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          Adèle Romany, 1769 – 1846

          A 37 legnévesebb festménye: Adèle Romany

          Adèle Romany nevesebbá tett műve a Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795); amely a National Museum of Women in the Arts múzeumában található, Washington, D.C. városában. Madame Coury, Duhamel Widow (1811) és Portrait of a Young Woman (1804) követik őket a gyűjtők és a múzeumi látogatók elősörvetében. A Adèle Romany katalógusában található 39 mű közül ezek a 37 a legcsodálatosabbak, melyeket dátummal, múzeummal és a műre jellemző különlegességekkel mutatunk be.

          A rangsorolást a népszerűségi pontszámunk határozza meg, amely az egyes művek kereséseit, látogatottságát és megrendeléseit ötvözi. Frissítve: november 2026. Az ezen az oldalon található összes remekmű megrendelhető múzeumi minőségű, kézzel festett olajfestmény másolatként vagy fine art nyomtatásként, a választott méretben.

          Adèle Romany portréja
          Adèle Romany · 1769 – 1846
          Született · meghalt
          1769 – 1846, Paris
          Mozgalom
          Neoclassicism
          A katalógusban szereplő művek
          39
          Legismertebbebb
          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
          A legtöbb művel a
          Library-museum of the Comédie-Française

          Adèle Romany: a tíz remekmű

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) (1889) -ja Adèle Romany
          1

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

          1795 · Oil · National Museum of Women in the Arts, Washington, D.C.

          The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

          Kézzel festett olajfestmény másolat, kezdő áron: $181 27 × 36 cm Az eredeti méretben $525 97 × 128 cm Megrendelem az eredeti méretben →
          Vidd haza! Fedezze fel ezt a remekművet
          Madame Coury, Duhamel Widow (1811) (1889) -ja Adèle Romany
          2

          Madame Coury, Duhamel Widow

          1811 · Oil On Canvas · Nationalmuseum, Stockholm

          In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

          Kézzel festett olajfestmény másolat, kezdő áron: $181 28 × 36 cm Az eredeti méretben $470 90 × 117 cm Megrendelem az eredeti méretben →
          Rendelj egy reprodukciót Ez a festményről
          Portrait of a Young Woman (1804) (1889) -ja Adèle Romany
          3

          Portrait of a Young Woman

          1804 · Oil On Canvas · Musée Marmottan Monet, Párizs

          The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

          Kézzel festett olajfestmény másolat, kezdő áron: $181 29 × 35 cm Az eredeti méretben $245 51 × 61 cm Megrendelem az eredeti méretben →
          Rendelj egy reprodukciót Ez a festményről
          Portrait of Julie Candeille (1791) (1889) -ja Adèle Romany
          4

          Portrait of Julie Candeille

          1791 · Oil On Canvas

          In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

          Kézzel festett olajfestmény másolat, kezdő áron: $181 29 × 34 cm
          Kérjen kézzel festett másolatot Ennek a műnek a története
          Portrait of a Young Harpist (1795) (1889) -ja Adèle Romany
          5

          Portrait of a Young Harpist

          1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Lille

          The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

          Kézzel festett olajfestmény másolat, kezdő áron: $181 28 × 35 cm Az eredeti méretben $354 73 × 92 cm Megrendelem az eredeti méretben →
          Kérjen kézzel festett másolatot Ennek a műnek a története
          Portrait of a woman (1795) (1889) -ja Adèle Romany
          6

          Portrait of a woman

          1795 · Oil On Canvas · Musée Jacquemart-André, Párizs

          The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

          Kézzel festett olajfestmény másolat, kezdő áron: $181 29 × 35 cm Az eredeti méretben $294 62 × 76 cm Megrendelem az eredeti méretben →
          Rendelj egy reprodukciót Ez a festményről
          Portrait of Amélie-Justine Pontois (1795) (1889) -ja Adèle Romany
          7

          Portrait of Amélie-Justine Pontois

          1795 · Oil

          In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

          Kézzel festett olajfestmény másolat, kezdő áron: $181 28 × 36 cm Az eredeti méretben $243 49 × 61 cm Megrendelem az eredeti méretben →
          Vidd haza! Fedezze fel ezt a remekművet
          Charles-Antoine d'Artenay (1792) (1889) -ja Adèle Romany
          8

          Charles-Antoine d'Artenay

          1792 · Oil On Canvas · Château de Versailles, Versailles

          The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

          Kézzel festett olajfestmény másolat, kezdő áron: $181 29 × 35 cm Az eredeti méretben $256 53 × 65 cm Megrendelem az eredeti méretben →
          Rendelj egy reprodukciót Ez a festményről
          Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) (1889) -ja Adèle Romany
          9

