2013
120.0 x 120.0 cm
MACBA - ブエノスアイレス現代美術館当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 ( プリント版に切り替え
デジタル画像販売へ切り替え)
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
特定のフレームやスペースに合わせて、ご希望のサイズをご入力いただけます。選択されたサイズが元の画像の比率と異なる場合、アートワークをトリミングするか、手描きで要素を追加して絵画を拡張いたします。デジタルモックアップ を制作し、制作開始前にご確認(承認)をいただきます。
画面上のプレビューは、実際のトリミングや拡張を正確に反映しているものではありません。最終的な構図は、モックアップによってのみ正確にご確認いただけます。
カスタムサイズもご利用いただけますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
Untitled
複製画のサイズ
Born in Buenos Aires, Argentina, in 1970, Mariano Vilela’s artistic journey is one deeply rooted in a reverence for tradition while simultaneously embracing a subtle, almost melancholic exploration of time and memory. His work, primarily executed in graphite, immediately draws the viewer into meticulously rendered landscapes—not as idyllic vistas, but as echoes of the past, imbued with a quiet sense of loss and contemplation. Vilela’s training at the ‘Prilidiano Pueyrredón’ National School of Fine Arts and his subsequent postgraduate studies in visual arts at the National University of the Arts provided him with a solid foundation, yet it was through workshops with established masters like Ahuva Slimowickz and Jorge Macchi that he truly began to forge his distinctive voice.
Early influences are evident in Vilela’s approach. The meticulous detail characteristic of his graphite drawings recalls the traditions of old master landscape painters—a deliberate nod to a lineage stretching back centuries. However, unlike many contemporary artists who seek to break entirely from this heritage, Vilela doesn't reject it; instead, he subtly subverts it. He introduces elements of decay and distortion – a blurring of edges, a suggestion of weathering, an almost imperceptible shift in perspective – that imbue his landscapes with a sense of temporal displacement. This isn’t simply about depicting the past; it’s about conveying the *feeling* of the past, its lingering presence within the present.
Vilela's chosen medium – graphite – is crucial to understanding his work. The inherent subtlety of graphite allows him to build up layers of tone and texture with incredible precision, creating a remarkable sense of depth and atmosphere. It’s a material that lends itself perfectly to the exploration of light and shadow, mirroring the way memory works—fragmented, elusive, yet profoundly affecting. His most celebrated piece, ‘Inherited Landscape,’ exemplifies this approach brilliantly. The drawing depicts a solitary tree silhouetted against a hazy horizon, its branches reaching upwards as if grasping for something lost.
As described in Google Arts & Culture’s analysis of the work, Vilela intentionally mimics the effects of time on aged artworks – the fading of colors, the cracking of surfaces, the subtle distortions caused by exposure to light and weather. This deliberate deterioration isn't merely a stylistic choice; it’s a metaphor for the way memories fade with time, becoming increasingly difficult to grasp and reconstruct. The drawing feels like a fragment unearthed from an old sketchbook, carrying within it the weight of untold stories.
Vilela's work has garnered significant recognition within Argentina’s contemporary art scene. He is listed among the top 100,000 artists on Artfacts, a testament to his consistent output and growing reputation. His pieces have been featured on prestigious platforms like Artsy and Artnet, demonstrating a commercial viability alongside critical acclaim. Furthermore, his work has found its way into collections at institutions such as the Museo de Arte Moderno y de Arte Contemporáneo de Buenos Aires (MAMBA), solidifying his place within Argentina’s artistic canon.
His exhibitions have been held in galleries and museums across both Argentina and internationally, including Espacio Duplus, Lumisol (Munich), and Light Contemporary Gallery (London). These venues provide a valuable context for understanding the breadth of his artistic practice and its appeal to diverse audiences. The Museo Moderno’s description highlights his participation in programs like “Kuitca program at Fundación Proa” and workshops focused on single-channel video, suggesting an openness to experimentation alongside his established mastery of graphite drawing.
While Vilela's technical skill is undeniable, it’s the underlying themes that truly resonate with viewers. His work frequently explores notions of memory, loss, and the passage of time—concepts deeply intertwined with the Argentine experience, shaped by its history and cultural landscape. The influence of figures like Jorge Macchi, known for his evocative depictions of the Patagonian wilderness, is palpable in Vilela’s approach to landscape. However, unlike Macchi's often heroic portrayals of nature, Vilela presents a more subdued, almost melancholic vision—one that acknowledges the fragility and impermanence of all things.
Furthermore, his engagement with the concept of “inherited landscapes” – as articulated in various online resources – suggests an interest in how past experiences and cultural narratives are transmitted across generations. His drawings aren’t simply representations of places; they're invitations to contemplate the stories embedded within them, the echoes of those who came before.
Mariano Vilela is a compelling artist whose work invites quiet contemplation and rewards careful observation. Through his masterful use of graphite, he creates landscapes that are both familiar and unsettling, simultaneously rooted in tradition and imbued with a distinctly contemporary sensibility. His exploration of memory, loss, and the enduring power of place ensures that his art will continue to resonate with audiences for years to come.
1970 - , Argentina