サイトについて お問い合わせ・ヘルプ 出品する
      x
      サイトについて お問い合わせ・ヘルプ 出品する
          設置イメージを表示 ARで試着 手描き複製画を注文する デジタル画像販売へ切り替え シェアする
          詳細を見る ガイドを表示 お気に入りに追加 ダウンロード 似ている作品 X線調査 スライドショーを表示 Q&A PowerPointをダウンロード 統計情報
          Ingrid Calame

          Untitled (Trace 1, 2 & 3) (Trace 2)

          Discover Ingrid Calame's vibrant abstract work capturing urban detritus through layered pastel lines; own a piece of found-texture artistry from 2006.
          詳細を表示

          Discover Ingrid Calame's abstract paintings (b.1965), inspired by 'micro-mapping' & urban traces. Her map-like works are in MoMA, LACMA & more. Explore her unique style!
          詳細を表示

          このページに掲載されている作品は著作権法によって保護されており、当社の許可なく同一の複製物を制作または販売することは法律で禁じられています。この保護は、以下のような国際条約に基づき執行されます。 ベルヌ条約 および、以下の条項に定められたものを含む各国の法律により、 米国著作権法 第17編。

          この手法は、著作権で保護された作品の複製や複写を伴わないため、著作権法に完全に準拠しています。これは単なる模倣ではなく、創造的な再解釈です。元の作品からインスピレーションを受けつつも、それとは異なる、全く新しい絵画を生み出すものです。

          詳しく読む

          ジークレー／アートプリント

          スピーディーな制作と多彩な仕上げオプションが魅力の、ミュージアムクオリティなジークレー・キャンバスプリント。 ( 手描き複製画を注文する デジタル画像販売へ切り替え)

          詳しく読む

          Corner sample of the P118B picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
          P118B ¥10
          Corner sample of the P118H picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
          P118H ¥10
          Corner sample of the P118W picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
          P118W ¥10
          Corner sample of the P438Z picture frame: 成型ポリスチレン, 5.5 cm wide and 3.5 cm thick
          P438Z ¥10
          Corner sample of the P508JH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
          P508JH ¥12
          Corner sample of the P508YH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
          P508YH ¥12
          Corner sample of the P805H picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
          P805H ¥10
          Corner sample of the P805Z picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
          P805Z ¥10
          Corner sample of the P919BZ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
          P919BZ ¥10
          Corner sample of the P919G picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
          P919G ¥10
          Corner sample of the P919XJ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
          P919XJ ¥10
          Corner sample of the P959ZH picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
          P959ZH ¥10
          Corner sample of the P968JZ picture frame: 成型ポリスチレン, 6 cm wide and 4 cm thick
          P968JZ ¥12
          Corner sample of the W106C picture frame: 無垢材, 5 cm wide and 3 cm thick
          W106C ¥8
          Corner sample of the W218G picture frame: 無垢材, 5 cm wide and 3 cm thick
          W218G ¥10
          Corner sample of the W218JH picture frame: 無垢材, 5 cm wide and 3 cm thick
          W218JH ¥8
          Corner sample of the W218Y picture frame: 無垢材, 5 cm wide and 3 cm thick
          W218Y ¥10
          Corner sample of the W307PJ picture frame: 無垢材, 6 cm wide and 3 cm thick
          W307PJ ¥10
          Corner sample of the W316G picture frame: 無垢材, 6 cm wide and 3 cm thick
          W316G ¥10
          Corner sample of the W316PJ picture frame: 無垢材, 6 cm wide and 3 cm thick
          W316PJ ¥8
          Corner sample of the W316Y picture frame: 無垢材, 6 cm wide and 3 cm thick
          W316Y ¥10
          Corner sample of the W398PJ picture frame: 無垢材, 5 cm wide and 3 cm thick
          W398PJ ¥8
          Corner sample of the W4111J picture frame: 無垢材, 6.5 cm wide and 3.5 cm thick
          W4111J ¥10
          Corner sample of the W500HY picture frame: 無垢材, 7 cm wide and 5 cm thick
          W500HY ¥15
          Corner sample of the W500JH picture frame: 無垢材, 7 cm wide and 5 cm thick
          W500JH ¥15
          Corner sample of the W692G picture frame: 無垢材, 8 cm wide and 4 cm thick
          W692G ¥12
          Corner sample of the W849H picture frame: 無垢材, 5 cm wide and 3 cm thick
          W849H ¥8
          Corner sample of the W940BG picture frame: 無垢材, 7.5 cm wide and 4.5 cm thick
          W940BG ¥15
          Corner sample of the W953PJ picture frame: 無垢材, 6 cm wide and 3.5 cm thick
          W953PJ ¥8

          標準サイズ
          オーダーメイド
          CM
          INCH

          作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。

          横幅
          高さ

          額縁や壁のスペースに合わせて、ご希望の幅と高さを入力してください。プリントはカットすることは可能ですが、元の画像より大きくすることはできないため、異なる比率のサイズを選択された場合は、画像の一部が欠けることになります。印刷を開始する前に、内容を確認していただくためのデジタルモックアップをお送りいたします。このページに表示されている画像は、実際のカット後の状態を示すものではありません。実際の仕上がりはモックアップにてご確認ください。

