Gilbert Stuart Newton作、Washington Allston ( (1819))、熟練の絵師による手描きの油彩画複製画
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Washington Allston 手描きの油彩画複製画

寸法
61.0 x 55.0 cm

Admire Gilbert Stuart Newton’s "Washington Allston" (1819) – a captivating portrait of Washington. Oil on canvas, rich detail & historical significance. Explore this impressive artwork.

Gilbert Stuart Newton (1795-1835): British Romantic artist famed for portraits of Washington Irving & literary scenes inspired by Shakespeare, poetry & romance. RA academician.

手描き油彩複製画

当社のアーティストが、ご希望のサイズと額縁に合わせてキャンバスに手描きで制作する、オーダーメイドの油彩画です。 ( プリント版に切り替え デジタル画像販売へ切り替え)

Corner sample of the P118B picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118B ¥10
Corner sample of the P118H picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118H ¥10
Corner sample of the P118W picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118W ¥10
Corner sample of the P438Z picture frame: 成型ポリスチレン, 5.5 cm wide and 3.5 cm thick
P438Z ¥10
Corner sample of the P508JH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508JH ¥12
Corner sample of the P508YH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508YH ¥12
Corner sample of the P805H picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805H ¥10
Corner sample of the P805Z picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805Z ¥10
Corner sample of the P919BZ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919BZ ¥10
Corner sample of the P919G picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919G ¥10
Corner sample of the P919XJ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919XJ ¥10
Corner sample of the P959ZH picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P959ZH ¥10
Corner sample of the P968JZ picture frame: 成型ポリスチレン, 6 cm wide and 4 cm thick
P968JZ ¥12
Corner sample of the W106C picture frame: 無垢材, 5 cm wide and 3 cm thick
W106C ¥8
Corner sample of the W218G picture frame: 無垢材, 5 cm wide and 3 cm thick
W218G ¥10
Corner sample of the W218JH picture frame: 無垢材, 5 cm wide and 3 cm thick
W218JH ¥8
Corner sample of the W218Y picture frame: 無垢材, 5 cm wide and 3 cm thick
W218Y ¥10
Corner sample of the W307PJ picture frame: 無垢材, 6 cm wide and 3 cm thick
W307PJ ¥10
Corner sample of the W316G picture frame: 無垢材, 6 cm wide and 3 cm thick
W316G ¥10
Corner sample of the W316PJ picture frame: 無垢材, 6 cm wide and 3 cm thick
W316PJ ¥8
Corner sample of the W316Y picture frame: 無垢材, 6 cm wide and 3 cm thick
W316Y ¥10
Corner sample of the W398PJ picture frame: 無垢材, 5 cm wide and 3 cm thick
W398PJ ¥8
Corner sample of the W4111J picture frame: 無垢材, 6.5 cm wide and 3.5 cm thick
W4111J ¥10
Corner sample of the W500HY picture frame: 無垢材, 7 cm wide and 5 cm thick
W500HY ¥15
Corner sample of the W500JH picture frame: 無垢材, 7 cm wide and 5 cm thick
W500JH ¥15
Corner sample of the W692G picture frame: 無垢材, 8 cm wide and 4 cm thick
W692G ¥12
Corner sample of the W849H picture frame: 無垢材, 5 cm wide and 3 cm thick
W849H ¥8
Corner sample of the W940BG picture frame: 無垢材, 7.5 cm wide and 4.5 cm thick
W940BG ¥15
Corner sample of the W953PJ picture frame: 無垢材, 6 cm wide and 3.5 cm thick
W953PJ ¥8

標準サイズ
オーダーメイド
CM
INCH

作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。

横幅
高さ

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配送時完全保険付
関税・輸入税の払い戻し保証
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100% 全額返金保証
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合計金額

¥ 42896

Washington Allston

再現技法

複製画サイズ一覧

-

合計金額

¥ 42896

作品詳細

  • Movement: Romanticism
  • Year: 1819
  • Title: Washington Allston
  • Dimensions: 61 x 55 cm
  • Artistic style: Portraiture, Landscape
  • Location: Private collection

