Sofonisba Anguissola, 1532 – 1625

The 45 Most Famous Paintings by Sofonisba Anguissola

The painting that made Sofonisba Anguissola famous is Portrait of the Artist's Sisters Playing Chess (1555); it hangs in the Muzeum Narodowe w Pozaniu, Poznań. Three children with dog (1590) and Self-portrait aged 78 (1610) follow it in the hearts of collectors and museum visitors. Of the 46 works by Sofonisba Anguissola in our catalogue, these 45 are the most admired, each presented with its date, its museum and what sets it apart.

Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Listopad 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.

Portret Sofonisba Anguissola
Sofonisba Anguissola · 1532 – 1625
Rođen · umro
1532 – 1625, Cremona
Pokret
Renaissance
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Portrait of the Artist's Sisters Playing Chess (1555)
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Sofonisba Anguissola: the ten masterpieces

Self-portrait aged 78 (1610) od Sofonisba Anguissola
3

Self-portrait aged 78

1610 · Acrylic On Canvas · Gottfried Keller Foundation, Winterthur

Sofonisba Anguissola’s *Self-portrait Aged 78*, completed in 1610, stands as a testament to the extraordinary achievements of a woman artist during the Renaissance—a period fiercely resistant to female participation in intellectual pursuits and artistic creation. More than just a likeness of the artist herself, this painting embodies the spirit of humanist ideals prevalent at the time, presenting Anguissola not merely as an individual but as a symbol of feminine resilience…

A Man with his Daughter (1580) od Sofonisba Anguissola
5

A Man with his Daughter

1580 · Oil · Narodni muzej u Varšavi, Varšava

In this intimate portrait, titled A Man with his Daughter, Sofonisba Anguissola captures a quiet moment of familial connection. The composition focuses on a man and his young daughter, presenting a study of a father and child in a close, vertical arrangement. There is a sense of stillness in the way the figures are positioned against a dark, indistinct background, which directs all attention to the subjects themselves.

Portrait of Diane d'Andouins and her daughter (1565) od Sofonisba Anguissola
6

Portrait of Diane d'Andouins and her daughter

1565 · Oil On Canvas · Basque Museum, Bayonne

In this 1565 portrait, Sofonisba Anguissola brings together two figures in a quiet, dignified moment. Titled Portrait of Diane d'Andouins and her daughter, the work captures a sense of familial connection through the presence of a mother and her child. The painting belongs to the portrait genre, focusing intently on the likeness and presence of these two individuals. It resides within the Basque Museum in Bayonne, France, where it remains…

Virgin and Child (1570) od Sofonisba Anguissola
7

Virgin and Child

1570 · Oil · Statens Museum For Kunst, Kopenhagen

In this monochrome portrait, Sofonisba Anguissola presents the "Virgin and Child" with a profound sense of intimacy. The composition is a close-up, centering the viewer's attention entirely on the two figures. Through an eye-level perspective, we are brought directly into the private, quiet space shared by the subjects. The religious subject matter is handled with a gentle touch, portraying the Virgin Mary as she looks down lovingly at the sleeping…

More Sofonisba Anguissola masterpieces, 11 to 45

Young Man (1600) od Sofonisba Anguissola
#13

Young Man

1600 · Detroit Institute of Arts

This painting, titled Young Man, is a work by Sofonisba Anguissola. It is an oil on panel portrait that captures a single male subject in a moment of…

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Self-Portrait (1550) od Sofonisba Anguissola
#20

Self-Portrait

1550 · Museo Poldi Pezzoli

A Renaissance Pioneer’s Intimate Gaze: Sofonisba Anguissola's "Self-Portrait" Sofonisba Anguissola’s “Self-Portrait” (1554), a miniature masterpiece housed within the confines of a delicate oval frame, isn’t merely a depiction…

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Asdrubale Bitten by a Crawfish (1554) od Sofonisba Anguissola
#23

