Acrylic On CanvasWallArtColor Field Painting
1964Modern
170.0 x 170.0 cm
Oklahoma City Museum of Art当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 (
プリント版に切り替え デジタル画像販売へ切り替え)
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
特定のフレームやスペースに合わせて、ご希望のサイズをご入力いただけます。選択されたサイズが元の画像の比率と異なる場合、アートワークをトリミングするか、手描きで要素を追加して絵画を拡張いたします。デジタルモックアップ を制作し、制作開始前にご確認（承認）をいただきます。
画面上のプレビューは、実際のトリミングや拡張を正確に反映しているものではありません。最終的な構図は、モックアップによってのみ正確にご確認いただけます。
カスタムサイズもご利用いただけますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
No. 17
複製画サイズ一覧
In the vast landscape of mid-century abstraction, few works capture the rhythmic pulse of light and shadow as intimately as Paul Allen Reed’s No. 17. Created in 1964, this masterpiece serves as a profound testament to the artist's mastery over the Washington Color School movement. At first glance, the viewer is met with a striking nocturnal atmosphere, where a deep, velvety black background provides a stage for a celestial dance of blue and yellow. The composition is not merely a collection of shapes but a carefully orchestrated visual melody, where scattered blue circles—some punctuated by delicate green accents—float like luminous orbs in an infinite void. This interplay between the dark expanse and the vibrant, saturated pigments creates a sense of depth that pulls the observer into a meditative state.
The technique employed in No. 17 reflects Reed’s pioneering spirit within the realm of color field painting. Eschewing traditional heavy textures, Reed utilized diluted acrylic paints applied directly to the canvas, a method that allowed for a luminous, almost translucent quality. This approach enables the colors to bleed and interact with a soft, ethereal edge, making the blue circles appear as though they are glowing from within rather than sitting atop the surface. The precision of the circular forms contrasted against the fluid, atmospheric application of color demonstrates a sophisticated control over both spontaneity and structure, a hallmark of his contribution to American abstraction.
To understand No. 17 is to understand the historical significance of the Washington Color School. As a contemporary of some of the most influential figures in post-war art, Reed sought to redefine how color could function as the primary subject of a painting, independent of representational form. In this work, there is no hidden narrative or literal subject; instead, the "subject" is the emotional resonance of the colors themselves. The tension between the cool, tranquil blues and the sharp, energetic yellows evokes a feeling of cosmic wonder, reminiscent of looking through a telescope into a distant nebula. It is an exploration of pure perception, inviting the viewer to experience the weight, temperature, and vibration of color.
For the discerning collector or interior designer, this painting offers more than just aesthetic beauty; it provides a focal point of profound intellectual and emotional gravity. The large-scale 170 x 170 cm format ensures that the work commands any space it inhabits, making it an ideal centerpiece for modern, minimalist, or contemporary luxury interiors. A high-quality reproduction of this piece allows one to bring the transformative power of Reed’s vision into a private sanctuary, offering a window into a world where color and light reign supreme. Whether placed in a quiet study or a grand gallery, No. 17 continues to inspire awe, serving as a timeless reminder of the beauty found in the balance of light and darkness.
1919 - 2015 , United States of America
Discover the profound emotional depth of Color Field Painting. Explore how masters use pure color and expansive scale to evoke the sublime, offering expert insights for discerning collectors seeking to integrate chromatic abstraction into sophisticated modern interiors.
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ガラスオプションは、110cm未満のサイズでのみご利用いただけます。
