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          Kurt Schwitters作、(Elikan) ( (1925))、熟練の絵師による手描きの油彩画複製画
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          Kurt Schwitters

          (Elikan) 手描きの油彩画複製画

          寸法
          44.0 x 36.0 cm

          This piece showcases Schwitters’ masterful manipulation of materials and composition—a cornerstone of Dada aesthetics—demonstrating a deliberate rejection of traditional art forms in favor of embracing spontaneity and fragmentation.
          詳細を表示

          Explore Kurt Schwitters' (1887-1948) innovative art: Dada, Merz collage & installations. Discover his use of found objects & impact on modern art.
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          手描き油彩複製画

          当社のアーティストが、ご希望のサイズと額縁に合わせてキャンバスに手描きで制作する、オーダーメイドの油彩画です。 ( プリント版に切り替え デジタル画像販売へ切り替え)

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          Corner sample of the P959ZH picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
          P959ZH ¥10
          Corner sample of the P968JZ picture frame: 成型ポリスチレン, 6 cm wide and 4 cm thick
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          Corner sample of the W106C picture frame: 無垢材, 5 cm wide and 3 cm thick
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          Corner sample of the W218Y picture frame: 無垢材, 5 cm wide and 3 cm thick
          W218Y ¥10
          Corner sample of the W307PJ picture frame: 無垢材, 6 cm wide and 3 cm thick
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          W316G ¥10
          Corner sample of the W316PJ picture frame: 無垢材, 6 cm wide and 3 cm thick
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          Corner sample of the W316Y picture frame: 無垢材, 6 cm wide and 3 cm thick
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          Corner sample of the W4111J picture frame: 無垢材, 6.5 cm wide and 3.5 cm thick
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          W692G ¥12
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          W849H ¥8
          Corner sample of the W940BG picture frame: 無垢材, 7.5 cm wide and 4.5 cm thick
          W940BG ¥15
          Corner sample of the W953PJ picture frame: 無垢材, 6 cm wide and 3.5 cm thick
          W953PJ ¥8

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          合計金額

          ¥ 43015

          (Elikan)

          再現技法

          複製画サイズ一覧

          -

          合計金額

          ¥ 43015

          作品詳細

          • Location: Museum of Modern Art (MoMA), New York City, NY, US
          • Artistic style: Abstract
          • Notable elements or techniques: Found objects & Chance arrangement
          • Title: (Elikan)
          • Movement: Dada

          アート・クイズ

          各質問の正解は1つのみです。

          設問 1:
          What artistic movement is Kurt Schwitters’ "Elikan" primarily associated with?
          設問 2:
          The collage utilizes a technique influenced by earlier artists like Jean Arp. What is this technique called?
          設問 3:
          What is the predominant color palette used in "Elikan", contributing to its dynamic visual effect?
          設問 4:
          What is a key characteristic of Dada art that distinguishes it from traditional academic painting?
          設問 5:
          The photograph shows signs of wear and tear, suggesting...

          A Symphony of Fragments: Reimagining Kurt Schwitters’ Elikan

          In the fractured landscape of post-World War I Europe, where the very foundations of society seemed to crumble, Kurt Schwitters emerged with a radical new language of creation. His 1925 masterpiece, "Elikan," is not merely an arrangement of materials but a profound visual manifesto of the Dada movement. To gaze upon this work is to witness a deliberate reconstruction of reality from its broken pieces. Through his signature technique of collage, Schwitters took the discarded—scraps of cardboard, fragments of paper, and bits of found matter—and elevated them into a complex, rhythmic composition. This piece serves as a cornerstone for anyone captivated by the beauty found within chaos, offering a sophisticated interplay of texture and form that defies traditional boundaries.

          The visual journey through "Elikan" is one of unexpected discovery. The artwork is dominated by a dynamic architecture of geometric shapes; rectangles, squares, and triangles intersect and overlap in a way that suggests both structural stability and sudden disintegration. The color palette is masterfully balanced, utilizing deep blues, vibrant yellows, and striking reds against a stark backdrop of black and white. These colors do not merely decorate the surface; they pulse with an emotional intensity, guiding the eye through a labyrinth of layers. For the discerning collector or interior designer, this piece offers a captivating focal point that brings a sense of intellectual depth and avant-garde energy to any modern space.

          The Spirit of Merz: Technique and Historical Resonance

          At the heart of "Elikan" lies the concept of Merz—Schwitters’ personal philosophy of artistic synthesis. Born from the wreckage of a continent in turmoil, Merz was an attempt to create something whole from the fragments of a shattered world. Unlike the meticulous planning of academic painting, Schwitters embraced spontaneity and chance. The technique used here is a tactile exploration of materiality; one can almost feel the rough, organic grain of the cardboard contrasting with the smooth, deliberate sheen of painted paper surfaces. This tension between the raw and the refined creates a sensory experience that is both intellectually stimulating and visually rich.

