A Francis Egerton, 1st Earl of Ellesmere (1867) Edwin Longsden Long leghíresebb festménye, amelyet a London-i National Portrait Gallery tartja meg. Sir Stafford Henry Northcote, 1st Earl of Iddesleigh (1882) és Edward Ward, 4th Viscount Bangor (1827 - 1881) on a Yacht (1850) a következő két mű, amelyeket a világ a legjobban ismer. A Edwin Longsden Long 86 műve közül íme a 82 legnépszerűbb alkotás, amelyeket a gyűjtők és a múzeumlátogatók a leggyakrabban tekintik meg, évszámával, múzeumával és a mű történetével együtt.
A rangsorolást a népszerűségi pontszámunk határozza meg, amely az egyes művek kereséseit, látogatottságát és megrendeléseit ötvözi. Frissítve: november 2026. Az ezen az oldalon található összes remekmű megrendelhető múzeumi minőségű, kézzel festett olajfestmény másolatként vagy fine art nyomtatásként, a választott méretben.
This oil portrait by Edwin Long depicts Francis Egerton, 1st Earl of Ellesmere. The subject of the painting lived from 1800 to 1857. Dated 1891, the work is part of the collection held by the National Portrait Gallery in London, United Kingdom.
The gaze of Sir Stafford Henry Northcote, 1st Earl of Iddesleigh meets the viewer through this 1882 oil portrait. He sits with the quiet gravity of a man deeply embedded in the machinery of British governance. As a prominent Conservative politician, his presence carries the weight of significant public service. He once held the high office of First Lord of the Treasury, navigating the complex currents of political power during…
In this 1850 oil portrait, Edward Ward, 4th Viscount Bangor, is positioned within an oval composition. He sits slightly off-center, his body angled toward the viewer while his gaze is directed toward the horizon. The subject wears a dark, fur-trimmed coat that provides a heavy texture against the lighter elements of the scene. His right hand holds a metallic telescope, a tool of navigation, which catches the light coming from…
A formal three-quarter length portrait, this 1850 work captures the poised presence of the Hon. Harriet Margaret Maxwell, Viscountess Bangor. The subject is positioned slightly off-center, her gaze establishing an intimate yet respectful connection with the viewer. She is draped in a dark silk or satin cloak, the heavy folds of which contrast with the delicate white lace of her attire. The composition relies on a somber, elegant atmosphere, utilizing…
The portrait depicts Mary Dickinson, Viscountess Clifden of Gowran, seated in a three-quarter length pose. She is positioned slightly off-center against a dark, matte blue background that suggests the presence of heavy drapery. The subject holds a small musical instrument, specifically a guitar or mandolin, with her hands resting near its rounded body. Her gown is composed of creamy whites, ivories, and golds, featuring delicate lace ruffles at the sleeves…
In "A Spanish Girl Praying" by Edwin Long, a quiet moment of devotion unfolds within a vertical portrait. The young girl is captured from the waist up, her presence felt through a slight off-center positioning that suggests a subtle, living movement. She gazes upward and away from the viewer, her eyes fixed on something unseen beyond the frame. Her hands are clasped tightly in prayer, clutching a set of rosary…
In the quietude of a space that feels pulled from the annals of classical antiquity, the scene unfolds within the work titled the artists model by Edwin Long. Painted about 1890, the image captures a moment of stillness and observation. A male figure sits at the heart of the composition, draped in a heavy, reddish-brown robe that anchors him to the setting. He appears lost in a moment of creative…
A young Egyptian woman moves through a space of heavy, ancient stillness. She stands centered within an interior that breathes the air of a bygone era, her form framed by the geometric precision of architectural elements. There is a profound sense of duty in her posture as she presents an offering, perhaps food or drink, toward the viewer. Her expression carries a weight of quiet dignity, tinged with a subtle…
In this work titled confession, Edwin Long presents a quiet, heavy moment of spiritual reckoning. Painted about 1862, the scene is set within the hushed, shadowed interior of an old church. A man, dressed in a robe and a hat, is positioned in a state of humility, kneeling down before a confessional booth. The weight of the moment is felt in his posture, suggesting a private dialogue between the penitent…
The oil painting las hilanderas emerged from the brush of Edwin Long around 1857. This work marks a significant chapter in the career of the English painter, who was born in Bath, United Kingdom. Long established himself as a successful painter of genre, history, biblical, and portrait subjects, moving through the artistic circles of the Victorian era with a steady hand.