          詳しく読む

          詳しく読む

          詳しく読む

          世界中への配送（）は、標準の4〜5週間ではなく、2週間でお届けいたします。（8 11月）

          詳しく読む

          世界中へ無料エクスプレス配送
          高品質なリネンキャンバス
          配送時完全保険付
          関税・輸入税の払い戻し保証
          真の色彩再現に関する保証
          100日間返品保証（製造上の欠陥がある場合のみ）
          100% 全額返金保証
          まとめ買い割引のご案内
          詳しく読む

          合計金額

          ¥ 10922

          Untitled (Trace 1, 2 & 3) (Trace 2)

          ジークレー／アートプリント

          複製画サイズ一覧

          -

          合計金額

          ¥ 10922

          作品詳細

          • Artistic style: Abstract
          • Medium: Mixed media/Painting
          • Title: Untitled (Trace 1, 2 & 3) (Trace 2)
          • Year: 2006

          アート・クイズ

          各質問の正解は1つのみです。

          設問 1:
          What is the primary inspiration for Ingrid Calame's artwork?
          設問 2:
          What material does Calame often use to trace her findings directly from found textures?
          設問 3:
          The artwork, Untitled (Trace 1, 2 & 3), is described as featuring what kind of lines and colors?
          設問 4:
          Which artistic element does the description suggest Calame emphasizes by using negative space?
          設問 5:
          What is the general style or technique evident in the photo description of the piece?

          The Ephemeral Language of the City

          Ingrid Calame’s work invites us into an intimate dialogue with the overlooked textures of modern urban life. This piece, Untitled (Trace 1, 2 & 3) (Trace 2), is not merely a painting; it is a cartography of memory, a vibrant record compiled from the accidental poetry found on city streets. Calame’s unique practice involves physically tracing markings—the grooves, the stains, the spontaneous graffiti—found on various urban surfaces directly onto Mylar. This labor-intensive process imbues every line with the weight of its origin, connecting the grand sweep of metropolitan existence to the delicate gesture of a single passing shoe or spilled liquid. The resulting artwork is a mesmerizing tapestry where the detritus of daily routine is elevated to high art.

          A Symphony in Overlapping Color and Movement

          Visually, the piece explodes with controlled chaos. Against a deep, resonant blue background, Calame layers soft pastels alongside vivid primary colors—greens, purples, yellows, and oranges—that seem to vibrate against one another. The composition is defined by intertwining, overlapping lines that swirl endlessly, suggesting an ongoing, restless movement. It feels as if the viewer has stumbled upon a moment of pure kinetic energy captured on canvas. These markings do not simply exist; they interact, creating new hues where they meet and developing complex visual narratives through their sheer density. The careful interplay between these vibrant marks and the negative space surrounding them is what gives the piece its profound sense of breath and quietude.

          Technique: Tracing Time Itself

          The technical mastery displayed here is remarkable. Calame’s method transforms found ephemera into permanent, luminous art. By tracing directly from real-world textures, she bypasses traditional pictorial representation in favor of a more immediate, almost forensic documentation of surface life. The resulting mixed media quality suggests both the spontaneity of street art and the meticulous care of an archival study. For collectors or designers seeking reproduction, understanding this process is key: owning this piece means acquiring a tangible echo of urban passage, rendered with painstaking devotion to detail.

          Symbolism and Emotional Resonance

          What does it mean to trace what has already been left behind? Symbolically, Calame’s work speaks to the transient nature of existence in densely populated areas. The lines are traces—remnants of human activity that fade but never entirely disappear. They evoke a sense of beautiful melancholy; we are confronted with the beauty inherent in things that are imperfect, temporary, and constantly being overwritten by the next moment. Emotionally, the piece is both exhilarating due to its vibrant energy and deeply calming because it forces us to slow down, to look closely at what we usually walk past without seeing. It invites contemplation on pattern, passage, and persistence.

          Q&A

          Ingrid Calame作「Untitled (Trace 1, 2 & 3) (Trace 2)」の色彩構成はどのように成り立っていますか？

          Ingrid Calame作「Untitled (Trace 1, 2 & 3) (Trace 2)」の色彩構成は、BalancedなコントラストとDiscordant Paletteな調和を併せ持っています。

