Joseph Highmore, 1692 – 1780

Joseph Highmore festményei: A 100 leghíresebb alkotás, rangsorolva

Joseph Highmore leghíresebb festménye a Pamela fainting (1743), mely a National Gallery of Victoria található, Melbourne városában. A Self-portrait (1740) és a Miss Hamilton (1735) mellett ez alkotja azt a három műet mindenki felismer. Katalógusunkban 152 mű található Joseph Highmore alkotótól; az alábbi 100 alkotás a világ legnézettebbjei, amelyeknél megtudhatjuk a készítés évszámát, a művészét tároló múzeumot, valamint az alkotások jelentőségét.

A rangsorolásunkat a népszerűségi pontszám határozza meg, amely az egyes művek kereséseit, látogatottságát és megrendeléseit ötvözi. Frissítve: október 2026. Az ezen az oldalon található összes remekmű megrendelhető múzeumi minőségű, kézzel festett olajfestmény másolatként vagy fine art nyomtatásként, a választott méretben.

Joseph Highmore portréja
Joseph Highmore · 1692 – 1780
Született · meghalt
1692 – 1780, London
Mozgalom
Rococo
A katalógusban szereplő művek
152
Legnépszerűbb
Pamela fainting (1743)
A legtöbb művel a
National Portrait Gallery

A 10 leghíresebb Joseph Highmore festmény

Pamela fainting (1743) szerzője Joseph Highmore
1

Pamela fainting

1743 · Oil On Canvas · National Gallery of Victoria, Melbourne

Joseph Highmore painted Pamela fainting between 1743 and 1744. This oil on canvas captures a heavy, breathless moment of crisis. The scene draws its narrative from the novel Pamela, or Virtue Rewarded. It focuses on the immediate aftermath of a failed attempt at sexual violence, a moment where the air in the room seems to have vanished.

Self-portrait (1740) szerzője Joseph Highmore
2

Self-portrait

1740 · Oil On Canvas · National Gallery of Victoria, Melbourne

Joseph Highmore’s Self-portrait, executed in oil on canvas, dates to about 1745-1747. The work presents the artist in a dual capacity, projecting the persona of both a professional artist and an educated gentleman. This careful construction of identity reflects the social aspirations of the mid-eighteenth century.

Mr. Oldham and his Friends (1750) szerzője Joseph Highmore
4

Mr. Oldham and his Friends

1750 · Oil On Canvas · Tate Gallery, London

In the soft, amber glow of an imagined mid-eighteenth-century evening, Joseph Highmore’s “Mr. Oldham and his Friends” invites the viewer to step into a world of refined leisure and quiet intellectual intimacy. Painted in 1750, this masterpiece serves as a window into the heart of Georgian England, capturing a moment that transcends mere portraiture to become a celebration of social bond and shared experience. The composition centers on four gentlemen…

Mrs. Freeman Flower (1747) szerzője Joseph Highmore
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Mrs. Freeman Flower

1747 · Oil On Canvas · Art Institute of Chicago, Chicago

This oil on canvas portrait, titled Mrs. Freeman Flower, was executed by Joseph Highmore in 1747. The work functions as a formal representation of the sitter, Mrs. Freeman Flower, capturing her likeness during the mid-eighteenth century. Highmore, a significant figure in English portraiture, utilized this composition to document the subject's presence and social standing.

Joseph Highmore, festmények 11 és 100 között

Joseph Highmore festményei időszakok szerint

A leggyakoribb témakörök, amelyeket Joseph Highmore festett

A négy leggyakoribb téma ezek között a mesterdarabok közül, mindegyik legkivágtebb példájával.

Hol láthatja Joseph Highmore festményeit

A 8 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.

Múzeumok Város Joseph Highmore művei Ebből a listából származó festmények
National Portrait Gallery, LondonNational Portrait Gallery London 6 Samuel Richardson, Thomas Ripley, Samuel Richardson
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 4 Pamela fainting, Self-portrait, Pamela and Lady Davers
Yale Center for British Art, New HavenYale Center for British Art New Haven 11 An Unknown Man In Black, Charles Penruddocke, An Unknown Man
Fitzwilliam MuseumFitzwilliam Museum 5 Mrs Elizabeth Birch And Her Daughter, Pamela Shows Mr Williams A Hiding Place For Their Letters
National Library of Wales, AberystwythNational Library of Wales Aberystwyth 2 Thomas Pennant, Robert Wynne
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 2 Mrs. Freeman Flower
Tate Britain, LondonTate Britain London 2 Mr Oldham And His Guests
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 2 Portrait Of A Man

