Ólafur Elíasson作、Wirbelwerk ( (2013))、熟練の絵師による手描きの油彩画複製画
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Wirbelwerk 手描きの油彩画複製画

寸法
811.0 x 813.0 cm

Experience 'Wirbelwerk' by Olafur Eliasson – an immersive installation of swirling glass and light that transforms spaces with dynamic patterns and captivating illusions.

Ólafur Elíasson: Danish-Icelandic artist renowned for immersive installations exploring light, water, air & perception. Blends art, science & architecture.

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敬意を払った法的な代替手段として、私たちはオリジナルにインスピレーションを与えられた、カスタムの手描きアートワークを提供しています。私たちの熟練したプロのアーティストは、元の作品が持つスタイル、情緒、そして芸術的なエッセンスを注意深く研究し、独自の創作物でありながら、同じ感性を呼び起こすような、新しくユニークな作品を作り上げます。

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手描き油彩複製画

当社のアーティストが、ご希望のサイズと額縁に合わせてキャンバスに手描きで制作する、オーダーメイドの油彩画です。 ( プリント版に切り替え デジタル画像販売へ切り替え)

Corner sample of the P118B picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118B ¥10
Corner sample of the P118H picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118H ¥10
Corner sample of the P118W picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118W ¥10
Corner sample of the P438Z picture frame: 成型ポリスチレン, 5.5 cm wide and 3.5 cm thick
P438Z ¥10
Corner sample of the P508JH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508JH ¥12
Corner sample of the P508YH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508YH ¥12
Corner sample of the P805H picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805H ¥10
Corner sample of the P805Z picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805Z ¥10
Corner sample of the P919BZ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919BZ ¥10
Corner sample of the P919G picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919G ¥10
Corner sample of the P919XJ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919XJ ¥10
Corner sample of the P959ZH picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P959ZH ¥10
Corner sample of the P968JZ picture frame: 成型ポリスチレン, 6 cm wide and 4 cm thick
P968JZ ¥12
Corner sample of the W106C picture frame: 無垢材, 5 cm wide and 3 cm thick
W106C ¥8
Corner sample of the W218G picture frame: 無垢材, 5 cm wide and 3 cm thick
W218G ¥10
Corner sample of the W218JH picture frame: 無垢材, 5 cm wide and 3 cm thick
W218JH ¥8
Corner sample of the W218Y picture frame: 無垢材, 5 cm wide and 3 cm thick
W218Y ¥10
Corner sample of the W307PJ picture frame: 無垢材, 6 cm wide and 3 cm thick
W307PJ ¥10
Corner sample of the W316G picture frame: 無垢材, 6 cm wide and 3 cm thick
W316G ¥10
Corner sample of the W316PJ picture frame: 無垢材, 6 cm wide and 3 cm thick
W316PJ ¥8
Corner sample of the W316Y picture frame: 無垢材, 6 cm wide and 3 cm thick
W316Y ¥10
Corner sample of the W398PJ picture frame: 無垢材, 5 cm wide and 3 cm thick
W398PJ ¥8
Corner sample of the W4111J picture frame: 無垢材, 6.5 cm wide and 3.5 cm thick
W4111J ¥10
Corner sample of the W500HY picture frame: 無垢材, 7 cm wide and 5 cm thick
W500HY ¥15
Corner sample of the W500JH picture frame: 無垢材, 7 cm wide and 5 cm thick
W500JH ¥15
Corner sample of the W692G picture frame: 無垢材, 8 cm wide and 4 cm thick
W692G ¥12
Corner sample of the W849H picture frame: 無垢材, 5 cm wide and 3 cm thick
W849H ¥8
Corner sample of the W940BG picture frame: 無垢材, 7.5 cm wide and 4.5 cm thick
W940BG ¥15
Corner sample of the W953PJ picture frame: 無垢材, 6 cm wide and 3.5 cm thick
W953PJ ¥8

