Acrylic On CanvasWallArtExpressionism
1915
95.0 x 72.0 cm
Niedersächsisches Landesmuseum Für Kunst Und Kulturgeschichte Oldenburg当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 (
プリント版に切り替え デジタル画像販売へ切り替え)
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特定のフレームやスペースに合わせて、ご希望のサイズをご入力いただけます。選択されたサイズが元の画像の比率と異なる場合、アートワークをトリミングするか、手描きで要素を追加して絵画を拡張いたします。デジタルモックアップ を制作し、制作開始前にご確認（承認）をいただきます。
画面上のプレビューは、実際のトリミングや拡張を正確に反映しているものではありません。最終的な構図は、モックアップによってのみ正確にご確認いただけます。
カスタムサイズもご利用いただけますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
Wilhelmine with a Ball
複製画のサイズ
Lovis Corinth’s “Wilhelmine with a Ball,” painted in 1915, stands as a poignant emblem of early 20th-century expressionism – an artistic movement driven by a fervent desire to convey inner psychological states rather than merely mirroring external reality. More than just a depiction of a young girl seated elegantly in a chair, the painting delves into themes of vulnerability and introspection, capturing a moment suspended between youthful innocence and the subtle anxieties inherent in navigating social conventions.
The painting’s composition is meticulously crafted to draw attention to Wilhelmine—the central figure—who occupies a slightly off-center position within the frame. A large window dominates the background, rendered in shades of gray and indistinctness; this deliberate blurring serves not only as visual texture but also symbolically represents the limitations of perception and the elusive nature of truth. Corinth skillfully utilizes lines – primarily gestural marks – to guide the viewer’s eye across the canvas, creating a dynamic interplay between form and space.
Corinth imbues “Wilhelmine” with layers of symbolic meaning. The girl's hat—a prominent feature of the portrait—functions as a visual shorthand for vulnerability and innocence, reflecting Corinth’s fascination with portraying psychological states through carefully chosen objects. Similarly, the subdued color palette contributes to the painting’s emotional impact, conveying a sense of quiet sadness and contemplative reflection. Corinth’s masterful use of light – diffused and natural – casts soft shadows that illuminate Wilhelmine's face and form, enhancing her expressive gaze.
Ultimately, “Wilhelmine with a Ball” transcends mere visual representation; it aspires to evoke an emotional response in the viewer. Corinth’s artistic intention was not to depict Wilhelmine as she appeared but rather to convey her inner world—her anxieties, her dreams, and her unspoken emotions. The painting's enduring power lies in its ability to resonate with audiences across generations, reminding us that art can serve as a conduit for profound psychological insight.
1858 - 1925 , オランダ
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ガラスオプションは、110cm未満のサイズでのみご利用いただけます。
