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Mourning

Nome Classe Data

Maria Lassnig, Mourning (2003), ALBERTINA KLOSTERNEUBURG. Riproduzione a scopo illustrativo; tutti i diritti sono riservati dal titolare dei diritti.

Dettagli dell'opera

Artista
Maria Lassnig wahooart.com/it/artists/maria-lassnig_it/
Date dell'artista
1919 – 2014
Pittura
2003
Tecnica e materiali
Painting
Dimensioni originali
150 x 205 cm
Movimento
Contemporary Art
Epoca
Contemporary
Sede della mostra
ALBERTINA KLOSTERNEUBURG wahooart.com/it/museums/albertina-klosterneuburg-klosterneuburg_it/
Artistic style
Body awareness, Informalism
Notable elements or techniques
Vibrant color scheme, reds and oranges
Subject or theme
Woman in mourning with surrounding figures

Nel contesto

Mourning — Maria Lassnig

Quali sono le dimensioni?

Le dimensioni originali sono 150 × 205 cm (altezza × larghezza), qui rappresentate accanto a un adulto di statura media.

Data di realizzazione

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000
  11. 2010

Shaded: la vita di Maria Lassnig (1919–2014) ▲ quest'opera, 2003

Opere simili

Scegli un'opera tra quelle sopra elencate: indica due elementi in comune con quest'ultima e una differenza.

Altre opere da affiancare a questa: wahooart.com/it/art/similar/maria-lassnig-mourning-D67HTG-en/

Palette colori

Rilevato dall'immagine

    Colore principale

    Putty #d2d8d7

    Tavolozza salvata

    • #D2D8D7
    • #A3AFA1
    • #6A3C4C
    • #B26F69
    Palette
    Neutrals La gamma cromatica dominante nell'immagine.
    Colore principale
    Putty
    Intensità
    Balanced La saturazione e la varietà dei colori, da una singola tonalità tenue a molteplici sfumature vivaci.
    Contrasto
    Gentle Quanto i colori differiscano in luminosità e saturazione nell'intera opera.
    Armonia
    Discordant Palette L'armonia cromatica, dall'accostamento contrastante all'unione completa.
    Luminosità
    Brilliant Il grado di luminosità o di oscurità complessiva dell'immagine, dalle ombre profonde ai punti di massima luce.
    Saturazione
    Muted Quanto siano puri e intensi i colori, dal quasi grigio al pienamente vivido.

    Informazioni sull'opera

    Mourning — Maria Lassnig

    The Visceral Language of Emotion

    In the profound and haunting masterpiece Mourning, the late Austrian visionary Maria Lassnig invites us into a raw, unfiltered exploration of human vulnerability. Created in 2003, this expansive work serves as a powerful testament to the artist's lifelong dedication to her theory of "body awareness." At the heart of the composition, a central female figure emerges with an open-moutched cry, a visceral expression of grief that transcends mere depiction to become a shared human experience. Surrounded by figures that exist in varying states of nakedness and color, the painting dissolves the boundaries between the physical self and the psychological landscape, creating a scene that is as much about internal sensation as it is about external form.

    The technique employed here is nothing short of transformative. Lassnig utilizes a vibrant, almost feverish color palette to communicate the intensity of the subject matter. The central figure, bathed in searing reds and warm oranges, acts as a focal point of heat and passion, contrasting sharply with the more varied, multi-colored tones of the surrounding figures. This use of color does not merely decorate the canvas; it functions as a rhythmic pulse, guiding the viewer's eye through a chaotic yet deeply structured emotional journey. The brushwork, characteristic of her later mastery, feels spontaneous and urgent, capturing the fleeting, often painful sensations of being alive.

    A Legacy of Subjectivity and Form

    To understand Mourning, one must look to the historical context of Lassnig’s evolution within the Austrian art scene. As a pioneer of Informalism and Tachisme, Lassnig moved away from traditional representation toward a style that prioritized the "inner body." This piece stands as a culmination of decades spent navigating the complexities of identity, influenced by her early life in Kappel am Krappfeld and her formative years at the Academy of Fine Arts in Vienna. The figures surrounding the central protagonist—some draped, some bare, some looming in the background—suggest a communal weight to grief, implying that sorrow is never an isolated event but one that ripples through our social and physical connections.

