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Return from the ball

Nome Classe Data

Giuseppe De Nittis, Return from the ball. Di pubblico dominio.

Dettagli dell'opera

Artista
Giuseppe De Nittis wahooart.com/it/artists/giuseppe-de-nittis_it/
Date dell'artista
1846 – 1884
Movimento
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

Nel contesto

Return from the ball — Giuseppe De Nittis

Data presunta di realizzazione

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880

Shaded: la vita di Giuseppe De Nittis (1846–1884)

L'anno esatto di questo disco non è disponibile nei nostri archivi: basandoti sulla vita dell'artista e sullo stile dell'opera, a quale decennio penseresti?

Opere simili

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Altre opere da affiancare a questa: wahooart.com/it/art/similar/giuseppe-de-nittis-return-from-the-ball-9H5TEN-en/

Palette colori

Rilevato dall'immagine

    Colore principale

    Espresso #391e0f

    Tavolozza salvata

    • #391E0F
    • #6B4522
    • #D7CDB5
    • #A57648
    Palette
    Dark La gamma cromatica dominante nell'immagine.
    Colore principale
    Espresso
    Intensità
    Balanced La saturazione e la varietà dei colori, da una singola tonalità tenue a molteplici sfumature vivaci.
    Contrasto
    Statement Quanto i colori differiscano in luminosità e saturazione nell'intera opera.
    Armonia
    Unified Palette L'armonia cromatica, dall'accostamento contrastante all'unione completa.
    Luminosità
    Shadow Il grado di luminosità o di oscurità complessiva dell'immagine, dalle ombre profonde ai punti di massima luce.
    Saturazione
    Balanced Soft Quanto siano puri e intensi i colori, dal quasi grigio al pienamente vivido.

    Artista e museo

    Artista

    Giuseppe De Nittis

    Nato a Barletta, Italia

    Giuseppe De Nittis (1846-1884): Italian Painter Bridging Salon Art & Impressionism

    Early Life and Artistic Beginnings

    The Macchiaioli Movement and Florentine Influences

    Parisian Years: Recognition and Impressionist Engagement

    Return to Italy: Vesuvius Landscapes and Continued Success

    Legacy and Influence on Later Artists

    Early Life and Artistic Beginnings

    Giuseppe Gaetano De Nittis was born in Barletta, Apulia, on February 25, 1846, the fourth son of Raffaele De Nittis and Teresa Emanuela Barracchia. His father, a wealthy landowner deeply involved in political activism—particularly opposed to the Bourbon monarchy—was imprisoned for two years due to his outspoken stance. Despite this hardship, Giuseppe persevered in pursuing his artistic ambitions, enrolling at the Reale Istituto di Belle Arti di Napoli in 1861 under the tutelage of Giuseppe Mancinelli and Gabriele Smargiassi. Unlike many of his peers, he eschewed academic conventions, prioritizing independent expression and capturing the immediacy of nature—a characteristic that would define his distinctive style. His early training instilled in him a rebellious spirit and a fascination with plein air painting, foreshadowing his future artistic endeavors.

    The Macchiaioli Movement and Florentine Influences

    De Nittis’s formative years coincided with the emergence of the Macchiaioli movement—a group of Italian painters who championed a revolutionary approach to art. Inspired by artists like Telemaco Signorini, he embraced this stylistic innovation, experimenting with bold brushstrokes and vibrant color palettes to convey emotion and atmosphere. His association with Signorini fostered a collaborative spirit and exposed him to Florentine artistic currents, where he honed his skills and absorbed the influence of Impressionist techniques. This period solidified De Nittis’s commitment to capturing fleeting moments of light and color—a cornerstone of his oeuvre.

    Parisian Years: Recognition and Impressionist Engagement

    In 1867, De Nittis relocated to Paris, establishing a contract with the influential art dealer Adolphe Goupil. This move propelled him into the heart of Parisian artistic life, where he encountered fellow artists such as Edgar Degas and Ernest Meissonier. Recognizing the importance of commercial success alongside artistic integrity, he diligently produced genre paintings—primarily portraits and scenes of everyday life—that catered to the tastes of discerning collectors. Notably, De Nittis participated in the inaugural Impressionist exhibition held at Nadar’s studio in 1874, marking a pivotal moment in his career and aligning him firmly with the burgeoning Impressionist movement. His presence at this landmark event cemented his reputation as a visionary artist who dared to challenge artistic conventions.

    Return to Italy: Vesuvius Landscapes and Continued Success

    Driven by a desire for creative freedom and inspired by the grandeur of the Italian landscape, De Nittis returned to Naples in 1872. He swiftly gained acclaim for his depictions of Mount Vesuvio—capturing its volcanic majesty with breathtaking precision and expressive color. His canvases conveyed not only visual beauty but also palpable emotion—reflecting the artist’s profound connection to his homeland. Throughout the Franco-Prussian War (1870–1871), De Nittis continued to produce artwork, demonstrating unwavering dedication to his craft amidst turbulent times. He achieved considerable success at the Exposition Universelle of 1878, securing a gold medal and receiving the Légion d’honneur—honors that underscored his artistic merit and national significance.

    Legacy and Influence on Later Artists

    Giuseppe De Nittis died unexpectedly in Saint-Germain-en-Laye on August 21, 1884, at the age of 38—a tragic premature end to a brilliant artistic life. His wife, Léontine Lucile Gruvelle, generously bequeathed his paintings to the town of Barletta, where they are now housed in the Pinacoteca De Nittis—a testament to his enduring legacy. De Nittis’s distinctive style—characterized by bold brushstrokes, vibrant color palettes, and a masterful rendering of light—influenced subsequent generations of artists, particularly Impressionists and Macchiaioli. His unwavering commitment to capturing the essence of nature and conveying emotion continues to inspire painters today.

    Dove approfondire

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    wahooart.com/it/art/download/giuseppe-de-nittis-return-from-the-ball-9H5TEN-en/

    Citazione dell'opera

    MLA
    Nittis, Giuseppe De. Return from the ball. n.d., https://wahooart.com/it/art/giuseppe-de-nittis-return-from-the-ball-9H5TEN-en/
    APA
    Nittis, Giuseppe De (n.d.). Return from the ball [Painting]. https://wahooart.com/it/art/giuseppe-de-nittis-return-from-the-ball-9H5TEN-en/
    Chicago
    Giuseppe De Nittis. Return from the ball. n.d. https://wahooart.com/it/art/giuseppe-de-nittis-return-from-the-ball-9H5TEN-en/
    Harvard
    Nittis, Giuseppe De (n.d.) Return from the ball. Available at: https://wahooart.com/it/art/giuseppe-de-nittis-return-from-the-ball-9H5TEN-en/

    Guarda da vicino

    Return from the ball — Giuseppe De Nittis

    Guarda da vicino

    Rispondi con parole tue. Non esistono risposte errate — solo risposte che puoi spiegare.

    1. Cosa ti colpisce per primo, e perché?
    2. Quali colori o forme creano l'atmosfera — e di che atmosfera si tratta?
    3. Il nostro catalogo classifica quest'opera sotto: garden scene, leisure, romance. Sei d'accordo? Cosa aggiungeresti o toglieresti?
    4. Rivedi Osta käsin maalattu maalaus teoksesta On the Slopes of Vesuvius (III) (1872), precedentemente citato in questa guida. Indica due elementi che condivide con quest'opera e uno che la differenzia.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Dove si può osservare questo elemento in quest'opera?

    La tua risposta

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