サイトについて お問い合わせ・ヘルプ 出品する
      x
      サイトについて お問い合わせ・ヘルプ 出品する
          Kawanabe Kyōsai作、Waterfall, Eagle and Monkey ( (1887))、熟練の絵師による手描きの油彩画複製画
          設置イメージを表示 ARで試着 プリント版に切り替え デジタル画像販売へ切り替え シェアする
          詳細を見る ガイドを表示 お気に入りに追加 ダウンロード 似ている作品 X線調査 スライドショーを表示 Q&A Presentation 統計情報
          Kawanabe Kyōsai

          Waterfall, Eagle and Monkey 手描きの油彩画複製画

          寸法
          36.0 x 27.0 cm

          Kawanabe Kyōsai (1831-1889): A pivotal Japanese painter & caricaturist bridging Edo to Meiji eras. Known for dynamic ukiyo-e, folklore themes, satirical art, and pioneering manga. The 'last virtuoso' of traditional painting!
          詳細を表示

          手描き油彩複製画

          当社のアーティストが、ご希望のサイズと額縁に合わせてキャンバスに手描きで制作する、オーダーメイドの油彩画です。 ( プリント版に切り替え デジタル画像販売へ切り替え)

          標準サイズ
          オーダーメイド
          CM
          INCH

          作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。

          横幅
          高さ

          フレームや壁のスペースに合わせて、ご希望の幅と高さを入力してください。本作品は手描きのため、異なる比率のサイズをご希望の場合、絵画の周囲を少し広げて描くか、あるいは端を少しカットして調整することが可能です。お客様のご要望に合わせます。制作を開始する前に、仕上がりを確認するためのデジタルモックアップをお送りいたします。このページに表示されている画像は完成品の実物ではなく、あくまでモックアップによるイメージです。

          詳しく読む

          カスタマイズの例：顔をお客様の写真に置き換える、ペットを追加する（例：猫を犬に変更）、背景に隠れたメッセージを入れる、背景の風景や要素を変更するなど。
          ご注文後、WahooArt.com チームより詳細な指示をお送りするとともに、仕上がりイメージ（モックアップ）をご提供いたします。
          詳しく読む

          詳しく読む

          詳しく読む

          詳しく読む

          世界中への配送（）は、通常の5週間ではなく、3〜4週間でお届けいたします。（6 11月）。品質には一切妥協いたしません。

          詳しく読む

          世界中へ無料エクスプレス配送
          高品質なリネンキャンバス
          配送時完全保険付
          関税・輸入税の払い戻し保証
          真の色彩再現に関する保証
          100日間返品保証（製造上の欠陥がある場合のみ）
          100% 全額返金保証
          まとめ買い割引のご案内
          詳しく読む

          合計金額

          ¥ 42985

          Waterfall, Eagle and Monkey

          再現技法

          複製画サイズ一覧

          -

          合計金額

          ¥ 42985

          関連作品

          Waterfall In A Rocky Landscape — ヤコブ・イザックソン・ファン・ルイスダール, Baroque Landscape
          ヤコブ・イザックソン・ファン・ルイスダール Waterfall in a Rocky Landscape
          Roben Waterfalls From The Series Waterfalls Of Various Provinces — 葛飾北斎 (katsushika Hokusai), Japanese Landscape Painting
          葛飾北斎 (Katsushika Hokusai) Roben Waterfalls from the series Waterfalls of Various Provinces
          A Waterfall — ジョン・シンガー・サージェント, Impressionism
          ジョン・シンガー・サージェント A Waterfall
          きりふりの滝 黒髪山にて — 葛飾北斎 (katsushika Hokusai), Japanese Landscape Printmaking
          葛飾北斎 (Katsushika Hokusai) きりふりの滝 黒髪山にて
          The Waterfall — ヤコブ・イザックソン・ファン・ルイスダール, Dutch Golden Age
          ヤコブ・イザックソン・ファン・ルイスダール The Waterfall
          滝 — ジョン・ヘンリー・トゥワクトマン, American Impressionism
          ジョン・ヘンリー・トゥワクトマン 滝
          Inn And Travelers In Snowy Mountains — Yüan Yao, Shanshui
          Yüan Yao Inn and Travelers in Snowy Mountains
          小野滝 Kisokaidō — 葛飾北斎 (katsushika Hokusai), Japanese Landscape Art
          葛飾北斎 (Katsushika Hokusai) 小野滝 Kisokaidō
          Mary's Veil, A Waterfall In Utah — トーマス・モラン, Hudson River School
          トーマス・モラン Mary's Veil, A Waterfall in Utah
          The Amida Waterfall In The Depths Of The Kiso Mountains — 葛飾北斎 (katsushika Hokusai), Ukiyo-e
          葛飾北斎 (Katsushika Hokusai) The Amida Waterfall In The Depths Of The Kiso Mountains