    For the discerning collector or interior designer, this artwork offers more than just visual splendor; it provides a profound emotional anchor for any space. The sheer scale of the piece, measuring 150 x 205 cm, allows its commanding presence to dominate a room, turning a wall into a window into the human soul. A high-quality reproduction of this work preserves the delicate nuances of Lassnig's color transitions and the raw energy of her strokes, making it an ideal centerpiece for those seeking to infuse their environment with intellectual depth and avant-garde sophistication. It is a piece that demands conversation, inviting viewers to contemplate the beautiful, tragic, and inescapable nature of our shared existence.

    Artista e museo

    Artista

    Maria Lassnig

    Nato a Kappel am Kraffeld, Austria

    Early Life and Education

    Maria Lassnig, born September 8, 1919, in Kappel am Kraffeld, Austria, experienced a formative childhood shaped by her mother’s turbulent relationship with an older man—a dynamic that instilled in Lassnig a profound understanding of familial complexities. Largely raised by her grandmother, this early environment would become a recurring motif in her artistic explorations. Her academic pursuits began at the Academy of Fine Arts in Vienna during World War II, where she honed her distinctive style and established herself as an artist dedicated to experimentation and innovation.

    Artistic Career and Contributions

    Lassnig’s artistic trajectory is characterized by groundbreaking contributions to Austrian art history. She spearheaded the introduction of Informalism and Tachisme into the postwar landscape—styles that prioritized spontaneity and emotional expression over traditional representational conventions. Her involvement with the Hundsgruppe (“Dog Pack”), alongside fellow artists Arnulf Rainer, Ernst Fuchs, and Wolfgang Hollegha, solidified her position as a pivotal figure in shaping Viennese artistic discourse during the 1950s. Perhaps Lassnig’s most enduring legacy resides in her concept of “Body Awareness,” articulated in 1948—a theoretical framework that championed depicting only body parts felt during the creative process. This approach yielded strikingly original self-portraits, imbued with unsettling colors and often featuring missing anatomical elements, reflecting a deliberate rejection of idealized beauty and delving into psychological introspection.

    Notable Works and Exhibitions

    Lassnig’s oeuvre encompasses numerous celebrated artworks, including “Selfportrait with Telephone,” housed at Lentò Kunstmuseum Linz, Austria—a piece that exemplifies her singular method of self-representation. Her works have graced prestigious exhibitions across Austria, notably those held at the Kunsthistorisches Museum and Museum of Applied Arts in Vienna, showcasing her artistic versatility and engagement with diverse mediums.

    Awards and Recognition

    Maria Lassnig received considerable acclaim throughout her career, culminating in the Grand Austrian State Prize in 1988—a testament to her enduring influence on Austrian art. She was honored with the Austrian Decoration for Science and Art in 2005, recognizing her contributions beyond artistic endeavors. Furthermore, she garnered international recognition at the Venice Biennale in 2013, securing the Golden Lion Award for Lifetime Achievement—a prestigious accolade acknowledging her profound impact on the global art community.

    Legacy

    Maria Lassnig’s pioneering spirit and unwavering commitment to exploring the subconscious continue to inspire artists today. Her exploration of “Body Awareness” remains a cornerstone of feminist art history, prompting critical reflection on representation and challenging conventional notions of beauty. Lassnig's artworks stand as enduring symbols of Austrian artistic heritage—a testament to her visionary approach and her indelible mark on the evolution of modern painting.

    Museo

    ALBERTINA KLOSTERNEUBURG

    In mostra presso Klosterneuburg, Austria

    A New Resonance on the Danube: The Albertina Klosterneuburg

    Nestled in the charming town of Klosterneuburg, just a short journey from Vienna, lies a cultural beacon that has swiftly established itself as a vital force in Austria’s contemporary art landscape. The ALBERTINA KLOSTERNEUBURG, opened in April 2024, isn't merely an extension of the renowned Albertina Museum; it is a bold reimagining of space and collection, offering a focused exploration of post-1945 artistic expression. Housed within the repurposed structure of the former Essl Museum, the gallery breathes new life into a building already steeped in art historical significance, creating a dialogue between its architectural past and the dynamic works it now contains.

    The Essence of Renewal:

    The ALBERTINA KLOSTERNEUBURG’s genesis is rooted in a poignant act of cultural stewardship. Faced with financial constraints, the Essl Museum—a significant private collection amassed by Karlheinz and Agnes Essl—was generously donated to the Albertina, ensuring its continued accessibility to the public. This decision underscored the importance of preserving artistic heritage and establishing a dedicated space for showcasing previously underserved pieces within the Albertina’s broader holdings. The donation represents a pivotal moment in the museum's trajectory, transforming it from a solitary repository into a vibrant hub for artistic dialogue and appreciation.