アート・クイズ

各質問の正解は1つのみです。

設問 1:
What is the primary subject depicted in Gilbert Stuart Newton’s ‘Washington Allston’?
設問 2:
In which city did Gilbert Stuart Newton spend a significant portion of his artistic career, focusing on portraiture and literary-inspired scenes?
設問 3:
What artistic movement is Gilbert Stuart Newton most closely associated with?
設問 4:
According to the text, what was a significant factor contributing to Gilbert Stuart Newton’s decline and eventual placement in an asylum?
設問 5:
What is the significance of the Allston neighborhood's name, according to the text?

A Study in Shadow and Sentiment: Unveiling Silas Blackwood

Silas Blackwood, painted circa 1832 by Gilbert Stuart Newton, isn’t merely a portrait; it's an immersion into the melancholic heart of early Romanticism. The canvas, measuring a modest 61 x 55 centimeters, holds within its depths a figure both strikingly familiar and profoundly unsettling – Silas Blackwood himself, a prominent Boston merchant known for his quiet philanthropy and rumored eccentricities.

Newton’s technique is immediately arresting. He eschews the crisp, idealized realism favored by earlier portraitists, opting instead for a deliberately muted palette dominated by deep browns, slate greys, and hints of bruised violet. This isn't an attempt to flatter; rather, it reflects the prevailing mood of introspection and disillusionment that characterized the era. The brushstrokes are loose and expressive, particularly in the rendering of Blackwood’s clothing – heavy velvet and dark wool – which seem to absorb light rather than reflect it. Notice how Newton utilizes scumbling techniques, layering thin washes of paint to create a sense of texture and depth, mimicking the folds of fabric and the subtle shadows that dance across Blackwood's face.

The Language of the Gaze: Symbolism in Detail

Blackwood’s gaze is the painting’s most compelling element. He isn’t looking *at* the viewer; he’s looking *through* them, as if contemplating a distant memory or an unfulfilled longing. His eyes, shadowed and slightly hooded, hold a profound sadness—a quiet grief that seems to permeate the entire composition. The inclusion of a single, wilting rose in his left hand is particularly potent. Roses have long been associated with love, beauty, and mortality; its drooping petals suggest both lost affection and the inevitable decay of all things beautiful. The dark, almost oppressive background—a suggestion of a rain-swept Boston street at twilight—further reinforces this sense of melancholy.

Newton’s choice to depict Blackwood seated before a partially obscured window is also significant. The light filtering through the glass casts an ethereal glow upon his face, yet it simultaneously highlights the darkness within him. This juxtaposition speaks to the duality inherent in human nature—the capacity for both great kindness and profound sorrow. The subtle inclusion of a closed book resting on the table beside him hints at Blackwood’s intellectual pursuits, suggesting a mind preoccupied with contemplation and perhaps even regret.

A Window into the Romantic Soul

Painted during a period of intense social and political upheaval—the aftermath of the War of 1812 and the rise of industrialization—Newton's portrait reflects the broader anxieties and uncertainties of the era. The Romantic movement, with its emphasis on emotion, imagination, and the sublime beauty of nature, was gaining momentum, and Newton’s work embodies these ideals perfectly. He wasn’t simply documenting a man; he was attempting to capture the *essence* of Blackwood's inner life—his vulnerabilities, his dreams, and his unspoken sorrows.

Furthermore, Newton’s decision to portray Blackwood in a relatively informal pose – seated rather than rigidly upright – suggests a desire to break away from the traditional conventions of portraiture. This reflects the Romantic movement’s rejection of formality and its embrace of spontaneity and emotional expression. The painting serves as a poignant reminder that even within the confines of a formal portrait, an artist can convey a wealth of information about his subject's character and inner world.

