さを入力してください。本作品は手描きのため、異なる比率のサイズをご希望の場合、絵画の周囲を少し広げて描くか、あるいは端を少しカットして調整することが可能です。お客様のご要望に合わせます。制作を開始する前に、仕上がりを確認するためのデジタルモックアップをお送りいたします。このページに表示されている画像は完成品の実物ではなく、あくまでモックアップによるイメージです。

カスタマイズの例:顔をお客様の写真に置き換える、ペットを追加する(例:猫を犬に変更)、背景に隠れたメッセージを入れる、背景の風景や要素を変更するなど。
ご注文後、WahooArt.com チームより詳細な指示をお送りするとともに、仕上がりイメージ(モックアップ)をご提供いたします。

世界中への配送()は、通常の5週間ではなく、3〜4週間でお届けいたします。(23 10月)。品質には一切妥協いたしません。

世界中へ無料エクスプレス配送
高品質なリネンキャンバス
配送時完全保険付
関税・輸入税の払い戻し保証
忠実な色彩再現の保証
100日間返品保証(製造上の欠陥がある場合のみ)
100% 全額返金保証
まとめ買い割引のご案内

合計金額

¥ 43163

While We Wait 1

再現技法

複製画サイズ一覧

-

合計金額

¥ 43163

作品情報

  • Subject or theme: Intimate interaction between women
  • Year: 2019
  • Title: While We Wait 1

An Intimate Study in Connection

Tonia Nneji’s "While We Wait 1" draws the viewer into a moment suspended between conversation and contemplation. The composition centers on two women seated closely together on a simple bench, their gazes meeting across the space that divides them. This immediate focus creates an atmosphere thick with unspoken narratives—a palpable sense of shared history or anticipated revelation. While the palette is dominated by the stark contrast of black and white in the figures, the background introduces a vital warmth through the suggestion of a red and yellow blanket. This juxtaposition of monochrome intimacy against bursts of earthy color elevates the scene from a mere portrait to a profound meditation on human connection.

Symbolism of Shared Space

The arrangement itself speaks volumes about proximity and emotional distance. The bench acts as both a physical anchor and a subtle divider, suggesting that even in moments of deep togetherness, there remains a necessary space for individual thought. Nneji, whose work often delves into themes of resilience and the body's narrative, seems to be exploring the delicate balance between mutual support and personal solitude. The partially visible figure at the far left adds an element of the peripheral—the unseen observer or the lingering presence—suggesting that these intimate moments are always witnessed by a larger, surrounding world.

Technique and Emotional Resonance

The technique employed allows Nneji to achieve both graphic clarity and soft emotional ambiguity. The contrast in the rendering of the figures against the backdrop suggests a masterful handling of light and shadow, giving the work a timeless, almost photographic quality while retaining the expressive brushwork characteristic of contemporary African art. For collectors and designers alike, this piece offers depth; it is not simply decorative but conversation-starting. The rich emotional undercurrent—the quiet weight of waiting—lends itself beautifully to spaces that require thoughtful grounding, such as a sophisticated living area or an artist's studio.

A Vision Rooted in Experience

Drawing from her background and the powerful themes woven throughout her oeuvre, "While We Wait 1" resonates with narratives of strength found within vulnerability. Nneji’s art is known for its fearless vibrancy when tackling subjects of societal dialogue and personal endurance. Here, that resilience manifests not through overt struggle, but through the quiet dignity shared between the two women. Owning a reproduction of this piece allows one to bring into an interior space not just artwork, but a contemplation on empathy, support, and the enduring power found in simply being present with another soul.

よくあるご質問

「While We Wait 1」にはどのような技法が用いられ、いつ制作されたものですか?

Tonia Nneji作「While We Wait 1」の技法はPaintingで、制作年は2019年です。

Tonia Nneji作「While We Wait 1」には何が描かれており、どのような情緒が漂っていますか?

Tonia Nneji作「While We Wait 1」は、women portrait, intimate scene, nigerian art, figurative painting, bench setting, vibrant colorsを描き出し、Inspirationalな情緒を湛えています。主題と雰囲気が相まって、作品の物語を形作っています。

「While We Wait 1」はいつ制作されたもので、どの様式(ムーブメント)に属していますか?

「While We Wait 1」は2019年に制作され、Contemporary Realismの様式に属しています。


アーティストについて

The Vibrant Tapestry of Tonia Nneji

Born in the bustling energy of Lagos State, Nigeria, in 1991, Tonia Nneji carries within her a visual language deeply rooted in the ancestral rhythms of her homeland. Her artistic lineage is inextricably linked to the traditions of carvers and the powerful presence of masquerade carriers, a heritage that breathes life into her contemporary practice. After graduating with honors from the University of Lagos in 2016, Nneji emerged not merely as a skilled painter, but as a profound storyteller capable of weaving complex societal dialogues into the very fabric of her canvases. Her work serves as a bridge between the historical weight of Nigerian craftsmanship and the urgent, pressing conversations of the modern era.

Nneji’s creative process is an intimate exploration of resilience, often drawing from her personal navigation through significant health challenges. She utilizes the canvas to confront the heavy silences surrounding trauma and women’s health, transforming vulnerability into a site of strength and advocacy. Through her art, she champions bodily autonomy and protection against harassment, creating a visual sanctuary for dialogue. This mission is mirrored in her fascination with textile materials; she investigates commemorative fabrics as symbols of place and belonging, exploring how these woven narratives transcend geographical borders to communicate universal truths about identity and the human condition.

A Masterful Blend of Pattern and Purpose

The aesthetic power of Nneji’s work lies in its breathtaking fusion of abstraction and figurative elements. Her canvases are characterized by a meticulous attention to detail, where bold colors and intricate patterns pulsate with an almost rhythmic energy. This technique is deeply informed by ancestral craftsmanship, yet it remains resolutely contemporary. By interweaving geometric precision with organic, flowing forms, she creates a sense of movement that mimics the protective and enveloping nature of textiles. Each layer of color and every patterned line serves as a deliberate stroke in her larger effort to document the complexities of the female experience and the enduring spirit of cultural heritage.

Her artistic development has been propelled by significant recognition within the international art community. Through prestigious residencies, such as those at Art Dubai, and accolades like the Ronke Ekensi Prize, Nneji has been afforded the space to expand her technical repertoire and deepen her thematic inquiries. Her presence in the global art landscape is further solidified by notable exhibitions, including:

  • Solo presentations at rele gallery in both Lagos and Los Angeles, which showcased her ability to command international attention.
  • Participation in the evocative group exhibition ‘Dancing in Dark Times’ at the Pippy Houldsworth Gallery in London.
  • The inclusion of her work in the ‘Orita Meta’ exhibition at rele gallery, highlighting her connection to cultural crossroads.

As a significant contributor to the evolving landscape of contemporary African art, Tonia Nneji continues to push the boundaries of what painting can achieve. Her work does not simply decorate; it defends, commemorates, and illuminates. By transforming the personal into the political and the ancestral into the avant-garde, she ensures that the narratives of identity, health, and belonging are etched permanently into the collective consciousness of the art world.

Tonia Nneji

Tonia Nneji

1991 - , Nigeria

アーティスト情報

  • Full Name: tonia nneji
  • Nationality: Nigerian
  • Date Of Birth: 1991
  • Place Of Birth: Lagos State, Nigeria
  • Notable Artworks:
    • OKOSISI II
    • OKOSISI
    • While We Wait 4
  • Artistic Movement Or Style: Contemporary Art