設置イメージを確認 ARで壁に飾るイメージを見る 手描きの複製画を注文する デジタル画像販売へ切り替え 送る
詳細情報 ガイドを表示 お気に入りに追加 画像をダウンロード 似ている作品 X線調査 スライドショー 統計情報

Self-Portrait

The artwork's dimensions are 22.5 x 17.5 cm (image) and 62.5 x 57.5 cm (frame). It’s housed at the National Gallery Singapore.

Discover Georgette Chen (Zhang Liying), a pioneering Singaporean artist of the School of Paris & Nanyang Style. Explore her vibrant oil paintings, still lifes, landscapes, and contributions to modern art education in Southeast Asia.

このページに掲載されている作品は著作権法によって保護されており、当社の許可なく同一の複製物を制作または販売することは法律で禁じられています。この保護は、以下のような国際条約に基づき執行されます。 ベルヌ条約 および、以下の条項に定められたものを含む各国の法律により、 米国著作権法 第17編

この手法は、著作権で保護された作品の複製や複写を伴わないため、著作権法に完全に準拠しています。これは単なる模倣ではなく、創造的な再解釈です。元の作品からインスピレーションを受けつつも、それとは異なる、全く新しい絵画を生み出すものです。

ジークレー/アートプリント

スピーディーな制作と多彩な仕上げオプションが魅力の、ミュージアムクオリティなジークレー・キャンバスプリント。 ( 手描きの複製画を注文する デジタル画像販売へ切り替え)

Corner sample of the P118B picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118B ¥10
Corner sample of the P118H picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118H ¥10
Corner sample of the P118W picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118W ¥10
Corner sample of the P438Z picture frame: 成型ポリスチレン, 5.5 cm wide and 3.5 cm thick
P438Z ¥10
Corner sample of the P508JH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508JH ¥12
Corner sample of the P508YH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508YH ¥12
Corner sample of the P805H picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805H ¥10
Corner sample of the P805Z picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805Z ¥10
Corner sample of the P919BZ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919BZ ¥10
Corner sample of the P919G picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919G ¥10
Corner sample of the P919XJ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919XJ ¥10
Corner sample of the P959ZH picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P959ZH ¥10
Corner sample of the P968JZ picture frame: 成型ポリスチレン, 6 cm wide and 4 cm thick
P968JZ ¥12
Corner sample of the W106C picture frame: 天然木, 5 cm wide and 3 cm thick
W106C ¥8
Corner sample of the W218G picture frame: 天然木, 5 cm wide and 3 cm thick
W218G ¥10
Corner sample of the W218JH picture frame: 天然木, 5 cm wide and 3 cm thick
W218JH ¥8
Corner sample of the W218Y picture frame: 天然木, 5 cm wide and 3 cm thick
W218Y ¥10
Corner sample of the W307PJ picture frame: 天然木, 6 cm wide and 3 cm thick
W307PJ ¥10
Corner sample of the W316G picture frame: 天然木, 6 cm wide and 3 cm thick
W316G ¥10
Corner sample of the W316PJ picture frame: 天然木, 6 cm wide and 3 cm thick
W316PJ ¥8
Corner sample of the W316Y picture frame: 天然木, 6 cm wide and 3 cm thick
W316Y ¥10
Corner sample of the W398PJ picture frame: 天然木, 5 cm wide and 3 cm thick
W398PJ ¥8
Corner sample of the W4111J picture frame: 天然木, 6.5 cm wide and 3.5 cm thick
W4111J ¥10
Corner sample of the W500HY picture frame: 天然木, 7 cm wide and 5 cm thick
W500HY ¥15
Corner sample of the W500JH picture frame: 天然木, 7 cm wide and 5 cm thick
W500JH ¥15
Corner sample of the W692G picture frame: 天然木, 8 cm wide and 4 cm thick
W692G ¥12
Corner sample of the W849H picture frame: 天然木, 5 cm wide and 3 cm thick
W849H ¥8
Corner sample of the W940BG picture frame: 天然木, 7.5 cm wide and 4.5 cm thick
W940BG ¥15
Corner sample of the W953PJ picture frame: 天然木, 6 cm wide and 3.5 cm thick
W953PJ ¥8