          Beyond its physical components, "Elikan" carries a heavy symbolic weight. It represents the rejection of bourgeois order and the embrace of the irrational, mirroring the turbulent spirit of the 1920s. There is no singular narrative to follow, which allows the viewer to project their own reflections onto the work. For those seeking to adorn a curated collection or a contemporary living space, a high-quality reproduction of this piece provides more than just decoration; it offers an invitation to contemplate the resilience of creativity. It is a testament to the idea that even from the most disparate and broken elements, a magnificent and enduring symphony can be composed.

          Q&A

          「(Elikan)」の解説ページはどこにありますか？

          Kurt Schwitters作「(Elikan)」には、解説資料ページをご用意しています。これは、学生や教室での学習用に設計された、印刷可能な作品解説シートです。

          Kurt Schwitters作「(Elikan)」を特徴づける技法やスタイルは何ですか？

          Kurt Schwitters作「(Elikan)」は、Collageの技法とDadaismの様式を融合させた作品です。技法（テクニック）は制作手法を、様式（ムーブメント）はその作品のスタイルを表しています。

          1925年に「(Elikan)」を制作した際、Kurt Schwittersは何歳でしたか？

          Kurt Schwittersは、1925年に「(Elikan)」を制作した際、38歳でした。この年齢は、アーティストの誕生年である1887年から算出されています。

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          作家プロフィール

          Kurt Schwitters: A Life in Merz

          Early Life and Education

          • Born: June 20, 1887, in Hanover, Germany.
          • Schwitters was the only child of Eduard and Henriette Schwitters. His father co-owned a ladies' clothing shop.
          • The family’s financial situation improved after selling the business in 1898, allowing them to live off rental income from properties they acquired.
          • He studied art at the Dresden Academy from 1909-1915 alongside artists like Otto Dix and George Grosz, though he seemingly remained unaware of their work at the time.
          • Schwitters suffered his first epileptic seizure in 1901, which later exempted him from military service for a period during World War I.

          Artistic Development and the Birth of Merz

          • Initially, Schwitters worked in a post-impressionist style. His early work reflected this influence.
          • The devastation of World War I profoundly impacted his artistic direction. He felt traditional academic training was irrelevant in the face of societal collapse.
          • “In the war, things were in terrible turmoil…everything had broken down and new things had to be made out of the fragments; and this is Merz.”
          • Around 1918, he began creating abstract collages using found objects – scraps of paper, tickets, and other discarded materials.
          • The term “Merz” itself came from a fragment of text (“Commerz und Privatbank”) cut from an advertisement and incorporated into one of his early works, *Das Merzbild* (1918-19).

          Key Works and Artistic Styles

          • Merz Pictures: These collages are arguably Schwitters’ most famous contribution. They represent a radical departure from traditional art, embracing chance and the aesthetics of everyday life.
          • Merzbau: A monumental architectural construction within his home in Hanover, continuously evolving over decades. It was a three-dimensional embodiment of Merz principles – a labyrinthine space filled with niches, grottoes, and found objects.
          • Assemblage & Installation Art: Schwitters pioneered these forms, blurring the boundaries between painting, sculpture, and architecture.
          • He also worked in poetry, sound, graphic design, and typography, exploring a wide range of artistic media.

          Influences and Connections

          • Early influences included post-impressionism, but he quickly moved beyond these conventions.
          • He came into contact with members of the Berlin avant-garde – Raoul Hausmann, Hannah Höch, and Hans Arp – through Herwarth Walden’s *Der Sturm* gallery.
          • While associated with Dadaism, Schwitters maintained a distinct artistic identity. He was initially rejected by some Dadaists for his ties to expressionism.

          Later Life and Legacy

          • Facing increasing persecution under the Nazi regime due to his “degenerate art,” Schwitters fled Germany in 1937.
          • He spent time in Norway and England, continuing to create Merz works despite challenging circumstances. He was briefly interned as an enemy alien during World War II.
          • Died: January 8, 1948, in Ambleside, England.
          • Kurt Schwitters’ work profoundly influenced subsequent generations of artists, particularly those involved in Pop Art, Minimalism, and Conceptual Art.
          • His innovative use of found objects and his exploration of the relationship between art and everyday life continue to resonate with contemporary audiences.

          Historical Significance

          • Schwitters’ Merz aesthetic challenged traditional notions of artistic beauty and authorship.
          • He expanded the definition of art by incorporating non-art materials and blurring the lines between different disciplines.
          • His work remains a powerful testament to the creative potential of fragmentation, reconstruction, and the embrace of chance.
          Kurt Schwitters

          Kurt Schwitters

          1887 - 1948

          プロフィール概要

          • Name: Kurt Schwitters
          • Movement:
            • Dadaism
            • Constructivism
            • Surrealism
            • Merz
          • Birth Date: June 20, 1887
          • Death Date: 1948
          • Birth Place: Hanover, Germany
          • Nationality: German
          • Date Of Birth: 1887
          • Date Of Death: 1948
          • Notable Works:
            • Merz pictures
            • Merzbau

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