1942
60.0 x 77.0 cm当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 ( Switch to Print
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Night
複製画のサイズ
Paul Lucien Dessau (1909-1999) remains a compelling figure in British art, largely due to his unique and profoundly moving wartime oeuvre. Far from the polished portraits of established artists, Dessau's work emerged from an unexpected source: his service as a fireman during the Blitz. This experience—the chaos, the heroism, and the devastating impact of aerial bombardment—became the bedrock of his artistic vision, resulting in a series of paintings that offer a visceral and deeply human perspective on one of Britain’s darkest periods. His story is not simply that of an artist; it's a testament to resilience, observation, and the power of art to bear witness.
Born in London in 1909, Dessau’s early life was marked by hardship. The loss of his father at a young age instilled a sense of independence and resourcefulness. He initially pursued commercial art, finding work as an apprentice in a design studio, primarily producing catalogue illustrations for department stores – a far cry from the dramatic canvases he would later create. However, a desire for greater creative freedom led him to establish his own design studio with his brother Bernard, known as Dewsbury Dessau. Alongside this professional activity, Paul pursued formal artistic training, studying part-time at institutions like Hornsey School of Art and Central School of Art and Design, honing his skills in drawing and painting. These early explorations laid the groundwork for his later development, demonstrating a nascent talent that would be dramatically shaped by the exigencies of war.
The Second World War irrevocably altered Dessau’s trajectory. Joining the Auxiliary Fire Service in 1941, he quickly became involved with a burgeoning group of artist-firemen – a remarkable assembly including figures like Leonard Rosoman and Norman Hepple. Recognizing the potential for documenting this pivotal era, the group established an Artist Committee, which secured commissions from the War Artists’ Advisory Committee (WAAC). This arrangement allowed Dessau to translate his experiences into paintings, capturing the realities of firefighting during the Blitz with a raw and unflinching honesty. The Fireman Artist Group held twenty exhibitions throughout Britain, attracting enormous crowds – over 64,000 people attended one exhibition in a single month – showcasing their collective artistic output and raising awareness of the vital role played by firefighters.
Dessau's most celebrated works are undoubtedly those depicting the chaos and heroism of firefighting during the Blitz. “Menace,” a series of four canvases, stands as a particularly powerful example. These paintings aren’t simply depictions of destruction; they convey a sense of both terror and determination, portraying firemen confronting a seemingly insurmountable demonic force – a metaphor for the overwhelming nature of the bombing raids. Other notable works include ‘And So To Bed,’ a poignant portrait of an auxiliary fireman in his uniform, highlighting the meticulousness and discipline required of these volunteers, and “Invasion,” which powerfully captures the devastation wrought by aerial attacks. These paintings are not romanticized accounts of war; they are intimate portraits of ordinary men facing extraordinary circumstances.
Following the war, Dessau transitioned to portraiture, establishing a successful career as a painter. However, his wartime work remains his most enduring legacy. His paintings offer an invaluable historical record, providing a uniquely personal perspective on the Blitz from those who were directly involved in its defense. Dessau’s art transcends mere documentation; it embodies the spirit of resilience and courage that defined Britain during World War II. His paintings are now housed in collections like the London Fire Brigade Museum and Worcester Art Gallery, ensuring that his powerful depictions of wartime life continue to resonate with audiences today. Paul Lucien Dessau's story serves as a reminder that art can emerge from unexpected places, offering profound insights into human experience and historical events.
1909 - 1999