WoodSculptureContemporary Art
2017Contemporary
700.0 x 200.0 cm
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In the heart of a serene, verdant landscape, Ali Cherri’s Flying Machine emerges as a breathtaking testament to the human spirit's eternal yearning for the skies. This monumental wooden sculpture, crafted in 2017, does not merely occupy space; it commands it, presenting a large-scale dragonfly that seems poised to take flight from its grassy pedestal. The work serves as a profound tribute to the pioneers of aviation—from the early scientific musings of Abbas Ibn Firnas and the anatomical genius of Leonardo da Vinci to the historic breakthroughs of the Wright Brothers. Through the medium of sculpture, Cherri bridges the gap between historical scientific ambition and contemporary artistic expression, inviting viewers to contemplate the delicate balance between heavy, grounded materials and the ethereal concept of flight.
The artistry of the piece lies in its masterful command of texture and form. Utilizing traditional woodworking techniques, Cherri has sculpted a dragonfly that possesses both structural integrity and organic grace. The smooth, polished surfaces of the wooden body contrast beautifully with the intricate, geometric patterns found in the support structures of the wings, creating a visual dialogue between man-made precision and natural complexity. As sunlight filters through the surrounding trees, it casts shifting shadows across the sculpture, lending a dynamic, living quality to the wood. This interplay of light and shadow enhances the three-dimensional depth of the work, making the dragonfly appear as though it is vibrating with life amidst the tranquil backdrop of stone walls and winding pathways.
Beyond its physical presence, Flying Machine is steeped in rich symbolism. The dragonfly, a creature synonymous with transformation, agility, and good fortune, acts as a perfect metaphor for the evolution of human thought and technology. Its ability to hover and dart unpredictably mirrors the unpredictable nature of innovation itself. For the discerning collector or interior designer, this piece offers more than just aesthetic beauty; it provides a focal point of intellectual depth. The sculpture captures a moment of suspended animation, representing that breathless second before takeoff, where potential energy is about to become kinetic motion.
The choice of wood as a primary medium further anchors the work in the natural world, creating a sense of organic permanence. While the subject matter evokes the high-tech dreams of aeronautics, the material remains earthbound and tactile. This tension between the heavy, grounded reality of the timber and the light, airy aspiration of the dragonfly's wings creates an emotional resonance that is both grounding and uplifting. It is a work that invites quiet contemplation, making it an ideal centerpiece for sophisticated spaces that value art which tells a story of progress, resilience, and the beauty of metamorphosis.
Ali Cherri作「Flying Machine」はFocalに最適で、Hotel Lobbyに飾るのが特におすすめです。用途と空間の組み合わせによって、複製画を飾るのにふさわしい場所をご提案します。
Ali Cherri作「Flying Machine」には、ガイドページをご用意しています。これは、学生や教室での学習用に設計された、印刷可能な作品解説シートです。
Ali Cherri作「Flying Machine」 の推奨プリントサイズは Large です。
In the contemporary art landscape, few voices resonate with the profound sensitivity to heritage and transformation found in the work of Ali Cherri. Born in Beirut in 1976, Cherri’s artistic identity is inextricably linked to the complex, layered histories of Lebanon and the broader Middle Eastern landscape. His practice, which seamlessly weaves together the tactile presence of sculpture with the ephemeral nature of film, serves as a meticulous documentation of cultural memory. Moving from his formative years in Beirut to pursuing advanced studies in Amsterdam and Paris, Cherri has developed a global perspective that remains deeply rooted in the soil of his homeland. His work does not merely observe the passage of time; it seeks to capture the very essence of metamorphosis, exploring how landscapes, architectures, and identities shift under the pressures of globalization and conflict.
Cherri’s artistic evolution is marked by a transition from exploring urban narratives and architectural spaces to investigating much larger, more symbolic themes. His sculptural practice, in particular, is renowned for its ambitious scale and its ability to embody complex philosophical ideas through physical form. A definitive example of this is his 2017 masterpiece, Flying Machine. This monumental wooden sculpture, designed with the intricate anatomy of a dragonfly, acts as a profound tribute to the pioneers of aviation—from the scientific visions of Abbas Ibn Firnas and Leonardo da Vinci to the historic breakthroughs of the Wright Brothers. By utilizing wood, a material deeply embedded in Lebanese tradition, Cherri creates a tension between the organic, ancient textures of the earth and the soaring, technological aspirations of the human spirit. The piece functions as more than an object; it is a tangible manifestation of his belief in confronting challenges through adaptation and flight.
Beyond the physical weight of his sculptures, Cherri’s work as a filmmaker and video installation artist allows him to delve into the temporal dimensions of history. Using both found and original footage, he constructs multi-channel installations that act as portals to significant historical sites. His explorations have taken him from the grandeur of ʻIolani Palace in Hawaii—capturing the transformative legacy of the Hawaiian monarchy—to the archaeological depths of the Middle East. Through these cinematic endeavors, Cherri investigates how sites of power and memory are reshaped by time, creating a dialogue between the seen and the unseen, the historical and the contemporary. His films often function as meditations on the preservation of culture against the eroding forces of modernity.
The significance of Ali Cherri’s contribution to contemporary art is reflected in his extensive exhibition history at some of the world's most prestigious institutions. His work has graced the halls of the Guggenheim New York, the Tate Modern in London, and the Centre Georges Pompidou in Paris. His presence at major international gatherings, such as the Venice Biennale and the Berlinale Film Festival, underscores his role as a vital voice in the global art dialogue. Through these diverse platforms, Cherri continues to challenge his audience to look closer at the traces of the past, finding beauty in the wreckage of history and hope in the persistent human drive toward transformation.
To understand the breadth of his impact, one might consider the following milestones of his career:
1976 - , Lebanon
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