Slika koja je proslavila Isaak Levitan je Golden Autumn (1895); nalazi se u muzeju Tretyakovljeva galerija, Moskva. Above the Eternal Peace i Haystacking (1900) slijede nakon njih u srcima kolekcionara i posjetitelja muzeja. Od 566 djela umjetnika Isaak Levitan u našem katalogu, ovih 100 najcenjenijih, a svako je predstavljeno s datumom nastanka, muzejom i onim što ga izdvaja.
Rangirano prema našoj ocjeni popularnosti, koja objedinjuje broj pretraživanja, posjeta i narudžbi za svako djelo. Ažurirano Listopad 2026. Svako remek-dielo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejske kvalitete ili kao umjetnička štampa, u dimenzijama koje odaberete.
In the quiet transition between summer's warmth and winter's slumber, there exists a fleeting moment of unparalleled brilliance, a period where the earth seems to glow from within. Isaak Ilyich Levitan, the master poet of the Russian landscape, captures this ephemeral magic in his breathtaking masterpiece, Golden Autumn. This painting is not merely a depiction of a riverbank; it is an invitation into a world of profound serenity and contemplative…
Above the Eternal Peace is an oil on canvas by Isaac Levitan. This work is a quintessential Russian landscape, capturing a specific atmospheric quality through its depiction of the natural world. The artist, Isaac Levitan, was born in Kybartai, Lithuania.
In the vast tapestry of Russian landscape painting, few works capture the ephemeral intersection of human toil and natural majesty as poignantly as Isaak Ilyich Levitan’s “Haystacking.” Painted in 1900, this oil on panel masterpiece serves as a profound meditation on the rhythms of rural existence. The scene unfolds across a sun-drenched field, where golden haystacks punctuate the landscape like silent monuments to the harvest. Yet, beneath this surface of…
In the hallowed halls of the Tretyakov Gallery in Moscow, there exists a canvas that does more than merely depict a season; it captures the very soul of the Russian landscape. Isaak Ilyich Levitan’s Golden Autumn, painted in 1895, is a monumental achievement that transcends simple representation to become a profound meditation on beauty and transition. As the eye wanders across the 82 x 126 cm expanse, one is immediately…
To gaze upon Isaak Ilyich Levitan's "The Lake, Russian Soil" is not merely to observe a painting; it is to be gently ushered into a state of profound tranquility. This masterpiece, born in 1899, captures the very soul of the Russian countryside—a place where nature and human life coexist in a hushed, almost dreamlike harmony. The scene unfolds around a placid lake, its surface mirroring the vast, atmospheric expanse above.…
To gaze upon Isaak Ilyich Levitan's "Summer Evening" is to step across the threshold of time and into a moment suspended in amber light. This painting, executed in 1899, is not merely a depiction of a country road; it is an elegy to pastoral tranquility, a visual poem whispered by the setting sun over the rolling landscape of rural Russia. Levitan, the master poet of the Russian soul rendered in…
A Symphony of Sorrow: Exploring Isaak Levitan’s “Moonlit Night” Isaak Ilyich Levitan (1860-1900), a titan amongst Russian landscape painters, didn't merely depict scenery; he wrestled with the very essence of melancholy and imbued his canvases with an unparalleled sensitivity to the human condition. His oeuvre is defined by a profound communion with nature—not one of triumphant grandeur but rather of quiet contemplation tinged with poignant longing—a characteristic that solidified his…
The sky dominates the canvas, a vast expanse where light and air collide. Large, white clouds drift through the scene, some appearing heavy and puffy while others stretch into thin, wispy filaments. There is a profound sense of openness here, a feeling of looking upward into an infinite, breathing space. Two small figures occupy the landscape, one on the left and one toward the right, their tiny forms providing a…
The Evening on the Volga is a breathtaking oil on canvas painting created by Isaak Ilyich Levitan in 1887. This beautiful piece is housed at the renowned Tretyakov Gallery in Moscow, Russia. The painting measures 50 x 81 cm and is a testament to the artist's skill in capturing the essence of the natural world. The Painting's Composition The scene depicts a serene evening on the Volga River, with boats…
There is a particular kind of stillness that only comes with heavy snow. In this 1897 oil on canvas, we find ourselves looking upon a landscape where the mountains do not merely exist, but seem to hold their breath. The composition is anchored by a large glacier in the foreground, its surface a complex interplay of light and shadow that suggests a profound, frozen depth. Beyond this icy expanse, the…
The landscape unfolds in a moment of transition, where the day’s clarity yields to the soft, orange glow of twilight. A river meanders through the center of the…
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The forest breathes in a soft, rhythmic stillness. Sunlight filters through a canopy of leaves, casting a gentle glow upon the pale, slender trunks of birch trees that…