The painting depicts a historical scene centered around a wooden table laden with food. A group of men, dressed in religious garments, are positioned around this table in…
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Two women sit upon a bench, their forms draped in white fabric that catches the light. They are caught in a moment of stillness, a shared breath between…
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The scene unfolds within the heavy atmosphere of 1872, a moment frozen in time through the brush of Edwin Long. In this work, titled The Supplicants The Expulsion…
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A Moment Frozen in Time: Edwin Long’s Reverie on Esther Edwin Long’s “Queen Esther,” completed in 1878, isn't merely a depiction of biblical legend; it’s an exquisitely crafted…
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A négy leggyakoribb téma ezek között a mesterdarabok közül, mindegyik legkivágtebb példájával.
A 7 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.
| Múzeum | Város | Edwin Longsden Long művei | Ebből a listából származó festmények |
|---|---|---|---|
 National Portrait Gallery |
London | 3 | Francis Egerton, 1st Earl of Ellesmere, Sir Stafford Henry Northcote, 1st Earl of Iddesleigh, lord randolph churchill |
 National Gallery of Victoria |
Melbourne | 2 | Queen Esther, queen esther |
 Lanhydrock House |
Bodmin | 1 | Mary Dickinson, Viscountess Clifden of Gowran (1853-1921) |
 Fries Museum |
Leeuwarden | 1 | Stafford Henry Northcote 1st Earl of Iddesleigh by Edwin Longsden Long |
 Yale Center for British Art |
New Haven | 1 | The Daughters Of Our Empire |
 Art Gallery of New South Wales |
Sydney | 1 | A Dorcas meeting in the 6th century |
 Russell-Cotes Art Gallery - Museum |
Bournemouth | 1 | Uncle Tom and Little Eva |
In this 1850 oil portrait, Edward Ward, 4th Viscount Bangor, is positioned within an oval composition. He sits slightly off-center, his body angled toward the viewer while his…
This oil portrait by Edwin Long depicts Francis Egerton, 1st Earl of Ellesmere. The subject of the painting lived from 1800 to 1857. Dated 1891, the work is…
Two women sit upon a bench, their forms draped in white fabric that catches the light. They are caught in a moment of stillness, a shared breath between…
The gaze of Sir Stafford Henry Northcote, 1st Earl of Iddesleigh meets the viewer through this 1882 oil portrait. He sits with the quiet gravity of a man…
In the quietude of a space that feels pulled from the annals of classical antiquity, the scene unfolds within the work titled the artists model by Edwin Long.…
Francis Egerton, 1st Earl of Ellesmere (1867), National Portrait Gallery, London. Ezután következik Sir Stafford Henry Northcote, 1st Earl of Iddesleigh (1882) és Edward Ward, 4th Viscount Bangor (1827 - 1881) on a Yacht (1850).
38 éves: Francis Egerton, 1st Earl of Ellesmere 1867-ből származik, Edwin Longsden Long pedig 1829 évfolyamon született.
Francis Egerton, 1st Earl of Ellesmere, Sir Stafford Henry Northcote, 1st Earl of Iddesleigh, Edward Ward, 4th Viscount Bangor (1827 - 1881) on a Yacht, The Hon. Harriet Margaret Maxwell, Viscountess Bangor (1805-1880), Mary Dickinson, Viscountess Clifden of Gowran (1853-1921), A Spanish Girl Praying, the artists model, Alethe Attendant of the Sacred Iblis - oil on panel -, confession és las hilanderas. A fenti rangsor a művek évszámát és a múzeumát jelzi.
Katalógusunkban 86 mű található Edwin Longsden Long alkotótól, 1850 és 1890 közötti időszakból.
A legtöbbjüket National Portrait Gallery (London), National Gallery of Victoria (Melbourne) és Lanhydrock House (Bodmin) találhatja meg. A fenti táblázatban a múzeumokat egymás után soroljuk fel.
1880s idején: a jelen laphonon található 82 műből 5 származik onnan, köztük Sir Stafford Henry Northcote, 1st Earl of Iddesleigh.
A legkorábbi alkotás ezen az oldalon Edward Ward, 4th Viscount Bangor (1827 - 1881) on a Yacht (1850), a legutóbb pedig the artists model (1890).
Girls (6), Man (5) és Woman (4), a jelen oldalon található 82 mű közül.
Oil On Canvas: 11 a 82 ezen az oldalon található műalkotásból.
Academic realism, ahogy azt ezen az oldalon látható festmények is mutatják.
A Francis Egerton, 1st Earl of Ellesmere, Sir Stafford Henry Northcote, 1st Earl of Iddesleigh és lord randolph churchill a 3 mű közül foglal helyet ezen az oldalon, amelyeket a National Portrait Gallery, London tartományában őrzik.
Igen. Az oldalon található minden festmény a festmény saját oldalán, a választott méretben rendelhető meg, hogy muzeumi minőségű, kézzel festett olajfestmény-másolatként vagy kiváló minőségű művészeti nyomtatásként.
