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The Second Room

Giovanni Moretti: Italian artist blending farming & art. Postwar contemporary works explore food sovereignty & regenerative agriculture. Exhibitions & research.

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The Second Room

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作品解説

The second room is an unstable structure, a skeleton of wooden sticks held together temporarily by plastic bands. The work is unable to stand alone, it needs a surface (wall) to lean on. Along its perimeter, a network of 980 bells forms an almost invisible grid. The wooden skeleton is crossed by an electric circuit activated by motion sensors: these put in motion four small vibrating motors that shake the entire work. In the absence of the stranger the structure keeps silent, but as soon as a body approaches it the mechanism senses its movement and activates the alarm, the 980 bells start to play with increasing intensity at risk of annoying the visitor and shatter the work

アーティストの略歴

A Convergence of Land and Canvas: The Art of Giovanni Moretti

Giovanni Moretti, born in Perugia, Italy, in 1978, embodies a fascinating intersection of artistic disciplines—a contemporary painter deeply rooted in the rhythms and responsibilities of agricultural life. He is not simply an artist *inspired* by the land; he is an active participant in its cultivation, operating as both creator on canvas and steward of the earth through his company, Moretti Bioag LLC. This unique duality profoundly shapes his artistic vision, imbuing his work with a tangible connection to food sovereignty, regenerative agriculture, and a broader exploration of humanity’s relationship with the natural world. Emerging from the postwar Italian art landscape, Moretti's practice resists easy categorization, blending elements of abstract expressionism, land art sensibilities, and a keen observational eye honed by years spent working directly with the soil.

Early Life and Artistic Foundations

While details surrounding Moretti’s formal artistic training remain somewhat elusive—a characteristic perhaps reflective of his self-directed path—his early exposure to the Umbrian countryside undoubtedly played a pivotal role in shaping his aesthetic sensibilities. The rolling hills, ancient olive groves, and vibrant agricultural traditions of Perugia provided an immersive environment for developing a deep appreciation for color, texture, and the subtle nuances of light. His work doesn’t immediately betray adherence to any single school or movement; instead, it suggests a synthesis of influences absorbed through observation and experimentation. Early exhibitions in Italy, including participation in side events of La Biennale di Venezia in 2011 and 2017, began to establish Moretti as a rising voice within the contemporary art scene. These early works often featured abstracted landscapes hinting at underlying structures and forms—a prelude to his later explorations of agricultural themes.

The Farmer-Artist: A Symbiotic Relationship

Moretti’s decision to become a working farmer alongside his artistic pursuits wasn't merely a lifestyle choice; it was a fundamental shift in perspective that fundamentally altered the trajectory of his art. The establishment of Moretti Bioag LLC, dedicated to regenerative agriculture research, provided him with an unparalleled laboratory for understanding the complexities of food systems and the delicate balance of ecosystems. This hands-on experience informs every aspect of his creative process. His paintings are not simply representations *of* nature but rather investigations *into* its processes—the growth cycles, the interplay of microorganisms in the soil, the impact of human intervention on the land. He actively advocates for food sovereignty, challenging conventional agricultural practices and promoting sustainable methods that prioritize ecological health and community resilience.

Themes and Techniques: Exploring Food Sovereignty & Regenerative Agriculture

Moretti’s artistic language is characterized by a dynamic interplay of abstraction and representation. His canvases often feature layered textures, bold color palettes, and gestural brushstrokes that evoke the energy and vitality of the natural world. He frequently employs unconventional materials—earth pigments derived from his farm, organic matter, and found objects—further blurring the boundaries between art and agriculture. Recurring motifs include abstracted plant forms, topographical maps, and symbolic representations of agricultural processes. His work is not overtly didactic; rather, it invites viewers to contemplate the interconnectedness of all living things and the ethical implications of our food choices. Food sovereignty, the right of peoples to healthy and culturally appropriate food produced through ecologically sound and sustainable methods, is a central theme in his oeuvre. He uses his art as a platform for raising awareness about the importance of local food systems, biodiversity conservation, and responsible land stewardship.

Legacy and Historical Significance

Giovanni Moretti occupies a unique position within contemporary art—a bridge between aesthetic expression and ecological activism. While it is still early in his career to fully assess his long-term legacy, he has already established himself as a significant voice in the growing movement of artists who are addressing environmental issues through their work. His commitment to regenerative agriculture sets him apart from many other contemporary painters, providing a tangible example of how art can be integrated with sustainable practices. He is not simply commenting on the state of the world; he is actively working to create a more just and equitable food system. Moretti’s work resonates with a growing audience concerned about climate change, biodiversity loss, and the future of our planet—a testament to the power of art to inspire action and foster meaningful dialogue. He stands as an example of how artistic vision can be powerfully combined with practical engagement, offering a compelling model for artists seeking to make a positive impact on the world around them. His work is present in public and private collections, including Palazzo Poggi, Bologna; Contemporary Art Museum, Lissone; MAR Museum, Ravenna; Museo della Resistenza (Stazzema); Museum of the Academy of Fine Arts in Perugia.
giovanni moretti

giovanni moretti

1978 - , Italy

基本情報

  • Artistic Movement Or Style: Postwar & Contemporary
  • Date Of Birth: 1978
  • Full Name: Giovanni Moretti
  • Nationality: Italian
  • Place Of Birth: Perugia, Italy