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In "Parkway. Ostankino." by Isaac Levitan, a wide path cuts through a lush landscape. Trees line both sides of the walkway, their branches framing the view. At the…
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A Tranquil Landscape Ablaze: Exploring Levitan's "Fires" Isaak Ilyich Levitan’s “Fires,” painted in 1885, offers a captivating glimpse into the soul of the Russian countryside. This landscape painting…
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Isaak Ilyich Levitan's By the Whirlpool is a captivating oil on canvas painting that embodies the essence of serenity and tranquility. Created in 1891, this masterpiece is a…
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In the delicate brushstrokes of Isaak Ilyich Levitan’s Footbridge. Savvinskaya village, we find more than a mere depiction of a rural crossing; we encounter a profound meditation on…
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To gaze upon Levitan's depiction of the Volga, "Fresh Wind," is to be swept away by a tide of profound tranquility. This painting is not merely a record…
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To stand before Isaak Ilyich Levitan’s The First Green. May. is not merely to observe a landscape; it is to step directly into a moment suspended between the…
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To gaze upon this scene is to step directly into the contemplative embrace of a Russian twilight. Remains of the Past. Twilight. Finland, painted in 1897, is not…
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A Symphony of Russian Soul: The Life and Art of Isaak Ilyich Levitan Isaak Ilyich Levitan, a name synonymous with the evocative power of Russian landscape painting, was…
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Footpath in a Forest, Ferns is an oil on canvas painting created by Isaak Levitan in 1895. The composition features a forest scene where a path leads the…
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Isaak Ilyich Levitan's "The Istra River Study," painted in 1885, isn’t merely a landscape; it’s a distilled essence of the Russian soul. This evocative work, a cornerstone of…
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In the quietude of the Russian landscape, there exists a specific kind of magic that only emerges when the frost begins to retreat and the earth breathes once…
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In the quietude of 1885, Isaak Ilyich Levitan captured a moment of profound stillness in his study, House with Broom-Trees. This evocative oil on canvas serves as more…
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In the quietude of the late nineteenth century, a profound shift occurred in the way the natural world was perceived through the lens of Russian art. Isaak Ilyich…
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In the delicate intersection between the fading chill of winter and the burgeoning warmth of spring, Isaak Ilyich Levitan captures a moment of profound metamorphosis. Springtime. The Last…
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In the quietude of Birch Grove, painted in 1885, one finds not merely a depiction of flora, but a profound meditation on the fleeting nature of time and…
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In the quiet intimacy of Isaak Ilyich Levitan’s Portrait of Sofia Petrovna Kuvshinnikov, we encounter more than just a likeness; we meet a moment frozen in the amber…
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The painting titled Entrance to the village was created by Isaac Levitan about 1898. This work emerged from the hand of an artist born in 1860 in Kybartai,…
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Isaak Ilyich Levitan's "Spring Flood," painted in 1897, is a captivating landscape that embodies the artist’s signature style – a poignant and evocative portrayal of the Russian countryside.…
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Isaac Ilyich Levitan's "In the Crimea Mountains," painted in 1886, isn’t merely a depiction of a landscape; it’s a profound meditation on solitude, memory, and the enduring spirit…
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A Symphony of Sorrow: Exploring Isaak Levitan’s “Field After Harvest” Isaak Ilyich Levitan's "Field after Harvest," painted in 1897, transcends mere depiction; it embodies the melancholic spirit characteristic…
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Isaak Ilyich Levitan's Footbridge. Savvina Sloboda. Study, created in 1884, is a captivating oil on canvas painting that embodies the tranquility of nature. This beautiful piece is housed…
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Isaak Ilyich Levitan's "In the Vicinity of Bordiguera, in the North of Italy," created in 1890, is a captivating example of his signature mood landscape style. This pastel…
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Isaak Ilyich Levitan (1860-1900), a titan amongst Russian landscape painters, didn't merely depict scenery; he wrestled with its soul. His canvases aren’t simply representations of what was seen…
