アート相談を無料で

x
プリントを購入 プリントを購入画像を 購入する 画像を 購入する シェアするシェアする
DetailsDetails お気に入りに追加 お気に入りに追加 ダウンロードダウンロード 似ている作品似ている作品 X-RayX-Ray スライドショースライドショー

Goats

Admire 'Goats' by Philipp Peter Roos! This Baroque painting captures rural life in 17th-century Germany. A captivating scene of goats & figures – a unique art investment.

Philipp Peter Roos (1655-1706), German Baroque painter known as Rosa di Tivoli, specialized in Italianate landscapes & animal paintings. Explore his idyllic scenes of cattle, sheep, and goats – a key figure in 17th/18th century art.

手描き油彩複製画

当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。

P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8

Standard
custom
CM
INCH

作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。

高さ

特定のフレームやスペースに合わせて、ご希望のサイズをご入力いただけます。選択されたサイズが元の画像の比率と異なる場合、アートワークをトリミングするか、手描きで要素を追加して絵画を拡張いたします。デジタルモックアップ を制作し、制作開始前にご確認(承認)をいただきます。
画面上のプレビューは、実際のトリミングや拡張を正確に反映しているものではありません。最終的な構図は、モックアップによってのみ正確にご確認いただけます。
カスタムサイズもご利用いただけますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。

カスタマイズの例:顔をお客様の写真に置き換える、ペットを追加する(例:猫を犬に変更)、背景に隠れたメッセージを入れる、背景の風景や要素を変更するなど。
ご注文後、WahooArt.com チームより詳細な指示をお送りするとともに、仕上がりイメージ(モックアップ)をご提供いたします。

世界中への配送()は、通常の5週間ではなく、3〜4週間でお届けいたします。(2 7月)。品質には一切妥協いたしません。

why_choose_icon
世界中へ無料エクスプレス配送
why_choose_icon
高品質なリネンキャンバス
why_choose_icon
配送時完全保険付
why_choose_icon
関税・輸入税の払い戻し保証
why_choose_icon
忠実な色彩再現保証
why_choose_icon
60日間返品保証(製造上の欠陥のみ)
why_choose_icon
100% 全額返金保証
why_choose_icon
まとめ買い割引のご案内

合計金額

-

reproduction

Goats

複製技法

複製画のサイズ

-

合計金額

-


アーティストの略歴

Philipp Peter Roos (1655-1706): The Shepherd’s Painter of Tivoli

Philipp Peter Roos, later known as Rosa di Tivoli, stands as a fascinating figure in the artistic landscape of Baroque Italy – specifically within the vibrant milieu of Tivoli and Rome. Born in Frankfurt am Main around 1655, Roos embarked on an artistic journey shaped by familial influence and propelled forward by patronage, ultimately achieving renown for his distinctive style: Italianate landscapes populated with meticulously rendered animals. His legacy resides not merely in aesthetically pleasing depictions but also in embodying the spirit of a period grappling with scientific inquiry alongside religious fervor. Roos’s formative years were spent under the tutelage of his father, Johann Heinrich Roos, a landscape painter who instilled in him a foundational understanding of tonal harmony and compositional balance. This early training proved invaluable as he honed his skills independently before accepting an invitation from Charles I, Landgrave of Hesse-Kassel, to relocate to Rome in 1677. Recognizing Roos’s talent, the Landgrave generously provided financial support for this ambitious undertaking – a pivotal moment that allowed Roos to immerse himself fully within the artistic currents of the era and collaborate closely with Giacometano Brandi, a celebrated Roman painter who served as his mentor. The relationship between Roos and Brandi fostered an exchange of ideas concerning artistic technique and stylistic considerations. It was during this period that Roos encountered Isabella Brandi, Brandi’s daughter, whom he passionately loved and ultimately married. Their life in Tivoli became synonymous with the “Noah’s Ark,” a sprawling villa adorned with exotic animals—a deliberate choice by Roos intended to serve as a living studio for his artistic endeavors. This environment profoundly impacted his oeuvre, informing his meticulous observation of animal behavior and translating into canvases brimming with palpable vitality. Roos joined the Congregation of Virtuosi al Pantheon in 1683, marking an important step toward establishing himself within Rome’s artistic community. The guild fostered connections and provided opportunities for commissions—though often modest—allowing Roos to sustain his livelihood through smaller paintings and sketches catering to tourists. His nickname, “Mercurius,” reflected the remarkable speed with which he executed his works; this efficiency was a testament to his dedication and underscored the pressures faced by artists of the time who sought recognition amidst intense competition. Despite facing financial hardships in his later years, Roos continued to produce artwork until his death in 1706. His contribution to Baroque art is particularly noteworthy for its embrace of animal painting—a genre that simultaneously reflected scientific advancements (anatomical studies) and upheld traditional artistic conventions. He achieved particular acclaim for his depictions of oxen, sheep, and goats, capturing their textures and movements with unparalleled accuracy. Roos’s distinctive style – characterized by broad brown tones and a masterful command of tonal gradation – cemented his place as one of the foremost landscape artists of his time, leaving behind a body of work that continues to inspire admiration for its beauty and technical prowess.
  • Notable Works: “A Landscape with a Milkmaid,” “Landscape with Goats and Cattle,” “Landscape with Bull, Goats and Attendant”
  • Influences: Johann Heinrich Roos (Father), Giacometano Brandi
  • Guild Membership: Congregation of Virtuosi al Pantheon
Philipp Peter Roos

Philipp Peter Roos

1655 - 1706 , Germany

基本情報

  • Artistic Movement Or Style: Baroque
  • Artists Or Movements Influenced By This Artist: ['Dutch Golden Age']
  • Artists Who Influenced This Artist: ['Johann Heinrich Roos']
  • Date Of Birth: 1655
  • Date Of Death: 1706
  • Full Name: Philipp Peter Roos
  • Nationality: German
  • Notable Artworks:
    • A Landscape with a Milkmaid
    • Landscape with Goats and Cattle
    • Landscape with Bull, Goats and Attendant
  • Place Of Birth: Frankfurt am Main, Germany
テーマ、スタイル、特徴別に分類された作品を探索しましょう。