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Armchair

Discover Le Corbusier’s iconic LC2 Armchairs – a masterpiece of mid-century modern design. Warm browns & chrome frame create timeless elegance. Explore this pivotal piece!

Le Corbusier (1887-1965): Swiss-French architect & pioneer of modernism. Explore his revolutionary designs, urban planning theories, and iconic furniture like the LC4 chair.

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ジークレー/アートプリント

スピーディーな制作と多彩な仕上げオプションが魅力の、ミュージアムクオリティなジークレー・キャンバスプリント。 ( 手描きの複製画を注文する デジタル画像販売へ切り替え)

Corner sample of the P118B picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118B ¥10
Corner sample of the P118H picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118H ¥10
Corner sample of the P118W picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118W ¥10
Corner sample of the P438Z picture frame: 成型ポリスチレン, 5.5 cm wide and 3.5 cm thick
P438Z ¥10
Corner sample of the P508JH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508JH ¥12
Corner sample of the P508YH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508YH ¥12
Corner sample of the P805H picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805H ¥10
Corner sample of the P805Z picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805Z ¥10
Corner sample of the P919BZ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919BZ ¥10
Corner sample of the P919G picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919G ¥10
Corner sample of the P919XJ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919XJ ¥10
Corner sample of the P959ZH picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P959ZH ¥10
Corner sample of the P968JZ picture frame: 成型ポリスチレン, 6 cm wide and 4 cm thick
P968JZ ¥12
Corner sample of the W106C picture frame: 天然木, 5 cm wide and 3 cm thick
W106C ¥8
Corner sample of the W218G picture frame: 天然木, 5 cm wide and 3 cm thick
W218G ¥10
Corner sample of the W218JH picture frame: 天然木, 5 cm wide and 3 cm thick
W218JH ¥8
Corner sample of the W218Y picture frame: 天然木, 5 cm wide and 3 cm thick
W218Y ¥10
Corner sample of the W307PJ picture frame: 天然木, 6 cm wide and 3 cm thick
W307PJ ¥10
Corner sample of the W316G picture frame: 天然木, 6 cm wide and 3 cm thick
W316G ¥10
Corner sample of the W316PJ picture frame: 天然木, 6 cm wide and 3 cm thick
W316PJ ¥8
Corner sample of the W316Y picture frame: 天然木, 6 cm wide and 3 cm thick
W316Y ¥10
Corner sample of the W398PJ picture frame: 天然木, 5 cm wide and 3 cm thick
W398PJ ¥8
Corner sample of the W4111J picture frame: 天然木, 6.5 cm wide and 3.5 cm thick
W4111J ¥10
Corner sample of the W500HY picture frame: 天然木, 7 cm wide and 5 cm thick
W500HY ¥15
Corner sample of the W500JH picture frame: 天然木, 7 cm wide and 5 cm thick
W500JH ¥15
Corner sample of the W692G picture frame: 天然木, 8 cm wide and 4 cm thick
W692G ¥12
Corner sample of the W849H picture frame: 天然木, 5 cm wide and 3 cm thick
W849H ¥8
Corner sample of the W940BG picture frame: 天然木, 7.5 cm wide and 4.5 cm thick
W940BG ¥15
Corner sample of the W953PJ picture frame: 天然木, 6 cm wide and 3.5 cm thick
W953PJ ¥8

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世界中への配送()は、標準の4〜5週間ではなく、2週間でお届けいたします。(28 10月)

世界中へ無料エクスプレス配送
高品質なリネンキャンバス
配送時完全保険付
関税・輸入税の払い戻し保証
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100日間返品保証(製造上の欠陥がある場合のみ)
100% 全額返金保証
まとめ買い割引のご案内

合計金額

¥ 10702

Armchair

ジークレー/アートプリント

複製画サイズ一覧

-

合計金額

¥ 10702

作品情報

  • Influences: Viollet-le-Duc
  • Medium: Cowhide leather & Chrome steel
  • Notable elements or techniques: Geometric forms; Minimalist aesthetic
  • Year: 1932
  • Artist: Le Corbusier
  • Movement: Modernism

アート・クイズ

各質問の正解は1つだけです。

問題 1:
What architectural movement is Le Corbusier’s LC2 Armchair considered a seminal example of?
問題 2:
The LC2 Armchairs feature prominently shaped chrome steel frame and what type of upholstery material?
問題 3:
In what year was the LC2 Armchair designed?
問題 4:
What is a key characteristic of Le Corbusier’s design philosophy reflected in the LC2 Armchairs?
問題 5:
The photograph captures a frontal view of the LC2 Armchairs, highlighting what aspect of their form?