Asdrubale Bitten by a Crawfish

1554 · Museo di Capodimonte

Sofonisba Anguissola's "Asdrubale Bitten by a Crawfish," painted around 1554, is far more than a simple depiction of childhood mischief. It’s a carefully constructed dialogue between artist and…

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Self-Portrait (1554) od Sofonisba Anguissola
#25

Self-Portrait

1554 · Kunsthistorisches Museum

Sofonisba Anguissola's 1554 “Self-Portrait” is more than a simple depiction of an artist; it’s a carefully constructed statement about identity, ambition, and the burgeoning role of women in…

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Profile Portrait of a Young Woman od Sofonisba Anguissola
#29

Profile Portrait of a Young Woman

Ermitaž

Sofonisba Anguissola’s “Profile Portrait of a Young Woman,” painted circa 1556, is more than just a likeness; it's a pivotal moment in art history—a defiant assertion of female…

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Self-Portrait (1556) od Sofonisba Anguissola
#30

Self-Portrait

1556 · Muzej likovnih umjetnosti

In the intimate expanse of a miniature panel, Sofonisba Anguissola captures more than just her own likeness; she captures the very essence of a burgeoning female identity in…

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Self-Portrait at the Easel (1556) od Sofonisba Anguissola
#31

Self-Portrait at the Easel

1556 · Muzeum-Zamek

The scene unfolds in 1556, a moment frozen in time where Sofonisba Anguissola meets the viewer's gaze directly. In this work, titled Self-Portrait at the Easel, the artist…

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Portrait of Philipp II of Spain (1570) od Sofonisba Anguissola
#38

Portrait of Philipp II of Spain

1570 · Muzej Prado

In the quiet, commanding presence of Sofonisba Anguissola’s Portrait of Philipp II of Spain, we encounter more than just a likeness; we meet the very embodiment of Renaissance…

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Portrait of Minerva Anguissola od Sofonisba Anguissola
#39

Portrait of Minerva Anguissola

Pinacoteca di Brera

Sofonisba Anguissola's “Portrait of Minerva Anguissola,” painted around 1564, is more than a simple likeness; it’s a carefully constructed tableau of identity, ambition, and the burgeoning role of…

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Self-Portrait (1560) od Sofonisba Anguissola
#45

Self-Portrait

1560 · Musée Condé

by Sofonisba Anguissola is a Renaissance-era oil on canvas. Dated about 1560, the work functions as a direct representation of the artist herself. The subject is Sofonisba Anguissola,…

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Sofonisba Anguissola's paintings by period

The subjects Sofonisba Anguissola painted most

The four subjects that return most often among these masterpieces, with the finest example of each.

Where to see Sofonisba Anguissola's paintings

8 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Sofonisba Anguissola Slike iz ovog popisa
Muzej Prado, MadridMuzej Prado Madrid 4 Elisabeth of Valois, Portrait of Giovanni Battista Caselli, Portrait of Philipp II of Spain
Kunsthistorisches Museum, BečKunsthistorisches Museum Beč 2 Portrait of Queen Elisabeth of Spain, Self-Portrait
Museo di Capodimonte, NapuljMuseo di Capodimonte Napulj 2 Self-Portrait Playing the Spinet, Asdrubale Bitten by a Crawfish
Muzeum Narodowe w Pozaniu, PoznańMuzeum Narodowe w Pozaniu Poznań 1 Portrait of the Artist's Sisters Playing Chess
Corsham Court, CorshamCorsham Court Corsham 1 Three children with dog
Gottfried Keller Foundation, WinterthurGottfried Keller Foundation Winterthur 1 Self-portrait aged 78
Narodni muzej u Varšavi, VaršavaNarodni muzej u Varšavi Varšava 1 A Man with his Daughter
Basque Museum, BayonneBasque Museum Bayonne 1 Portrait of Diane d'Andouins and her daughter

Sofonisba Anguissola, decade by decade: the defining painting of each

  1. 1550s
    Portrait of the Artist's Sisters Playing Chess (1555) od Sofonisba Anguissola
    No. 1 of 45