          Portrait of Amélie-Justine and Charles-Édouard Pontois

          1800 · Oil

          The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

          Kézzel festett olajfestmény másolat, kezdő áron: $206 28 × 35 cm Az eredeti méretben $380 73 × 92 cm Megrendelem az eredeti méretben →
          Rendelj egy reprodukciót Ez a festményről
          A young person hesitating to play the piano in front of her family (1804) (1889) -ja Adèle Romany
          10

          A young person hesitating to play the piano in front of her family

          1804 · Oil On Canvas · Frances Lehman Loeb Art Center

          The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

          Kézzel festett olajfestmény másolat, kezdő áron: $281 36 × 28 cm Az eredeti méretben $749 146 × 113 cm Megrendelem az eredeti méretben →
          Rendelj egy reprodukciót Ez a festményről

          További Adèle Romany remekművek, 11től 37ig

          Mlle Raucourt as Agrippine (1812) (1889) -ja Adèle Romany
          #22

          Mlle Raucourt as Agrippine

          1812 · Library-museum of the Comédie-Française

          In this portrait, titled Mlle Raucourt as Agrippine, the artist Adèle Romany presents a striking study of the celebrated French actress Françoise Marie Antoinette Saucerotte. Known professionally as…

          Vidd haza! kezdőව $181 →

          Adèle Romany festményei időszakok szerint

          Early Period

          1791 – 1798 · 7 mű ebben a listában
          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791 Portrait of a Young Harpist (1795), Adèle Romany #5 Portrait of a Young Harpist 1795 · Palais des Beaux-Arts de Lille Portrait of a woman (1795), Adèle Romany #6 Portrait of a woman 1795 · Musée Jacquemart-André Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795

          Mature Period

          1799 – 1833 · 28 mű ebben a listában
          Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Presumed self-portrait (1799), Adèle Romany #11 Presumed self-portrait 1799 · Musée des Beaux-Arts de Rouen

          A leggyakoribb témakörök, amelyeket Adèle Romany festett

          A négy leggyakoribb téma ezek között a mesterdarabok közül, mindegyik legkivágtebb példájával.

          Woman 24 alkotás

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet Portrait of Julie Candeille (1791), Adèle Romany #4 Portrait of Julie Candeille 1791

          Man 14 alkotás

          Charles-Antoine d'Artenay (1792), Adèle Romany #8 Charles-Antoine d'Artenay 1792 · Château de Versailles Portrait of Amélie-Justine and Charles-Édouard Pontois (1800), Adèle Romany #9 Portrait of Amélie-Justine and Charles-Édouard Pontois 1800 Young lovers playing the lyre (1802), Adèle Romany #12 Young lovers playing the lyre 1802 Louis Jean-Baptiste Étienne Vigée (1800), Adèle Romany #15 Louis Jean-Baptiste Étienne Vigée 1800

          White dress 6 alkotás

          Portrait of Amélie-Justine Pontois (1795), Adèle Romany #7 Portrait of Amélie-Justine Pontois 1795 A young person hesitating to play the piano in front of her family (1804), Adèle Romany #10 A young person hesitating to play the piano in front of her family 1804 · Frances Lehman Loeb Art Center Portrait of mademoiselle A.P. (1806), Adèle Romany #24 Portrait of mademoiselle A.P. 1806 · Musée de la Chartreuse de Douai Portrait of Amélie-Justine Laidin de la Bouterie (1818), Adèle Romany #31 Portrait of Amélie-Justine Laidin de la Bouterie 1818

          White cravat 6 alkotás

          Joseph-Dominique Fabry Garat Playing a Lyre Guitar (1808), Adèle Romany #20 Joseph-Dominique Fabry Garat Playing a Lyre Guitar 1808 · Művészeti Múzeum, Boston Portrait of Antoine Valedau (1809), Adèle Romany #25 Portrait of Antoine Valedau 1809 · Musée Fabre The Marquis de Romance Mesmon's snack (1815), Adèle Romany #29 The Marquis de Romance Mesmon's snack 1815 · Château de Versailles Portrait of Voltaire (1836), Adèle Romany #35 Portrait of Voltaire 1836 · Library-museum of the Comédie-Française

          Hol láthatja Adèle Romany festményeit

          A 8 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.