Joseph Highmore leghíresebb festményei évtizedenként

  1. 1730s
    Miss Hamilton (1735) szerzője Joseph Highmore
    3. / 100

    Miss Hamilton

    Kor: 38 – 47 év · Detroit Institute of Arts

    Miss Hamilton is an oil on canvas portrait by the English artist Joseph Highmore. Created in 1735, this European painting captures a moment of quiet poise. Highmore, who…

  2. 1740s
    Pamela fainting (1743) szerzője Joseph Highmore
    1. hely 100 közül

    Pamela fainting

    Kor: 48 – 57 év · National Gallery of Victoria

    Joseph Highmore painted Pamela fainting between 1743 and 1744. This oil on canvas captures a heavy, breathless moment of crisis. The scene draws its narrative from the novel…

  3. 1750s
    Mr. Oldham and his Friends (1750) szerzője Joseph Highmore
    4. hely 100 közül

    Mr. Oldham and his Friends

    Kor: 58 – 67 év · Tate Gallery

    In the soft, amber glow of an imagined mid-eighteenth-century evening, Joseph Highmore’s “Mr. Oldham and his Friends” invites the viewer to step into a world of refined leisure…

Kérdések Joseph Highmore festményeivel kapcsolatban

Mi Joseph Highmore leghíresebb festménye?Mutasd meg a választ

Pamela fainting (1743), National Gallery of Victoria, Melbourne. Ezután következik Self-portrait (1740) és Miss Hamilton (1735).

Hány éves volt Joseph Highmore, amikor a Pamela fainting készült?Mutasd meg a választ

51 éves: Pamela fainting 1743-ből származik, Joseph Highmore pedig 1692 évfolyamon született.

Melyek Joseph Highmore top 10 festménye?Mutasd meg a választ

Pamela fainting, Self-portrait, Miss Hamilton, Mr. Oldham and his Friends, Portr. of a lady, Mrs. Freeman Flower, The Family Of E. Lancelot Lee, Portrait of a Lady, Portrait Of Queen Caroline Of Ansbach és James Wigley Of Scraptoft Hall. A fenti rangsor a művek évszámát és a múzeumát jelzi.

Hány festményt készített Joseph Highmore?Mutasd meg a választ

Katalógusunkban 152 mű található Joseph Highmore alkotótól, 1735 és 1750 közötti időszakból.

Hol találhatók Joseph Highmore leghíresebb festményei?Mutasd meg a választ

A legtöbbjüket National Portrait Gallery (London), National Gallery of Victoria (Melbourne) és Yale Center for British Art (New Haven) találhatja meg. A fenti táblázatban a múzeumokat egymás után soroljuk fel.

Mikor festette Joseph Highmore leghíresebb műveit?Mutasd meg a választ

1730s idején: a jelen laphonon található 100 műből 3 származik onnan, köztük Miss Hamilton.

Miküzők Joseph Highmore legkorábbi és legkésőbbi híres festményei?Mutasd meg a választ

A legkorábbi alkotás ezen az oldalon Miss Hamilton (1735), a legutóbb pedig Mr. Oldham and his Friends (1750).

Mit festett leggyakrabban Joseph Highmore?Mutasd meg a választ

18th century (15), Portrait (14) és Portraits (13), a jelen oldalon található 100 mű közül.

Melyik technikát használt leggyakrabban Joseph Highmore?Mutasd meg a választ

Oil On Canvas: 5 a 100 ezen az oldalon található műalkotásból.

Mely művészeti irányba tartozik Joseph Highmore?Mutasd meg a választ

Rococo, ahogy azt ezen az oldalon látható festmények is mutatják.

Mely Joseph Highmore festményeket láthatok a National Portrait Gallery kiállításaiban?Mutasd meg a választ

A Samuel Richardson, Thomas Ripley és Samuel Richardson a 6 mű közül foglal helyet ezen az oldalon, amelyeket a National Portrait Gallery, London tartományában őrzik.

Vásárolhatok egy Joseph Highmore festményének reprodukcióját?Mutasd meg a választ

Igen. Az oldalon található minden festmény a festmény saját oldalán, a választott méretben rendelhető meg, hogy muzeumi minőségű, kézzel festett olajfestmény-másolatként vagy kiváló minőségű művészeti nyomtatásként.