標準サイズ
カスタムサイズ
CM
INCH

作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。

横幅
高さ

額縁や壁のスペースに合わせて、ご希望の幅と高さを入力してください。プリントはカットすることは可能ですが、元の画像より大きくすることはできないため、異なる比率のサイズを選択された場合は、画像の一部が欠けることになります。印刷を開始する前に、内容を確認していただくためのデジタルモックアップをお送りいたします。このページに表示されている画像は、実際のカット後の状態を示すものではありません。実際の仕上がりはモックアップにてご確認ください。

世界中への配送()は、標準の4〜5週間ではなく、2週間でお届けいたします。(22 10月)

世界中へ無料エクスプレス配送
高品質なリネンキャンバス
配送時完全保険付
関税・輸入税の払い戻し保証
忠実な色彩再現の保証
100日間返品保証(製造上の欠陥がある場合のみ)
100% 全額返金保証
まとめ買い割引のご案内

合計金額

¥ 10753

Self-Portrait

ジークレー/アートプリント

複製画サイズ一覧

-

合計金額

¥ 10753

作品情報

  • Medium: Oil on canvas
  • Subject or theme: Woman's portrait
  • Artist: Georgette Chen

アート・クイズ

各質問の正解は1つだけです。

問題 1:
What is the primary subject depicted in this artwork?
問題 2:
Which medium was used to create the 'Self-Portrait'?
問題 3:
What is one of the dominant color palettes used in this painting?
問題 4:
The artist associated with this work is known for being a pioneer in which field?
問題 5:
What is the woman's expression described as, suggesting a mood?

The Enigmatic Gaze: Capturing a Moment of Revelation

This captivating self-portrait by Georgette Chen draws the viewer into an intimate moment of profound contemplation. The subject, rendered with striking realism, confronts us directly; her wide-open eyes seem to hold a question, or perhaps a sudden spark of realization, inviting us to decipher the mystery behind her gaze. Dressed in a classic black garment that speaks of timeless elegance, and featuring a neatly tied ponytail, the composition centers entirely on the arresting humanity of the sitter. The artist has masterfully captured the subtle tension between surprise and curiosity, making this piece feel less like a painted likeness and more like a captured breath from time itself.

Technique and Tonal Depth

Executed in oil on canvas, the texture inherent to the medium lends an undeniable richness and depth to every surface. Chen’s handling of light and shadow is particularly noteworthy; the interplay between the deep blacks of her attire and hair against the luminous whites of her skin creates a dramatic chiaroscuro effect. The palette, dominated by sophisticated shades of brown, black, and white, speaks to a restrained yet powerful aesthetic. This limited but expertly managed color scheme ensures that the focus remains squarely on the emotional resonance emanating from the subject’s expression, allowing the viewer's eye to wander over the subtle gradations of tone rather than being distracted by vibrant hues.

Georgette Chen: A Legacy in Modern Art

To appreciate this work is to connect with a significant chapter of modern art history. Georgette Chen, a pioneer whose life spanned cultural crossroads from Paris to Singapore, infused her canvases with an international sensibility. Her journey—studying in the esteemed academies of New York and Paris—is reflected here in the portrait’s polished execution. She was not merely documenting a face; she was participating in a dialogue between East and West through the universal language of paint. Owning a reproduction of this piece connects one's space to that rich narrative of artistic migration and enduring talent.

Symbolism of the Portrait

The self-portrait genre itself is inherently symbolic, representing introspection and the artist’s relationship with their own identity. The slightly parted lips suggest unspoken narratives, while the direct eye contact acts as a powerful conduit between the artwork and the observer. In interior design terms, this piece functions as an intellectual anchor for any room. It suggests sophistication, a taste for art that rewards closer inspection, and an appreciation for moments of quiet, profound self-discovery.

Bringing Elegance Home

Measuring 17 x 22 cm, the size is perfectly scaled to serve as a potent focal point on a mantelpiece, a gallery wall grouping, or nestled within a sophisticated console setting. Whether you are curating a space that whispers of Parisian salons or one celebrating modern Asian heritage, this painting offers an immediate infusion of timeless elegance. It is more than decoration; it is a conversation starter, a piece imbued with the quiet power of artistic vision.