    Portrait of the Artist's Sisters Playing Chess

    Godine 18 – 27 · Muzeum Narodowe w Pozaniu

    Portrait of the Artist's Sisters Playing Chess is a work by Sofonisba Anguissola, dated 1555. The painting focuses on the artist's three sisters: Lucia, Europa, and Minerva. They…

  2. 1560s
    Portrait of Diane d'Andouins and her daughter (1565) od Sofonisba Anguissola
    #6 of 45

    Portrait of Diane d'Andouins and her daughter

    Godine 28 – 37 · Basque Museum

    In this 1565 portrait, Sofonisba Anguissola brings together two figures in a quiet, dignified moment. Titled Portrait of Diane d'Andouins and her daughter, the work captures a sense…

  3. 1570s
    Virgin and Child (1570) od Sofonisba Anguissola
    Rank 7 / 45

    Virgin and Child

    Godine 38 – 47 · Statens Museum For Kunst

    In this monochrome portrait, Sofonisba Anguissola presents the "Virgin and Child" with a profound sense of intimacy. The composition is a close-up, centering the viewer's attention entirely on…

  4. 1580s
    A Man with his Daughter (1580) od Sofonisba Anguissola
    #5 of 45

    A Man with his Daughter

    Godine 48 – 57 · Narodni muzej u Varšavi

    In this intimate portrait, titled A Man with his Daughter, Sofonisba Anguissola captures a quiet moment of familial connection. The composition focuses on a man and his young…

  5. 1590s
    Three children with dog (1590) od Sofonisba Anguissola
    No. 2 of 45

    Three children with dog

    Godine 58 – 67 · Corsham Court

    Three children with dog is a portrait group by Sofonisba Anguissola. Dating to about 1590, the work functions as a family portrait. The composition centers on three children…

  6. 1600s
    Young Man (1600) od Sofonisba Anguissola
    Rank 13 / 45

    Young Man

    Godine 68 – 77 · Detroit Institute of Arts

    This painting, titled Young Man, is a work by Sofonisba Anguissola. It is an oil on panel portrait that captures a single male subject in a moment of…

  7. 1610s
    Self-portrait aged 78 (1610) od Sofonisba Anguissola
    Rank 3 / 45

    Self-portrait aged 78

    Godine 78 – 87 · Gottfried Keller Foundation

    Sofonisba Anguissola’s *Self-portrait Aged 78*, completed in 1610, stands as a testament to the extraordinary achievements of a woman artist during the Renaissance—a period fiercely resistant to female…

Sofonisba Anguissola's masterpieces: questions and answers

Which painting is Sofonisba Anguissola best known for?Show the answer

Portrait of the Artist's Sisters Playing Chess (1555), Muzeum Narodowe w Pozaniu, Poznań. Next come Three children with dog (1590) and Self-portrait aged 78 (1610).

How old was Sofonisba Anguissola when painting Portrait of the Artist's Sisters Playing Chess?Show the answer

23 years old: Portrait of the Artist's Sisters Playing Chess dates from 1555 and Sofonisba Anguissola was born in 1532.

What are Sofonisba Anguissola's ten greatest paintings?Show the answer

Portrait of the Artist's Sisters Playing Chess, Three children with dog, Self-portrait aged 78, Portrait of Queen Elisabeth of Spain, A Man with his Daughter, Portrait of Diane d'Andouins and her daughter, Virgin and Child, Portrait of a Monk, Portrait of Joanna of Austria i Self-portrait. The ranking above gives the year and the museum of each.

How many works did Sofonisba Anguissola paint?Show the answer

Our catalogue lists 46 works by Sofonisba Anguissola, dated from 1550 to 1610.

In which museums can I see Sofonisba Anguissola's masterpieces?Show the answer

Most of them are in Muzej Prado (Madrid), Kunsthistorisches Museum (Beč) i Museo di Capodimonte (Napulj). The table above lists the museums one by one.

When did Sofonisba Anguissola paint the masterpieces?Show the answer

In 1550s: 18 of the 45 works on this page date from then, among them Portrait of the Artist's Sisters Playing Chess.

