x
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
特定のフレームやスペースに合わせて、ご自身でサイズを指定することも可能です。選択されたサイズが元の画像の比率と一致しない場合、作品をトリミングするか、鏡面反射または単色での塗りつぶしによって画像を拡張いたします。制作を開始する前に、ご確認用のデジタルモックアップをお送りいたします。
画面上のプレビューには、実際のトリミングや拡張は反映されませんのでご注意ください。最終的な構図を正確に確認できるのは、モックアップのみとなります。
カスタムサイズも承っておりますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
Doll
複製画のサイズ
Gebruder Heubach, a name synonymous with German porcelain bisque dolls and the distinctive horseshoe stamp, represents more than just a toy manufacturer; it embodies a legacy of artistic innovation and unwavering craftsmanship spanning over two centuries. Founded in Köppelstedt, Thuringia, by Georg Christoph Heubach and Philipp Jakob Heubach in 1876, the firm initially produced utilitarian ceramics but swiftly recognized the transformative potential of blending artistry with functionality.
This pioneering approach attracted partnerships with prominent doll makers like Cuno & Otto Dressel and Adolf Wislizenus, resulting in diverse collections reflecting stylistic influences from across Europe. The firm’s commitment to quality was underscored by the introduction of a distinctive horseshoe mark—a symbol of prosperity and craftsmanship—which became indelibly associated with Heubach dolls.
Despite facing challenges during World War I and subsequent political upheaval—including nationalization by East Germany—Gebruder Heubach persevered. The firm’s final incarnation, Vereinigte Köppelsdorf Porzellanfabrik vorm. Armand Marseille und Ernst Heubach, continued to produce dolls until 1932. Though the workshop ceased operations during the Nazi era, its enduring influence on German toy history remains undeniable.
Alfred Leopold Heubach (1865 - 1923) was active/lived in Germany. Alfred Heubach is known for Painting. He studied art and interior design at the State Academy in Munich and at private academies in Paris, London and Italy before traveling throughout Europe and Mexico, painting and drawing.
Heubach spent the final six months of 1956 living and working in New York City. He set up his first portrait studio in the United States, but within six months he found NYC too large and cosmopolitan—too much like big cities all over the world—and pushed westward.
Heubach held memberships with the Professional Union of Artists in Munich, the Museum of Modern Art in New York, and the Carmel Art Association, where he was accepted as an Artist Member in 1964.
Germany
お客様のプロジェクトについてお聞かせください。当社の美術専門家が、お客様に合わせた3つのパーソナライズされた芸術提案をご提供いたします。
あなたにぴったりの3作品を無料で厳選いたします