Joseph Highmore életútja

A Life Dedicated to Likeness and Narrative

Joseph Highmore, born in London in 1692, emerged as a pivotal figure within the evolving landscape of 18th-century English art. His journey began amidst familial expectations geared towards a legal career—a path he ultimately abandoned at seventeen to wholeheartedly pursue his artistic inclinations. This decisive turn led him to the studios of Sir Godfrey Kneller and anatomy lectures delivered by William Cheselden, foundational experiences that shaped his technical skill and profound understanding of the human form. Initially influenced by the grand Baroque tradition exemplified by Kneller, Highmore’s style would gradually embrace the more delicate aesthetics of the Rococo period, a shift reflective of broader cultural currents sweeping across Europe. He wasn't merely a painter; he was a keen observer of society, and his canvases became mirrors reflecting the lives, manners, and moral concerns of Georgian England.

Early Influences and Artistic Training

Highmore’s formative years were marked by rigorous artistic training—a cornerstone of his enduring success. Recognizing the importance of anatomical accuracy, he attended William Cheselden's anatomy lectures at University College London, gaining invaluable insight into human musculature and skeletal structure. This knowledge directly informed his meticulous rendering of figures in portraits and genre scenes alike. Simultaneously, he honed his skills under Sir Godfrey Kneller’s tutelage at Kneller’s Academy, absorbing the Baroque master’s techniques for capturing dramatic lighting and conveying psychological depth—a style that would initially dominate his oeuvre. Kneller's emphasis on realism and theatrical presentation instilled in Highmore a commitment to portraying subjects with profound sensitivity and conviction. These influences combined to establish him as one of the foremost portraitists of his era, securing commissions from prominent figures across England.

Royal Patronage and Artistic Flourishing

Highmore’s early career benefited significantly from royal patronage—a circumstance that propelled him to artistic prominence during the 1730s and 40s. King George II recognized Highmore's talent and commissioned numerous portraits, including a striking depiction of General James Wolfe—a monumental achievement demonstrating not only his technical prowess but also an exceptional ability to capture character and presence. This patronage afforded him access to unparalleled resources and opportunities for experimentation, allowing him to refine his artistic vision and solidify his reputation as England’s most celebrated portraitist. Furthermore, Highmore embarked on a transformative journey through the Netherlands and France between 1732 and 1734—a formative experience that exposed him to the masterpieces of Rubens and van Dyck. These encounters broadened his artistic horizons and instilled in him an appreciation for classical ideals of beauty and composition.

The Rococo Style and Genre Painting

As the Baroque tradition waned, Highmore skillfully adapted to evolving tastes within Georgian society—a hallmark of his enduring artistic vitality. He embraced the Rococo style, characterized by its graceful curves, pastel hues, and playful ornamentation—a stylistic choice that reflected the prevailing aesthetic sensibilities of the time. Unlike many artists who adhered rigidly to established conventions, Highmore demonstrated a remarkable versatility, venturing into genre painting alongside portraiture. His “conversation pieces”—group portraits depicting families or friends engaged in informal gatherings—became particularly beloved by his patrons, capturing the nuances of domestic life and social interaction with unparalleled subtlety. These works exemplify Highmore’s ability to convey emotion and psychological complexity through carefully crafted compositions and nuanced tonal palettes. Consider his depiction of *Mr Matthew Bell*, where the sitter's gaze conveys quiet dignity amidst an opulent interior—a testament to Highmore’s mastery of capturing human expression.

Legacy and Recognition

Highmore’s artistic legacy extends beyond his individual portraits; he profoundly influenced subsequent generations of painters. His meticulous anatomical studies established him as a pioneer in scientific illustration, furthering the burgeoning interest in natural history during the Enlightenment. Moreover, his commitment to portraying subjects with psychological depth—a hallmark of Rococo realism—inspired artists to explore the inner lives of their sitters and imbue their canvases with emotional resonance. He passed away peacefully in Canterbury in 1780 at the age of eighty-seven, leaving behind a substantial body of work that continues to captivate audiences today. Joseph Highmore’s enduring fame rests on his unparalleled skill as a portraitist—a testament to his dedication to artistic excellence and his profound understanding of human nature. His canvases stand as timeless reminders of Georgian elegance and intellectual curiosity—a legacy secured through the unwavering pursuit of beauty and truth.

Minden 152 műmű Joseph Highmore alkotása →