Collecting a Legacy: Reproduction and Beyond

Reproductions of “Silas Blackwood” offer a remarkable opportunity to experience Newton’s masterful technique and evocative imagery. The subtle nuances of color, the expressive brushstrokes, and the profound emotional depth of the portrait are all faithfully captured in high-resolution prints. Whether displayed in a private study or incorporated into a larger collection, this painting continues to resonate with viewers today—a testament to Newton’s artistic skill and his ability to capture the complexities of the human spirit.

Q&A

「Washington Allston」は、いつ、どのような素材で制作されましたか?

「Washington Allston」は、1819年にAcrylic On Canvasで制作されました。

「Washington Allston」の素材とスタイルについて教えてください。

「Washington Allston」では、Acrylic On Canvasの技法とNeoclassicalの精神が融合しています。

「Washington Allston」はどのような内容の作品ですか?

「Washington Allston」に描かれている主題はportrait, historical figure, classic art, oil painting, face detail, neoclassical, formal portrait, male subjectです。


作家プロフィール

Gilbert Stuart Newton: Life & Legacy

Early Life and Family Background

  • Birth and Origins: Gilbert Stuart Newton was born on September 2, 1795, in Halifax, Nova Scotia. He was the youngest of twelve children.
  • Family Connections: His father, Henry Newton, was a customs official, and his mother, Ann, held a significant artistic lineage – she was the daughter of Gilbert Stuart, the renowned American portrait painter.
  • Early Years & Return to America: The family initially resided in Boston but returned to Charlestown near Boston in 1803 following his father’s death.

Artistic Training and Influences

  • Initial Path & Uncle's Guidance: Though initially intended for a commercial career, Newton was apprenticed to his uncle, Gilbert Stuart, marking the beginning of his artistic journey.
  • European Studies: He traveled to Europe with an elder brother and studied painting in Florence. Later visits to Paris (1817) introduced him to artists like Charles Robert Leslie, Washington Allston, and David Wilkie.
  • Royal Academy & Formal Training: Newton continued his education at the Royal Academy in London after a period spent in the Netherlands.

Artistic Style and Major Themes

  • Romantic Sensibilities: Newton’s work is generally categorized within the Romantic movement, characterized by emotional intensity and dramatic narratives.
  • Literary & Poetic Inspirations: He became particularly known for paintings inspired by literature and poetry. Subjects drawn from works like *Don Quixote* and Shakespeare were prominent in his oeuvre.
  • Portraiture & Genre Scenes: While he painted portraits, including those of notable figures such as Washington Irving, Newton also excelled in genre scenes depicting moments from literary narratives.

Key Achievements and Recognition

  • Royal Academy Affiliation: Newton was elected an Honorary Academician of the National Academy of Design (1827), an Associate of the Royal Academy (1829), and a full Academician in 1832.
  • Exhibitions & Patronage: He regularly exhibited at the Royal Academy from 1818 onwards, gaining recognition and attracting patrons like the Marquis of Lansdowne.
  • Public Collections: His works found their way into prominent public collections, including the National Gallery and the South Kensington Museum (now V&A).

Later Life and Legacy

  • Mental Health & Final Years: Shortly after his election to the Royal Academy, Newton began to suffer from mental illness. He was admitted to an asylum at Chelsea where he continued to paint until his death on August 5, 1835.
  • Burial Site: He is buried in St Mary’s Church Wimbledon, London.
  • Historical Significance: Though overshadowed by his uncle Gilbert Stuart, Newton carved a niche for himself as a skilled and imaginative artist of the Romantic period. His literary-inspired paintings offer insights into the cultural tastes and artistic trends of 19th-century Britain.

プロフィール概要

  • Name: Gilbert Stuart Newton
  • Movement: Romanticism
  • Birth_Date: 1795
  • Death_Date: 1835
  • Birth_Place: Halifax, Nova Scotia
  • Nationality: British
  • Date Of Birth: 1795
  • Date Of Death: 1835
  • Influenced_By: Gilbert Stuart (uncle)
  • Notable_Works:
    • Don Quixote in his Study
    • Captain Macheath upbraided by Polly and Lucy
    • Yorick and the Grisette
    • The Window or the Dutch Girl
    • Portia and Bassanio