よくあるご質問

Self-Portraitは、Georgette Chenのキャリアにおけるどの時期の作品にあたりますか?

Georgette Chenの画業において、「Self-Portrait」はMature Periodに制作されたものです。この時期を知ることで、同アーティストの他の作品との比較検討が可能になります。

「Self-Portrait」のスタイルは、作者の時代背景とどのように関わっていますか?

Self-Portrait」はModern Artの様式に属しており、その作者はModernの時代に活動していました。

Georgette Chen作「Self-Portrait」はギフトとしておすすめですか?また、どのような方への贈り物に適していますか?

Accentを念頭に置いた、Birthdayへの贈り物として「Self-Portrait」をおすすめします。


アーティストについて

A Life Between Worlds: The Cosmopolitan Roots of Georgette Chen

Georgette Liying Chendana Chen, known to many by her Chinese name Zhang Liying, was an artist whose very existence bridged the gap between the East and the West. Born in Paris in 1906 to Chinese parents, her early years were a tapestry of global movement, woven through the bustling streets of Shanghai, the sophisticated salons of Paris, and the vibrant energy of New York City. This nomadic childhood, facilitated by her father Zhang Renjie—a prominent antique dealer with international connections—gifted her a unique, multicultural lens through which to view the world. Her education was as diverse as her upbringing; she honed her technical prowess at the Art Students League of New York before immersing herself in the prestigious traditions of the Académie Colarossi and Académie Biloul in Paris. This rigorous training provided the foundation for a style that would eventually become synonymous with the birth of modernism in Southeast Asia.

The School of Paris and the Birth of a Nanyang Vision

The essence of Chen’s artistry lies in her masterful synthesis of European modernism and Asian sensibilities. During her formative years in France, she was deeply moved by the School of Paris, an era defined by radical experimentation and the breaking of traditional boundaries. The works of masters such as Picasso, Matisse, Cézanne, and Braque left an indelible mark on her soul, teaching her to embrace bold color palettes and structured compositions. She skillfully integrated the rhythmic vitality of Fauvism with the delicate light-play of Impressionism, creating a visual language that felt both avant-garde and deeply intimate. As she moved through different landscapes, her canvases began to pulse with the warmth of the tropics, blending the sophisticated techniques of the West with the vibrant, sun-drenched subject matter of her heritage.

A Legacy of Color and Light: The Nanyang Style

Chen’s historical significance is most profoundly felt in her role as a pioneer of the Nanyang Style. This movement, which sought to define a unique Southeast Asian modernism, found its heartbeat in her ability to capture the local essence through a global technique. Her paintings are celebrated for their evocative depictions of everyday life, ranging from serene landscapes to intimate still lifes. In works such as Still Life with Cut Apple and Orange, one can witness her mastery of form and color, where the simple beauty of fruit is elevated to a moment of profound aesthetic contemplation. Similarly, her Lotus in a Breeze serves as a breathtaking testament to her ability to capture movement and tranquility, reflecting the lush, natural splendor of Singapore.

Enduring Influence and Artistic Triumph

Beyond the canvas, Georgette Chen’s legacy is one of cultural bridge-building and educational inspiration. Her life's work stands as a monumental contribution to the art history of Singapore and the wider region, proving that modernism could be localized without losing its universal power. Her achievements are not merely found in her celebrated collections—such as those housed in the National Gallery Singapore—but in the way she paved the way for future generations of Southeast Asian artists to explore their own identities through a modern lens. Through her self-portraits and landscapes, she left behind a visual diary of a woman who navigated the complexities of identity, culture, and art with unparalleled grace and vision.
Georgette Chen

Georgette Chen

1906 - 1993 , France

アーティスト情報

  • Full Name: Georgette Chen Liying
  • Nationality: Singaporean
  • Date Of Birth: 1906
  • Date Of Death: 1993
  • Place Of Birth: Paris, France
  • Notable Artworks:
    • Bananas in a basket
    • Self-portrait
  • Artistic Movement Or Style: School of Paris & Nanyang Style
  • Artists Who Influenced This Artist:
    • Paul Cézanne
    • Vincent van Gogh
  • Artists Or Movements Influenced By This Artist:
    • Impressionism
    • Fauvism