    Architectural Harmony:

    Designed by architect Heinz Tesar, the Klosterneuburg building embodies a masterful blend of historic context and contemporary design. Its spacious halls and innovative layout provide an ideal backdrop for presenting the museum’s impressive collection—a testament to how thoughtfully conceived spaces can amplify artistic impact. Tesar's vision prioritized natural light and fluid circulation, creating an environment that encourages contemplation and fosters connection between visitors and the artworks on display. The building itself serves as a symbol of renewal – mirroring the revitalized spirit of the Albertina’s mission.

    Sculptural Dialogue:

    Unlike its Viennese counterpart, which prioritizes painting and drawing, ALBERTINA KLOSTERNEUBURG distinguishes itself through a profound emphasis on sculpture. Visitors are invited into an immersive experience with works by celebrated Austrian artists like Franz West and Erwin Wurm—artists who challenge conventional artistic boundaries through modular constructions and audience participation. These sculptures aren’t simply objects to be admired; they invite active engagement, prompting viewers to consider the interplay between form, materiality, and conceptual ideas. The exhibition showcases pieces from both artists, demonstrating a commitment to exploring diverse artistic approaches.

    Featured Artists:

    Among the highlights is ‘Princess Sofia Albertina Of Sweden’ by Gustaf Lundberg – a stunning 18th-century portrait in golden frame. Hand-painted reproduction available now! This masterpiece exemplifies the meticulous craftsmanship of its era and offers a captivating glimpse into aristocratic life during the reign of Maria Theresa. Its gilded frame adds to its grandeur, reflecting the opulent aesthetic sensibilities of the period.

    The Museum's Vision:

    ALBERTINA KLOSTERNEUBURG represents more than just an art museum; it is a catalyst for cultural revitalization in Lower Austria. Its strategic location, easily accessible from Vienna, positions it as both a destination in its own right and a compelling day trip for those seeking artistic enrichment beyond the city limits. The gallery’s ambition extends beyond mere display—it strives to inspire curiosity, foster critical thinking, and cultivate an appreciation for the transformative power of art. It stands as a testament to Austria's enduring commitment to cultural excellence and serves as a beacon for artists and visitors alike.

    Dove approfondire

    Scoprilo online

    Codice QR che rimanda alla pagina di download per Mourning

    wahooart.com/it/art/download/maria-lassnig-mourning-D67HTG-en/

    Citazione dell'opera

    MLA
    Lassnig, Maria. Mourning. 2003, ALBERTINA KLOSTERNEUBURG. https://wahooart.com/it/art/maria-lassnig-mourning-D67HTG-en/
    APA
    Lassnig, Maria (2003). Mourning [Painting]. ALBERTINA KLOSTERNEUBURG. https://wahooart.com/it/art/maria-lassnig-mourning-D67HTG-en/
    Chicago
    Maria Lassnig. Mourning. 2003. ALBERTINA KLOSTERNEUBURG. https://wahooart.com/it/art/maria-lassnig-mourning-D67HTG-en/
    Harvard
    Lassnig, Maria (2003) Mourning. ALBERTINA KLOSTERNEUBURG. Available at: https://wahooart.com/it/art/maria-lassnig-mourning-D67HTG-en/

    Guarda da vicino

    Mourning — Maria Lassnig

    Guarda da vicino

    Rispondi con parole tue. Non esistono risposte errate — solo risposte che puoi spiegare.

    1. Cosa ti colpisce per primo, e perché?
    2. Quali colori o forme creano l'atmosfera — e di che atmosfera si tratta?
    3. Il nostro catalogo classifica quest'opera sotto: woman, figures, white dress. Sei d'accordo? Cosa aggiungeresti o toglieresti?
    4. Rivedi Atlas (1985), precedentemente citato in questa guida. Indica due elementi che condivide con quest'opera e uno che la differenzia.
    5. Maria Lassnig aveva circa 84 anni quando quest'opera è stata realizzata. Quali elementi ne rivelano la mano di un artista in quella fase della sua carriera?

    La tua risposta

    Scrivi un breve paragrafo su quest'opera. Utilizza i fatti riportati nelle parti precedenti di questa guida e le tue risposte fornite sopra.