          作家プロフィール

          A Life of Ink and Rebellion

          Kawanabe Kyōsai entered the world in 1831 in Koga, born into a samurai family. His early years were marked by a sudden, visceral encounter with mortality when, at age nine, he discovered a human head separated from a corpse in the Kanda river. This early shock preceded a formal education under the masters of the Kanō school and Utagawa Kuniyoshi. While he mastered the precise brushwork required by tradition, his spirit gravitated toward the more liberated styles of the popular schools. He moved to Edo, where his father joined the official firefighters of the Shogunate, and there, Kyōsai began to develop a persona that would define his career.

          His path was never one of quiet conformity. During the political shifts from the Edo period to the Meiji era, he became a figure of both fascination and friction. He was arrested three times by the authorities of the Shogunate, often for the satirical nature of his work which mocked government officials and criticized prevailing policies. These brushes with the law did not dampen his output; instead, they reinforced his reputation as an independent thinker. His art reflected the chaos of a nation transforming from a feudal state into a modern power.

          The Demon of the Brush

          Kyōsai’s technical skill was matched by a wild, undisciplined energy. He earned the nickname Shuchu gaki, or "the Painting Demon," a title he embraced through his use of various seals in his work. His subject matter was vast and often strange, ranging from the religious to the grotesque. He populated his canvases with demons, skeletons, frogs, and animals, often imbuing them with human-like humor or political significance. One notable long painting on a handscroll, The battle of the farts, captured the political ferment of his era through sheer caricature.

          His creative process was as legendary as his subjects. It was said that he could paint after an entire night of drinking, entering a state where the brush moved with instinctive speed. This spontaneous style, sometimes referred to as kyōga or "crazy pictures," allowed for a fluid draughtsmanship that felt alive. While he possessed the technical foundations of the Kanō school, his work leaned into chaos and comedy rather than quiet reverence. He was a skilled woodblock print artist, producing works like Kyōsai hyakuzu and various namazu-e prints that resonated with the public.

          A Legacy in Lines

          Beyond his individual paintings, Kyōsai contributed to the evolution of visual storytelling. In 1874, he helped create what is considered the first manga magazine, Eshinbun Nipponchi, alongside Kanagaki Robun. Though the publication lasted only three issues, it represented an early attempt at a new form of graphic media. His influence reached far beyond Japan, as his works found their way into collections such as the British Museum and the Guimet Museum in Paris. Even Western visitors, including architects like Josiah Conder, documented his extraordinary abilities.

          The artist passed away in 1889 due to gastric cancer. He left behind an immense body of work, estimated at over 10,000 pieces, spanning prints, sketches, and albums. His life was a mirror of the era he inhabited—turbulent, transitioning, and deeply complex. Through his ink, the transition from the Middle Ages to a modern industrialized society found its most expressive voice.

          Kawanabe Kyōsai

          Kawanabe Kyōsai

          1831 - 1889

          プロフィール概要

          • Artistic Movement Or Style: Ukiyo-e, Caricature, Manga pioneer
          • Artists Or Movements Influenced By This Artist: ['Manga history']
          • Artists Who Influenced This Artist:
            • Utagawa Kuniyoshi
            • Kanō school
          • Date Of Birth: 1831
          • Date Of Death: 1889
          • Full Name: Kawanabe Kyōsai
          • Nationality: Japanese
          • Notable Artworks: ['The Battle of the Farts']
          • Place Of Birth: Koga, Japan