What are the first and last famous paintings of Sofonisba Anguissola?Show the answer

The earliest on this page is Self-Portrait (1550), the latest Self-portrait aged 78 (1610).

What were Sofonisba Anguissola's favourite subjects?Show the answer

Portraiture (7), Child (5) i Portrait (5), among the 45 works on this page.

Which technique did Sofonisba Anguissola favour?Show the answer

Oil On Canvas: 16 of the 45 works on this page.

What art movement is Sofonisba Anguissola part of?Show the answer

Renaissance i Mannerism, as the paintings on this page show.

Which masterpieces by Sofonisba Anguissola hang at the Muzej Prado?Show the answer

Elisabeth of Valois, Portrait of Giovanni Battista Caselli i Portrait of Philipp II of Spain are among the 4 works on this page held by the Muzej Prado, Madrid.

Can I own a reproduction of a Sofonisba Anguissola masterpiece?Show the answer

Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.

The life of Sofonisba Anguissola

Osvijetljeni renesans: Život i umjetnost Sofonisbe Anguissola

Sofonisba Anguissola proiskaklila se iz živopisnog umjetničkog krajolika Italije 16. stoljeća kao prava pionirka, prkosiv društvenim normama i utemeljivši se kao jedna od najslavnijih ženskih slikarica renesanse. Rođena oko 1532. godine u Cremoni, kao kći Amilcarea Anguissole i Bianche Ponzoni, uživala je u neobično progresivnom odgoju za ženu svog vremena. Njezin otac, prepoznajući iznimni umjetnički talent svojih kćeri – Sofonisbe, Helene, Lucije i Europe – prkosio je konvencijama pružajući im humanističko obrazovanje koje je obuhvaćalo latinski jezik, glazbu i, što je bilo presudno, crtanje. Ova predanost njihovom intelektualnom i kreativnom razvoju bila je revolucionarna, postavljajući temelje za izvanrednu karijeru Sofonisbe. Obitelj Anguissola, iako plemićka, nije bila bogata; Amilcare je vjerovao u njegovanje darova svojih kćeri kao sredstva društvenog napretka i osobnog ispunjenja, što je bila radikalna ideja koja će generacijama nakon nje redefinirati mogućnosti za umjetnice. Godine 1546., Sofonisba i Helena započele su formalno školovanje pod Bernardinoom Campijem, cijenjenim lokalnim slikarom, nakon čega su uslijedile studije s Bernardinoom Gattijem (Il Služaj) oko 1550. godine – stažiranje koje je samo po sebi bilo revolucionarno, otvarajući vrata koja su ranije bila zatvorena ženama koje su težile umjetničkom majstorstvu.

Intimnost i inovacija: Razvoj umjetničkog glasa

Rani rad Anguissole odlikuje nevjerojatna intimnost i psihološka dubina, što je posebno uočljivo u njezinim portretima obitelji. To nisu bili samo vježbi u vjernosti liku; bili su to prodorno istraživanja osobnosti i obiteljskih odnosa. Djela poput „Portreta umjetničinih sestara dok igraju šah“ (oko 1555.) majstorska su demonstracija te sposobnosti, bilježeći iskren trenutak interakcije s nijansiranim izrazima lica i gestama. Kompozicija djeluje nevjerojatno prirodno, izbjegavajući krutu formalnost koja se često nalazila u portretima tog doba. Njezin je stil u početku crpio iz lombardskog manierizma, ali se tijekom boravka u Španjolskoj razvio u profinjeniji pristup prilagođen zahtjevima dvorarskog portretiranja. Posjedovala je izniman talent za prikazivanje realističnih značajki s suptilnim bojama i prenošenje emocija kroz nježni potez četkice. Autoportreti postali su ponavljajuća tema tijekom njezine karijere, služeći ne samo kao dokaz vještine, već i kao snažna potvrda njezinog identiteta kao umjetnice u svijetu kojim dominiraju muškarci. „Autoportret za slikarskim štafelom“ (1556.) posebno je ikoničan, predstavljajući Sofonisbu kako je samouvjereno uronjena u svoj zanat, izazivajući gledatelje da prizna njezinu umjetničku autoritativnost.