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合計金額

¥ 43124

Wirbelwerk

再現技法

複製画サイズ一覧

-

合計金額

¥ 43124

作品詳細

  • Subject/Theme: Perception & Light
  • Medium: Metal & Glass
  • Year: 2013
  • Title: Wirbelwerk
  • Notable Elements: Spiral design

アート・クイズ

各質問の正解は1つのみです。

設問 1:
What is the primary subject matter depicted in the image of ‘Wirbelwerk’?
設問 2:
The installation ‘Wirbelwerk’ is located within which museum?
設問 3:
What material is predominantly used to construct the ‘Wirbelwerk’ sculpture?
設問 4:
According to the provided text, what does ‘Wirbelwerk’ evoke in terms of natural phenomena?
設問 5:
Ólafur Eliasson’s work often explores how viewers perceive space and reality. Which artistic movement influenced his approach?

Wirbelwerk: A Dance of Light and Geometry by Ólafur Eliasson

Ólafur Eliasson’s “Wirbelwerk,” created in 2012 for the Lenbachhaus museum in Munich, isn't merely a sculpture; it’s an orchestrated experience. This monumental installation immediately captivates with its sheer scale – spanning over eight meters in diameter and descending nearly nine meters below – yet manages to feel remarkably intimate as visitors are drawn into its swirling embrace. The work is a testament to Eliasson’s signature approach: a masterful blend of science, perception, and the evocative power of light and space. It's an invitation to reconsider our relationship with the world around us, prompting a moment of quiet contemplation amidst the bustle of a museum setting.

At its core, “Wirbelwerk” is built upon a complex system of polished metal tubes – hundreds of them – meticulously arranged in opposing spirals. These aren’t simply lines; they are conduits for light, each tube subtly tinted with color, creating an iridescent shimmer as it catches the ambient illumination. Interwoven within this metallic framework are hand-blown coloured glass triangles, strategically positioned to refract and scatter light further, adding layers of complexity and visual richness. The entire structure is bathed in a carefully calibrated internal lighting system, shifting and evolving throughout the day, mirroring the natural rhythms of sunlight and shadow.

The Language of Motion: Vortexes and Perception

Eliasson’s fascination with movement – particularly the dynamic forms of vortexes and spirals – is central to “Wirbelwerk.” He draws inspiration from phenomena observed in nature, such as the swirling patterns of water currents or the graceful rotation of schools of fish. The installation subtly mimics these natural movements, creating an illusion of perpetual motion that engages the viewer’s sense of spatial awareness. The geometry itself—the precise spirals and intersecting lines—references principles of Gestalt psychology, demonstrating how our brains actively interpret visual information to create a cohesive whole. It's not just about seeing; it’s about *feeling* the movement within the space.

A Dialogue with Light and Space

The brilliance of “Wirbelwerk” lies in its interaction with the surrounding environment. The installation is designed to respond dynamically to changes in light, casting shifting patterns of color and shadow onto the museum’s walls and floors. This creates a constantly evolving visual landscape, transforming the space into an immersive experience. Eliasson deliberately blurs the boundaries between art and architecture, turning the entire atrium into a single, unified artwork. The work invites viewers to become active participants in this dynamic interplay of light and form, altering their perception of the room with each movement.

Symbolism and Emotional Resonance

Beyond its technical sophistication, “Wirbelwerk” carries a subtle symbolic weight. The swirling forms evoke notions of transformation, fluidity, and interconnectedness – mirroring the cyclical nature of life itself. The installation’s scale encourages a sense of awe and wonder, prompting viewers to momentarily step outside their everyday concerns and embrace a more expansive perspective. It's a reminder of our inherent connection to the natural world, and a celebration of the beauty and complexity that surrounds us. The piece ultimately leaves one with a feeling of quiet contemplation, a lingering awareness of the intricate dance between light, space, and perception.

