x
手描きの絵画を購入 手描きの絵画を購入画像を購入 画像を購入 シェアするシェアする
詳細を見る詳細を見る お気に入りに追加 お気に入りに追加 ダウンロードダウンロード 似ている作品似ている作品 スライドショースライドショー

Bathing Woman

A graceful neoclassical study of the female form, this 1928 sculpture by Moissey Kogan captures timeless sensuality through textured clay, inviting you to bring this exquisite piece of art history into your collection.

Moissey Kogan (1879-1943) was a Bessarabian Jewish sculptor & graphic artist known for neoclassical female forms, medals, and prints. A member of Neue Künstlervereinigung, his work embodies grace & sensuality. Rediscovered Holocaust victim with works

ジークレー/アートプリント

迅速な制作と多彩な仕上げオプションを備えた、ミュージアムクオリティのジークレーまたはキャンバスプリント。 (手描きの絵画を購入 手描きの絵画を購入画像を購入 画像を購入)

標準サイズ
オーダーメイド
CM
INCH

作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。

高さ

特定のフレームやスペースに合わせて、ご自身でサイズを指定することも可能です。選択されたサイズが元の画像の比率と一致しない場合、作品をトリミングするか、鏡面反射または単色での塗りつぶしによって画像を拡張いたします。制作を開始する前に、ご確認用のデジタルモックアップをお送りいたします。
画面上のプレビューには、実際のトリミングや拡張は反映されませんのでご注意ください。最終的な構図を正確に確認できるのは、モックアップのみとなります。
カスタムサイズも承っておりますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。

世界中への配送()は、標準の4〜5週間ではなく、2週間でお届けいたします。(5 9月)

why_choose_icon
世界中へ無料エクスプレス配送
why_choose_icon
高品質なリネンキャンバス
why_choose_icon
配送時完全保険付
why_choose_icon
関税・輸入税の払い戻し保証
why_choose_icon
忠実な色彩再現保証
why_choose_icon
60日間返品保証(製造上の欠陥のみ)
why_choose_icon
100% 全額返金保証
why_choose_icon
まとめ買い割引のご案内

合計金額

$ 68

reproduction

Bathing Woman

ジークレー/アートプリント

複製画のサイズ

-

合計金額

$ 68

作品詳細

  • Year: 1928
  • Title: Bathing Woman
  • Medium: Clay or stone
  • Dimensions: 38 x 28 cm
  • Subject or theme: Female form and grace
  • Artist: Moissey Kogan

The Grace of Form: Rediscovering Moissey Kogan’s Bathing Woman

In the quiet intimacy of Moissey Kogan’s Bathing Woman, we encounter a moment frozen in time, a delicate intersection of vulnerability and strength. Created in 1928, this evocative sculpture captures a woman caught in the private, rhythmic ritual of cleansing. There is an undeniable sense of movement within her stillness; as she reaches toward her back, her fingers tracing the contours of her own skin, the viewer is invited into a sanctuary of solitude. The piece does not merely depict a physical act but celebrates the profound elegance of the human silhouette, rendered with a sensitivity that speaks to the very essence of life and self-care.

The sculpture’s aesthetic is deeply rooted in the neoclassical traditions that Kogan mastered during his formative years in Paris. Influenced by the monumental legacies of Auguste Rodin and Aristide Maillol, Kogan moves away from dramatic tension toward a more serene, harmonious exploration of the female form. The texture of the medium—reminiscent of aged clay or weathered stone—adds a layer of historical weight to the work, suggesting an artifact unearthed from a classical era. This tactile quality provides a beautiful contrast against a minimalist backdrop, allowing the play of light and shadow across the woman's curves to become the primary storyteller.