Dvorarski posao: Život i rad u Španjolskoj

Godine udnosti, došlo je do presudnog trenutka kada je Anguissolu u Španjolju pozvala kraljica Elizabeta od Valois, supruga kralja Filipa II. Ovaj poziv nije bio samo ponuda zaposlenja; bio je to priznanje njezinog iznimnog talenta i svjedočanstvo vlastitih umjetničkih sklonosti kraljice. Sofonisba je služila kao dama u pratnji i učiteljica slikanja, postajući službena dvorarska slikarica – položaj gotovo nezamisliv za ženu u to vrijeme. Stvarala je portrete kraljevske obitelji i španjolske plemićke, prilagođavajući svoj stil formalnim zahtjevima dvorarskog portretiranja, dok je istovremeno zadržavala svoju osjetljivost prema karakteru likova. Njezino prisustvo na dvoru bilo je značajno; nije bila samo tolerirana kao ženska umjetnica, već aktivno cijenjena zbog svojih vještina i društva. Nakon prerane smrti kraljice Elizabete 1568. godine, Filip II olakšao je Sofonisbi brak s Fabrizioom Moncadom, sicilijanskim plemićem, omogućujući joj da nastavi slikati uz zadržavanje plemićkog statusa. Ovaj aranžman pokazao je kraljevo poštovanje prema njezinoj umjetnosti i njegovu želju da osigura njezinu daljnju dobrobit. Kasnije se ponovno udala nakon Moncadine smrti, nastavljajući slikati tijekom cijelog života.

Nasljeđe pionirke: Utjecaj i povijesni značaj

Postignuća Sofisbe Anguissola protezala su se daleko izvan granica španjolskog dvora. Njezin je rad izazvao konvencionalne umjetničke norme i otvorio put budućim generacijama umjetnica. Dokazala je da žene ne mogu samo briljirati u umjetnosti, već mogu postići i međunarodno priznanje i zaštitništvo. Njezin utjecaj može se vidjeti u djelima kasnijih slikarica koje su slijedile njezin primjer, rušeći barijere i izazivajući društvena očekivanja. Ključni utjecaji na Anguissolu uključivali su lombardsku školu slikarstva, posebno rad Bernardinoa Campija i Bernardinoa Gattija, ali je ona na kraju izradila vlastiti jedinstveni stil okarakteriziran realizmom, intimnošću i psihološkim uvidom. Njezin autoportret ostaje snažan simbol ženskog umjetničkog djelovanja, inspirirajući umjetnike i znanstvenike još danas.

Trajno priznanje

Danas se Sofonisba Anguissola s pravom prepoznaje kao jedna od najvažnijih figura renesanse. Njezine su slike pohranjene u prestižnim kolekcijama diljem svijeta, uključujući Museo del Prado u Madridu, Galeriju Uffizi u Firenci i Muzej Isabelle Stewart Gardner u Bostonu. Njezina priča nastavlja odjekivati kod publike, podsjećajući nas na moć umjetnosti da prevaziđe društvene granice i na neprolazno naslijeđe žene koja se usudila prkositi očekivanjima i slijediti svoju strast. Njezina sposobnost da uhvati ne samo sličnosti, već i unutarnji život svojih subjekata, osigurava da njezin rad ostane očaravajući i relevantan stoljećima nakon njegovog stvaranja.
  • Njezine se slike mogu vidjeti u Bostonu (Isabella Stewart Gardner Museum), Milwaukeeu (Milwaukee Art Museum), Bergamu, Brescii, Budimpešti, Madridu (Museo del Prado), Napulju i Sijeni.
  • Giorgio Vasari pohvalio je njezinu sposobnost crtanja, bojanja, slikanja iz prirode, izvrsnog kopiranja i stvaranja prekrasnih slika.

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