当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 ( プリント版に切り替え
デジタル画像販売へ切り替え)
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
特定のフレームやスペースに合わせて、ご希望のサイズをご入力いただけます。選択されたサイズが元の画像の比率と異なる場合、アートワークをトリミングするか、手描きで要素を追加して絵画を拡張いたします。デジタルモックアップ を制作し、制作開始前にご確認(承認)をいただきます。
画面上のプレビューは、実際のトリミングや拡張を正確に反映しているものではありません。最終的な構図は、モックアップによってのみ正確にご確認いただけます。
カスタムサイズもご利用いただけますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
Just Before
複製画のサイズ
In the heart of Lagos, within a studio that breathes with the spirit of transformation, Abinoro Akporode Collins performs a modern kind of alchemy. Born in 1984 in the quiet town of Agbarho, Delta State, Nigeria, Collins has emerged as a sculptor who does not merely shape matter, but reimagines it. His journey from a young student in Agbarho to an internationally recognized contemporary artist is a testament to the power of seeing extraordinary potential within the mundane. While many artists seek out rare or precious materials, Collins finds his muse in the silver gleam of stainless steel cutlery—knives, spoons, and forks—and the versatile strength of fiberglass, turning the discarded and the domestic into breathtaking avian wonders.
The genesis of his unique technique was born from a moment of academic curiosity. While studying at the Auchi School of Art and Design in Edo State, a challenge from a lecturer to work with repurposed materials led him to a profound discovery: the curved surface of a spoon could mimic the delicate texture of a bird's feather. His first significant triumph, a cockerel fashioned from over a hundred spoons salvaged from refuse, set the stage for a career defined by repurposing as a form of storytelling. This method is more than a technical feat; it is a philosophical statement on creative freedom and the ability to find beauty in the overlooked, echoing the resilience required to thrive in a changing world.
To encounter a sculpture by Collins is to enter a narrative space where nature and humanity intersect. His frequent use of birds as primary subjects is deeply intentional. In his hands, these creatures become symbols of resilience, transformation, and aspiration. The meticulous arrangement of cutlery creates a sense of movement, as if the sculptures are caught in a fleeting moment of takeoff or descent. Through these avian forms, Collins explores the complexities of the human experience—capturing themes of passion, love, and the enduring strength of the spirit.
His work serves as a bridge between African traditions and contemporary global dialogue. While his influences are rooted in the natural phenomena and cultural heritage of Nigeria, his message is universal. He views art as a vital instrument for communication, documentation, and peace. By transforming cold, industrial steel into organic, lifelike forms, he provokes deep contemplation regarding our relationship with the environment and the importance of preserving the stories that define us. His sculptures are not merely objects to be viewed; they are embodiments of tales whispered across generations.
The impact of Collins' work has resonated far beyond the borders of Nigeria, earning him a place on the international stage. His career is marked by significant milestones that have brought his "cutlery chronicles" to diverse audiences across Africa, Europe, Asia, the United States, and the Middle East. Notable achievements include:
As he continues to evolve, Collins remains driven by a mission to make his art "count," using it as a universal language to educate and inspire. His contribution to the Nigerian art scene is profound, elevating the concept of found-object sculpture to a level of intellectual and visual richness that challenges the boundaries of contemporary fine art. Through his hands, the simple tools of a meal become the wings of a dream.
1984 - , Nigeria