A Legacy of Sensuality and Skill

To understand the emotional resonance of Bathing Woman, one must look to the artist’s unique journey through the École de Paris. Kogan, a sculptor of immense technical prowess, possessed a rare ability to imbue heavy materials with a sense of weightless grace. His mastery over the "Negativ-Scent" technique and his background in fine craftsmanship allowed him to treat every curve and fold as an opportunity for poetic expression. In this particular work, the composition is balanced yet dynamic; the placement of her hand on her hip provides a structural anchor, while the reaching motion of her other arm introduces a soft, organic flow that guides the eye around the entire figure.

For the discerning collector or interior designer, this piece serves as a sophisticated focal point. It possesses a timeless quality that transcends modern trends, making it an ideal addition to spaces that value understated luxury and classical beauty. Whether placed in a sunlit study or a contemporary living salon, the sculpture radiates a calming presence. Owning a high-quality reproduction of such a significant work allows one to bring the soulful, contemplative spirit of the interwar period into the modern home, offering a daily encounter with the enduring power of classical grace.


アーティストの略歴

Early Life and Education

  • Born: May 12, 1879, in Orhei, Bessarabia (now Orhei, Republic of Moldova)
  • Jewish merchant family background
  • Demonstrated early interest in craftsmanship
  • Moved to Nagybánya, Hungary, in 1889
  • Studied under painter Simon Hollósy in Nagybánya
  • Enrolled at the Munich Academy of Fine Arts in 1903, studying sculpture under Wilhelm von Rümann.

Artistic Development and Influences

  • Initially experimented with gems, producing medals, plaques, vases, embroidery, and drawings.
  • Transitioned to sculpture after moving to Paris and encountering Rodin and Maillol.
  • Focused on the female form and concepts of grace in his sculptures.
  • Worked primarily with terracotta, gypsum, and occasionally bronze.
  • Developed a unique "Negativ-Schnitt" (intaglio cut) technique that influenced other artists.
  • Influenced by Auguste Rodin and Aristide Maillol.
  • Associated with the École de Paris artistic circle.

Major Works and Artistic Style

  • Primarily created small sculptures and reliefs in a neoclassical style.
  • His works often featured soft contours, lines, and expressive body language.
  • Produced numerous wood and linocuts as well as etchings.
  • Drawings utilized chalk, coal, and pencils.
  • Subjects frequently depicted female figures with an emphasis on grace and sensuality.
  • Exhibited extensively at the Salon d'Automne in Paris, serving as a jury member and vice-president of the sculptural department from 1925.

Later Life, Persecution, and Legacy

  • Lived between Paris and the Netherlands from 1925 until his death.
  • Ceased travel to Germany in 1933 due to increasing anti-Semitism.
  • Some of his works were exhibited at the "Entartete Kunst" (Degenerate Art) exhibition in Berlin, 1938.
  • Deported from Drancy internment camp to Auschwitz on February 11, 1943, where he died two weeks later.
  • His work was rediscovered and gained recognition in the 1960s.
  • Works are now held in numerous museums including Stedelijk Museum Amsterdam, Lehmbruck Museum Duisburg, Kunsthalle Bremen, Folkwang Museum Essen, National Gallery Moritzburg Halle, Hamburger Kunsthalle, and MoMA.

Artistic Significance

  • Kogan's art is characterized by its timeless quality and quiet world of grace.
  • His sculptures embody a "hellenistic-looking cheerfulness" with fragile grace and sensual body language.
  • Despite his tragic fate, Kogan left behind a significant body of work that reflects the artistic currents of his time while maintaining a unique personal style.
  • The Moissey Kogan Catalogue Raisonné project aims to document and preserve his legacy for future generations.
Moissey Kogan

Moissey Kogan

1879 - 1943 , Moldova

基本情報

  • Artistic Movement Or Style: Expressionism, Neoclassical
  • Artists Who Influenced This Artist:
    • Auguste Rodin
    • Aristide Maillol
    • Simon Hollósy
  • Date Of Birth: March 12, 1879
  • Date Of Death: March 3, 1943
  • Full Name: Moissey Kogan
  • Nationality: Bessarabian Jewish
  • Place Of Birth: Orhei, Moldova