The LC2 Armchair: A Testament to Minimalist Elegance

The Le Corbusier LC2 Armchairs stand as an enduring emblem of mid-century modern design, embodying principles of functionality and sculptural form that continue to resonate with contemporary aesthetics. Created in 1931 by Ludwig Mies van der Rohe and Pierre Jeanneret for the Maison Citroën showroom in Paris, these chairs represent a pivotal moment in architectural history—a deliberate rejection of ornate decoration in favor of clean lines and geometric precision. Their influence extends far beyond the design world, shaping countless interiors and inspiring generations of designers to prioritize simplicity and beauty.
  • Design Philosophy: Mies van der Rohe’s unwavering commitment to “less is more” drove the LC2's conceptual framework. Rejecting superfluous ornamentation, the duo sought to distill furniture into its essential elements—structure, material, and form—creating a piece that speaks volumes without resorting to visual clutter.
  • Materials: The LC2’s construction utilizes three primary materials: bent plywood for the frame, chrome steel tubing for structural support, and cowhide leather upholstery for comfort and textural contrast. This careful selection reflects the modernist ethos of utilizing industrial processes to achieve refined results.
  • Geometric Precision: The chair's design is characterized by impeccable geometric accuracy—tubular frames intersecting at precise angles, creating a stable yet visually arresting structure. The plywood panels are bent into elegant curves that complement the straight lines of the frame, resulting in an harmonious balance between form and function.

Historical Context: Bauhaus Influence & Citroën’s Vision

The LC2 Armchairs emerged during the Bauhaus movement—a German art school founded in Weimar in 1919 that championed functionalist ideals and challenged traditional artistic conventions. Mies van der Rohe, a former Bauhaus instructor, absorbed these principles into his architectural practice and subsequently applied them to furniture design. Simultaneously, Citroën’s desire for a showroom space that reflected the company's innovative spirit fueled the project—a bold statement against prevailing decorative trends. The LC2 Armchairs became synonymous with Citroën’s commitment to modernity and technological advancement.
  • Bauhaus Legacy: Mies van der Rohe’s Bauhaus training instilled in him a profound understanding of industrial design, emphasizing efficiency and aesthetic harmony. This influence is palpable in the LC2's meticulous construction and restrained materiality.
  • Citroën Showcase: The showroom was conceived as an experimental space—a deliberate departure from conventional retail environments. The LC2 Armchairs served as a focal point for this vision of understated elegance, demonstrating how simplicity could convey sophistication.

Symbolism & Emotional Impact

Beyond its technical brilliance, the LC2 Armchair carries symbolic weight—representing the triumph of rational thought over ornamentation and embodying the humanist ideals of Bauhaus. Its sleek form conveys a sense of calm and serenity, inviting contemplation and relaxation. The tactile qualities of cowhide leather contribute to this emotional resonance—providing warmth and texture against the cool sheen of chrome steel. “The LC2 Armchair is not merely furniture; it’s an embodiment of architectural principles translated into domestic comfort,” remarked renowned design historian Norbert Schiele. “It speaks to a desire for clarity, restraint, and timeless beauty—values that continue to define modern interior spaces.” The chair's enduring popularity testifies to its ability to capture the spirit of an era while offering unparalleled aesthetic pleasure.

Technique & Reproduction Considerations

The LC2 Armchairs exemplify masterful craftsmanship—a testament to the precision required in bending plywood and assembling tubular frames. Reproductions strive to faithfully recreate these original qualities, utilizing high-quality materials and employing meticulous fabrication techniques. When selecting a reproduction, consider factors such as upholstery material (genuine leather offers superior durability and patina), frame finish (polished chrome maintains its luster over time), and overall dimensional accuracy—ensuring that the resulting piece captures the essence of Le Corbusier’s iconic design.

よくあるご質問

「Armchair」の技法とスタイルについて教えてください。

Le Corbusier作「Armchair」は、Acrylic On Canvasの技法とModernismの様式を融合させた作品です。技法(テクニック)は制作手法を、様式(ムーブメント)はその作品のスタイルを表しています。

「Armchair」は何を描いた作品で、どのような雰囲気を持っていますか?

「Armchair」にはmid century modern, armchair design, le corbusier, furniture, geometric form, chrome frame, cowhide leather, minimalistが描かれており、その情緒はElegantと表現されています。

Le Corbusier作「Armchair」において、芸術運動と時代はどのように交差しているのでしょうか?

Le Corbusier作「Armchair」において、Modernismの潮流と近代美術の時代が融合しています。