          「Untitled (Trace 1, 2 & 3) (Trace 2)」に似た作品はありますか？

          Ingrid Calame作「Untitled (Trace 1, 2 & 3) (Trace 2)」に似た作品は、こちらの関連作品ページでご覧いただけます。

          「Untitled (Trace 1, 2 & 3) (Trace 2)」の色使いは、鮮やかでしょうか、それとも淡い感じでしょうか？

          Ingrid Calame作「Untitled (Trace 1, 2 & 3) (Trace 2)」の色調は、Balancedな強さを持っています。

          関連作品

          青と緑の音楽 — ジョージア・オキーフ, Abstract Expressionism
          ジョージア・オキーフ 青と緑の音楽
          La,la,la (re50) — イヴ・クライン, Nouveau Réalisme
          イヴ・クライン La,la,la (RE50)
          Untitled (blue Divided By Blue) — マーク・ロスコ, Color Field Painting
          マーク・ロスコ Untitled (Blue Divided by Blue)
          Blue-02 — ジョージア・オキーフ, Expressionism
          ジョージア・オキーフ Blue-02
          Composition With Blue 1 — ピエト・モンドリアン, Minimalism
          ピエト・モンドリアン Composition with Blue 1
          Blue Color Field — アメリア・アモリム・トレド, Abstract Expressionism
          アメリア・アモリム・トレド Blue Color Field
          Berlin Blues 6 — William Scott Myles, Abstract Art
          William Scott Myles Berlin Blues 6
          Three Blue And Three Red — フランティシェク・クプカ, Abstract Expressionism
          フランティシェク・クプカ Three blue and three red
          Orange Blue Mauve Painting — Gershon Iskowitz, Abstract Expressionism
          Gershon Iskowitz Orange Blue Mauve Painting
          Correction #40 — Pablo Rey
          Pablo Rey Correction #40

          作家プロフィール

          Ingrid Calame: A Life in Traces

          Early Life and Education

          • Born in 1965 in The Bronx, New York, Ingrid Calame spent her formative years in Westchester County.
          • Her parents worked in the fields of physical education and physical therapy, providing a practical backdrop to her developing artistic sensibilities.
          • Initially drawn to dance, Calame later shifted her focus to painting, recognizing its potential for expressing her creative vision.
          • She earned a Bachelor of Fine Arts from the State University of New York at Purchase and further honed her skills with a Master of Fine Arts degree from the California Institute of the Arts.

          Artistic Development and Influences

          • Calame’s artistic journey began to take shape after earning her MFA in 1996, marked by an exploration of accidental spills on her studio floor. She re-presented these spontaneous occurrences as deliberate art.
          • A pivotal moment came with revelations about her grandmother's death, prompting a deeper investigation into themes of mortality and the traces humans leave behind.
          • Her work is influenced by a desire to capture the ephemeral nature of existence and the often-overlooked details of everyday life.
          • While not directly tied to a specific movement, Calame’s abstract style aligns with Abstract Expressionism, emphasizing process and emotional resonance.

          Key Themes and Techniques

          • Calame is renowned for her unique technique of tracing marks found in public spaces – stains, cracks, tire tracks, graffiti – transforming them into complex abstract compositions.
          • Her paintings often resemble maps, though she emphasizes that they are not literal representations but rather explorations of “micro-mapping” and the inherent cartographic impulse within us.
          • Human detritus serves as a central theme, prompting reflection on our presence in the world and the traces we inevitably leave behind.
          • She employs layering techniques, building up tracings to create richly textured and visually compelling surfaces.

          Major Achievements and Exhibitions

          • Calame’s work has been exhibited internationally, gaining recognition in prestigious institutions such as the Los Angeles Museum of Contemporary Art (LACMA), the Whitney Museum of American Art, and the Museum of Modern Art (MoMA) in New York City.
          • She was included in the 2000 Whitney Biennial, a significant platform for contemporary American art.
          • Notable exhibitions include site-specific commissions at the Indianapolis Museum of Art (“Ingrid Calame: Traces of the Indianapolis Motor Speedway”) and an artist residency at the Albright-Knox Art Gallery, where she traced marks throughout Buffalo, New York.

          Historical Significance and Legacy

          • Ingrid Calame’s work challenges traditional notions of representation and abstraction, offering a unique perspective on the relationship between art and everyday life.
          • Her exploration of overlooked details and ephemeral traces encourages viewers to reconsider their surroundings and appreciate the beauty in the mundane.
          • By transforming accidental marks into deliberate artworks, she raises questions about authorship, intention, and the nature of artistic creation.
          • Calame’s influence can be seen in contemporary artists who explore similar themes of site-specificity, abstraction, and the human impact on the environment.
          Ingrid Calame

          Ingrid Calame

          1965 - , United States of America

          プロフィール概要

          • Name: Ingrid Calame
          • Movement:
            • Abstract art
            • Abstract expressionism
          • Birth Date: 1965
          • Birth Place: The Bronx, New York City, United States
          • Nationality: American
          • Date Of Birth: 1965
          • Notable Works:
            • Untitled (Trace 1, 2 & 3)
            • Traces of the Indianapolis Motor Speedway
          • Place Of Birth: The Bronx, United States of America

          関連記事

          Beyond the Brush: An Expert Guide to Mastering Mixed Media Art Techniques and Materiality

          Beyond the Brush: An Expert Guide to Mastering Mixed Media Art Techniques and Materiality

          Elevate your artistic practice with our expert guide to mastering mixed media art. Discover professional techniques for layering, material integration, and creating structural depth to transform your creative vision into sophisticated, multi-dimensional masterpieces.

          記事を詳しく見る read article