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Empty Chair

A vibrant scene of figures and nature unfolds in this 1981 painting by Nellie Mae Rowe, capturing a soulful atmosphere through her unique folk art style that invites you to bring this piece of history into your home.

Discover Nellie Mae Rowe (1900-1982), a self-taught African American artist from Georgia celebrated for her vibrant drawings, collages, dolls & installations. Her work explores race, gender, folklore, and domestic life – now recognized as vital Ameri

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Corner sample of the P118B picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: 成型ポリスチレン, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
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Corner sample of the P968JZ picture frame: 成型ポリスチレン, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: 天然木, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: 天然木, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: 天然木, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: 天然木, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: 天然木, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: 天然木, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: 天然木, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: 天然木, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: 天然木, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: 天然木, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: 天然木, 8 cm wide and 4 cm thick
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Corner sample of the W940BG picture frame: 天然木, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: 天然木, 6 cm wide and 3.5 cm thick
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合計金額

¥ 42849

Empty Chair

再現技法

複製画サイズ一覧

-

合計金額

¥ 42849

In

よくあるご質問

Nellie Mae Rowe作「Empty Chair」は、Contemporary Realismにおいてどのような情緒を表現していますか?

「Empty Chair」は、Contemporary Realismのムーブメントにおいて、Reflectiveな情緒を湛えています。

「Empty Chair」は、どのような色調に寄っていますか?

Nellie Mae Rowe作「Empty Chair」には、Green to Violet Spectrumの色調が全体に広がっています。

Nellie Mae Rowe作「Empty Chair」は、どのような主題と情緒を融合させているのでしょうか?

Nellie Mae Rowe作「Empty Chair」は、people, nature, birds, cat, chairs, red clothing, treesとPlayfulな雰囲気を融合させています。


アーティストについて

Nellie Mae Rowe: A Life Woven in Color and Resilience

Nellie Mae Rowe (July 4, 1900 – October 18, 1982) remains a quietly revolutionary figure in American art. Born in Fayetteville, Georgia, during the final year of the nineteenth century, her story is one of profound self-discovery forged within the constraints of racial segregation and domestic labor. More than simply an artist, Rowe was a creator who transformed her humble home into a vibrant, idiosyncratic “Playhouse,” a testament to her ingenuity, joy, and unwavering spirit. Her work—a captivating blend of drawings, collages, altered photographs, hand-sewn dolls, and sculptural installations—now commands attention for its raw emotional honesty, its celebration of Black culture, and its radical assertion of self-expression in a world that often sought to diminish it.

Early Life and the Seeds of Creativity

Rowe’s childhood was shaped by the realities of rural Georgia life. She grew up on her family's farm, assisting with agricultural labor alongside her siblings. Despite limited formal education – she left school after fourth grade – Rowe possessed an innate artistic sensibility. From a young age, she found solace and expression in drawing, transforming scraps of paper and discarded materials into miniature worlds filled with figures and scenes from her daily life. Her mother, Luelle Swanson, a skilled seamstress and quilter, instilled in her the value of craft and creativity, teaching her to create dolls and quilts—skills that would later inform Rowe’s distinctive artistic practice. The early hardships she experienced – including the loss of her father and subsequent work as a domestic servant – undoubtedly fueled her desire to reclaim agency and define herself through art.

The "Playhouse" and a World Constructed from Found Objects

Following her husband's death in 1936, Rowe moved with him to Vinings, Georgia, where they built a small cottage that became the heart of her artistic world. This home—dubbed the “Playhouse”—was not merely a dwelling; it was an immersive installation, meticulously decorated with a staggering array of found objects. Rowe repurposed discarded materials – chewing gum, fabric scraps, buttons, and even household detritus – transforming them into whimsical dolls, intricate sculptures, and vibrant drawings that adorned every surface. This process wasn’t simply decorative; it was a deeply personal act of reclamation, a way to assert her identity and create a space of joy and beauty amidst the limitations of her circumstances. As she herself described, “I started doing it way ago, right after my husband died. He died in ‘48 and then people just started to bring in this, bring in the dolls, and bringing me things. I take nothing, you know, take nothing and make something out of it.”

Themes and Influences: Folklore, Domesticity, and Black Identity

Rowe’s art is profoundly rooted in African-American folklore, spiritual traditions, and the realities of domestic life. Her figures—often rendered with bold colors and expressive features—depict family members, neighbors, and herself, capturing a sense of warmth, resilience, and quiet dignity. The dolls she created are particularly significant, embodying a range of personalities and emotions – some playful and mischievous, others wise and contemplative. Her work subtly explores themes of race, gender, and the complexities of Southern identity, offering a counter-narrative to the often-stereotyped portrayals of Black women in mainstream art. The influence of her mother’s quilting traditions is also evident in her use of color, pattern, and texture, creating a visual language that is both deeply personal and culturally resonant.

Recognition and Legacy: A Folk Art Icon

Despite working largely outside the established art world for much of her life, Nellie Mae Rowe's unique vision has been increasingly recognized in recent decades. Her work was included in the seminal 1986 exhibition “American Folk Art” at the Corcoran Gallery of Art in Washington, D.C., and she is now considered one of the most important figures in American folk art. Major museums—including the Metropolitan Museum of Art, the Morgan Library & Museum, the American Folk Art Museum, the Baltimore Museum of Art, the Dallas Museum of Art, the High Museum of Art, the Milwaukee Art Museum, the Minneapolis Institute of Art, the Smithsonian American Art Museum, and the Schomburg Center for Research in Black Culture—have acquired her works, ensuring their preservation and accessibility to a wider audience. Her story serves as an inspiring example of artistic self-discovery, demonstrating that creativity can flourish even within challenging circumstances. Nellie Mae Rowe’s legacy continues to resonate today, reminding us of the power of art to transform lives and challenge conventional notions of beauty and value.

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Nellie Mae Rowe

Nellie Mae Rowe

1900 - 1982 , Georgia

アーティスト情報

  • Full Name: Nellie Mae Rowe
  • Nationality: American
  • Date Of Birth: 1900
  • Date Of Death: 1982
  • Place Of Birth: Fayetteville, Georgia
  • Notable Artworks:
    • Woman Scolding Her Companion
    • Empty Chair
    • Rocking Chair
  • Artistic Movement Or Style: Self-taught folk art