当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 ( プリント版に切り替え
デジタル画像販売へ切り替え)
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
特定のフレームやスペースに合わせて、ご希望のサイズをご入力いただけます。選択されたサイズが元の画像の比率と異なる場合、アートワークをトリミングするか、手描きで要素を追加して絵画を拡張いたします。デジタルモックアップ を制作し、制作開始前にご確認(承認)をいただきます。
画面上のプレビューは、実際のトリミングや拡張を正確に反映しているものではありません。最終的な構図は、モックアップによってのみ正確にご確認いただけます。
カスタムサイズもご利用いただけますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
Untitled
複製画のサイズ
Stela Barbieri is far more than a singular painter; she is a weaver of stories, an educator, and a multidisciplinary force whose work exists at the intersection of visual art, literature, and sound. Born in Arara-quara, Brazil, in 1965, her creative essence is deeply rooted in the concept of the "living atelier." Her professional journey is not a linear path but rather a spiral, where her experiences as an author, composer, and curator feed into her visual practice. This interconnectedness allows her to approach the canvas not merely as a surface for pigment, but as a space for pedagogical invention and poetic reflection. Through her leadership of Bináh Espaço de Artes, she has cultivated an environment where art is not just observed but lived, much like the cherished memories of her childhood spent in the vibrant, storytelling atmosphere of her family's gardens.
The evolution of Barbieri’s work is marked by a profound commitment to the transformative power of creativity. Her artistic practice has expanded across various media, from the delicate precision of gouache and collage to large-scale installations and musical compositions. In her visual works, one often finds a dialogue between the ephemeral and the permanent, utilizing textures that invite tactile contemplation. Her history as an educator—having served as the educational director at the Instituto Tomie Ohtake and an educational curator for the São Paulo Biennial Foundation—deeply informs her aesthetic. She views art as a tool for discovery, a sentiment reflected in her numerous exhibitions that often invite public participation, blurring the boundaries between the creator and the observer.
To engage with Barbieri’s oeuvre is to enter a world where different forms of expression coalesce into a singular atmospheric experience. Her work as an author of over thirty books for children and young adults provides a literary foundation that mirrors the narrative depth found in her visual art. There is a rhythmic quality to her compositions, a cadence that suggests the influence of her musical endeavors, such as her recent musical album, Canoa. This auditory dimension complements her visual language, creating a sensory landscape where light, color, and sound perform a delicate dance.
Her technical mastery is particularly evident in her ability to manipulate medium and material to evoke specific emotional states:
The historical significance of Stela Barbieri lies in her ability to bridge the gap between high art and community engagement. Her career has been defined by a refusal to isolate art within the sterile confines of a gallery; instead, she brings it into the realms of education, literature, and daily life. By serving on prestigious boards such as the Pinacoteca do Estado de São Paulo and the Calouste Gulbenkian Foundation, she has helped shape the institutional landscape of contemporary art in Brazil while maintaining a grassroots connection to the act of storytelling.
Ultimately, Barbieri’s work serves as an invitation to a state of constant becoming. Whether through the quiet resonance of a landscape or the complex layers of a multimedia installation, her art remains a testament to the enduring power of curiosity. She reminds us that the artist is not merely a maker of objects, but a curator of experiences, a guardian of stories, and a guide through the infinite possibilities of the human imagination.
Italy