          Múzeum Város Adèle Romany művei Ebből a listából származó festmények
          Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
          Château de Versailles, VersaillesChâteau de Versailles Versailles 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
          Művészeti Múzeum, Boston, BostonMűvészeti Múzeum, Boston Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
          National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
          Nationalmuseum, StockholmNationalmuseum Stockholm 1 Madame Coury, Duhamel Widow
          Musée Marmottan Monet, PárizsMusée Marmottan Monet Párizs 1 Portrait of a Young Woman
          Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Portrait of a Young Harpist
          Musée Jacquemart-André, PárizsMusée Jacquemart-André Párizs 1 Portrait of a woman

          Adèle Romany, évtizedenként: az évtized meghatározó festményei

          1. 1790s
          2. 1800s
            Portrait of a Young Woman (1804) (1889) -ja Adèle Romany
            #3 37 közül

            Portrait of a Young Woman

            Kor: 31 – 40 év · Musée Marmottan Monet

            The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

          3. 1810s
            Madame Coury, Duhamel Widow (1811) (1889) -ja Adèle Romany
            #2 37 közül

            Madame Coury, Duhamel Widow

            Kor: 41 – 50 év · Nationalmuseum

            In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

          4. 1830s
            Portrait de Zoé Prévost, de l'Opéra-Comique (1830) (1889) -ja Adèle Romany
            #32 37 közül

            Portrait de Zoé Prévost, de l'Opéra-Comique

            Kor: 61 – 70 év · Musée Magnin

            The artwork is titled Portrait de Zoé Prévost, de l'Opéra-Comique and was executed by the artist Adèle Romany. This portrait depicts Geneviève-Aimé-Zoë Prévost, a figure known in professional…

          Adèle Romany remekművei: kérdések és válaszok

          Melyik festményről ismert leginkább Adèle Romany?Mutasd meg a választ

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Washington, D.C.. Ezután következik Madame Coury, Duhamel Widow (1811) és Portrait of a Young Woman (1804).

          Hány éves volt Adèle Romany, amikor megalkotta a Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou című művét?Mutasd meg a választ

          26 éves: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795-ből származik, Adèle Romany pedig 1769 évfolyamon született.

          Melyek Adèle Romany tíz legnagyszerűbb festménye?Mutasd meg a választ

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois és A young person hesitating to play the piano in front of her family. A fenti rangsor a művek évszámát és a múzeumát jelzi.

          Hány művet festett Adèle Romany?Mutasd meg a választ

          Katalógusunkban 39 mű található Adèle Romany alkotótól, 1791 és 1836 közötti időszakból.

          Melyik múzeumokban tekinthetjük meg Adèle Romany remekműveit?Mutasd meg a választ

          A legtöbbjüket Library-museum of the Comédie-Française (Paris), Château de Versailles (Versailles) és Művészeti Múzeum, Boston (Boston) találhatja meg. A fenti táblázatban a múzeumokat egymás után soroljuk fel.

          Mikor festette Adèle Romany ezeket a remekműveket?Mutasd meg a választ

          1800s idején: a jelen laphonon található 37 műből 13 származik onnan, köztük Portrait of a Young Woman.

          Mikszétek a Adèle Romany első és legutolsó híres festményei?Mutasd meg a választ

          A legkorábbi alkotás ezen az oldalon Portrait of Julie Candeille (1791), a legutóbb pedig Portrait of Voltaire (1836).

          Melyek voltak Adèle Romany kedvenc témái?Mutasd meg a választ

          Woman (24), Man (14) és White dress (6), a jelen oldalon található 37 mű közül.

          Melyik technikát részesítte előnyben Adèle Romany?Mutasd meg a választ

          Oil On Canvas: 29 a 37 ezen az oldalon található műalkotásból.

          Mely művészeti irányzathez tartozik Adèle Romany?Mutasd meg a választ

          Neoclassicism, ahogy azt ezen az oldalon látható festmények is mutatják.

          Mely Adèle Romany remekművei láthatóak a Library-museum of the Comédie-Française falain?Mutasd meg a választ

          A Portrait of Emilie Leverd, Mlle Raucourt as Agrippine és Portrait of Fleury a 5 mű közül foglal helyet ezen az oldalon, amelyeket a Library-museum of the Comédie-Française, Paris tartományában őrzik.

          Én is vásárolhatok egy Adèle Romany remekművének reprodukcióját?Mutasd meg a választ

          Igen. Az oldalon található minden festmény a festmény saját oldalán, a választott méretben rendelhető meg, hogy muzeumi minőségű, kézzel festett olajfestmény-másolatként vagy kiváló minőségű művészeti nyomtatásként.

          Adèle Romany életútja

          Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

          Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

          Early Life and Artistic Training

          • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
          • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
          • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

          Artistic Style and Notable Works

          • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
          • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
          • Notable Works:
            • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
            • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
            • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
          • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

          Recognition and Historical Significance

          • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
          • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
          • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
          • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

          Legacy and Rediscovery

          Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.

          Minden 39 mű, amely Adèle Romany alkotása → Adèle Romany festmény-reprodukciók árakkal →