Q&A

Ólafur Elíasson作「Wirbelwerk」 の複製画は、どこに飾るのが最適でしょうか?

Portraitの形状を活かした「Wirbelwerk」の複製画は、Hotel Lobbyに飾るのがおすすめです。

「Wirbelwerk」には、どのような情緒や感情が込められているのでしょうか?

Ólafur Elíasson作「Wirbelwerk」は、全体的なCalmなムードの中に、Tranquilな感情を伝えています。

Wirbelwerkは、Ólafur Elíassonのキャリアにおけるどの時期の作品にあたりますか?

「Wirbelwerk」は、Ólafur Elíassonの画業におけるLate Periodに属します。この分類は、作品をアーティストの作風の変遷に関連付けるものです。


作家プロフィール

Ólafur Elíasson: A Biography

Early Life and Education

  • Born in Copenhagen, Denmark in 1967 to Icelandic parents, Elías Hjörleifsson and Ingibjörg Olafsdottir.
  • Spent formative years navigating dual cultural identities – Danish and Icelandic.
  • Showed early artistic promise with his first solo exhibition at age 15.
  • Studied at the Royal Danish Academy of Fine Arts from 1989 to 1995, a period crucial for developing his conceptual approach.

Artistic Development and Influences

  • Elíasson’s work evolved from early landscape drawings to large-scale installations exploring perception, light, and natural phenomena.
  • Influenced by phenomenology and Gestalt psychology, focusing on how viewers experience space and reality.
  • Collaboration with architect Einar Thorsteinn significantly impacted his geometric works and spatial designs.
  • Inspired by artists like Robert Irwin and James Turrell who also manipulate perception through light and space.

Key Themes and Artistic Style

  • Central themes include the relationship between humans and nature, artificial versus natural environments, and the subjective experience of reality.
  • His style is characterized by large-scale installations that often incorporate elemental materials like light, water, air temperature, and mirrors.
  • Immersive experiences are a hallmark of his work, inviting viewers to actively participate in and question their surroundings.
  • Frequently blends art with scientific inquiry, exploring concepts from physics, optics, and meteorology.

Major Achievements and Notable Works

  • Represented Denmark at the 50th Venice Biennale in 2003, gaining international recognition.
  • “The Weather Project” (2003) at Tate Modern’s Turbine Hall – a monumental installation creating an artificial sun and sky, becoming one of his most iconic works.
  • Designed the Serpentine Gallery Pavilion in 2007, showcasing innovative architectural design.
  • Created “New York City Waterfalls” (2008), transforming Manhattan’s waterfront with cascading waterfalls.
  • Co-founded Studio Other Spaces with Sebastian Behmann, expanding his practice into architecture and urban interventions.
  • Designed the Harpa Concert Hall in Reykjavik, Iceland – a stunning architectural landmark.

Historical Significance and Legacy

  • Elíasson is considered one of the most influential contemporary artists working today.
  • His work challenges traditional notions of art by blurring boundaries between disciplines—art, science, architecture, and environmentalism.
  • He has sparked important conversations about climate change, sustainability, and our relationship with the natural world.
  • Continues to push the boundaries of artistic practice through innovative installations, architectural projects, and public interventions.
  • Currently a professor at the Berlin University of the Arts, nurturing future generations of artists and thinkers.
Ólafur Elíasson

Ólafur Elíasson

1967 - , Denmark

プロフィール概要

  • Name: Ólafur Elíasson
  • Movement:
    • Installation Art
    • Contemporary Art
    • Environmental Art
  • Birth Date: 1967-02-05
  • Birth Place: Copenhagen, Denmark
  • Nationality:
    • Danish
    • Icelandic
  • Date Of Birth: 1967
  • Notable Works:
    • The Weather Project
    • Serpentine Gallery Pavilion 2007
    • New York City Waterfalls
    • The Presence of Absence Pavilion
  • Place Of Birth: Copenhagen, Denmark