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Isaak Ilyich Levitan’s “Quiet Cloister,” painted around 1890, offers a captivating glimpse into the soul of rural Russia. This evocative landscape transcends mere representation; it's an emotional portrait…
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Isaak Ilyich Levitan's "Springtime in Italy," painted around 1890, isn't merely a landscape; it’s a distilled emotion rendered in oil on canvas. This evocative piece transcends the simple…
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Isaak Ilyich Levitan's "Oak," painted in 1880, transcends mere depiction; it embodies a profound connection to the Russian soul—a yearning for solace and beauty found within the immutable…
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Isaak Ilyich Levitan’s “The First Green. May. Study,” painted in 1883, isn't merely a depiction of a landscape; it’s a profound meditation on the ephemeral beauty of nature…
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Isaak Ilyich Levitan's "Road in a Wood," painted in 1881, is more than just a depiction of a forest path; it’s a profound meditation on the soul of…
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Isaak Ilyich Levitan's "Springtime in the Crimea," painted in 1900, isn’t merely a landscape; it’s a distillation of Russian soul. More than just a depiction of a Crimean…
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To gaze upon Isaak Ilyich Levitan's "Huts after Sunset" is to step across the threshold of time and into a moment suspended in golden, ethereal light. This painting,…
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Introduction to the Painting Isaak Ilyich Levitan's Stormy Day is a captivating oil on canvas painting that showcases the artist's skill in capturing the essence of nature. Created…
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Isaak Ilyich Levitan's "In the North" (1896) isn’t merely a landscape painting; it’s a profound distillation of the Russian soul, a poignant exploration of solitude and the sublime…
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Isaac Ilyich Levitan's "March" isn't merely a depiction of a winter landscape; it’s a profound distillation of the Russian soul, captured in oil on canvas with an almost…
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Isaac Ilyich Levitan, a name inextricably linked with the melancholic beauty of late 19th-century Russian landscape painting, possessed an extraordinary ability to capture not just the visual elements…
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Isaak Ilyich Levitan's "The Last Snow. Savvina Sloboda. Study," painted in 1884 and now residing within the esteemed Tretyakov Gallery in Moscow, isn’t merely a depiction of a…
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Četiri teme koje se najčešće pojavljuju među ovim remek-djelima, uz najbolji primjer svake od njih.
4 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Isaak Levitan | Slike iz ovog popisa |
|---|---|---|---|
 Tretyakovljeva galerija |
Moskva | 49 | Golden Autumn, Above the Eternal Peace, Haystacking |
 Izraelski muzej |
Jeruzalem | 3 | Tombstone in the Jewish Graveyard, Russian Village, The Last Snow |
 Yekaterinburg Museum of Fine Arts |
Yekaterinburg | 2 | Alps. Snow. |
 Nacionalna galerija Armenije |
Jerevan | 2 | Field after Harvest. |
The sky dominates the canvas, a vast expanse where light and air collide. Large, white clouds drift through the scene, some appearing heavy and puffy while others stretch…
The Evening on the Volga is a breathtaking oil on canvas painting created by Isaak Ilyich Levitan in 1887. This beautiful piece is housed at the renowned Tretyakov…
In the quiet transition between summer's warmth and winter's slumber, there exists a fleeting moment of unparalleled brilliance, a period where the earth seems to glow from within.…
In the vast tapestry of Russian landscape painting, few works capture the ephemeral intersection of human toil and natural majesty as poignantly as Isaak Ilyich Levitan’s “Haystacking.” Painted…
Golden Autumn (1895), Tretyakovljeva galerija, Moskva. Sljedeći su Above the Eternal Peace i Haystacking (1900).
35 godina: Golden Autumn datira iz 1895, a Isaak Levitan je rođen/a 1860.
Golden Autumn, Above the Eternal Peace, Haystacking, Golden autumn, The lake, Russian soil, Summer Evening, Moonlit Night, Cloud, Evening on the Volga i Alps. Snow.. Gornji popis prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 566 djela umjetnika Isaak Levitan, datiranih od 1875 do 1900.
Većina njih se nalazi u Tretyakovljeva galerija (Moskva), Izraelski muzej (Jeruzalem) i Yekaterinburg Museum of Fine Arts (Yekaterinburg). Gornja tablica navodi muzeje jedan po jedan.
U razdoblju 1880s: 52 od ukupno 100 djela na ovoj stranici datira iz tog vremena, među kojima je i Evening on the Volga.
Najstarije djelo na ovoj stranici je iz Village. Windmill. (1875), a najnovije iz Haystacking (1900).
Landscape (29), Trees (19) i Russian landscape (16), od ukupno 100 djela na ovoj stranici.
Oil On Canvas: 31 od ukupno 100 djela na ovoj stranici.
Realism, kao što pokazuju slike na ovoj stranici.
Golden Autumn, Above the Eternal Peace i Haystacking su među 27 djela na ovoj stranici koja se nalaze u muzeju Tretyakovljeva galerija, Moskva.
Da. Svako djelo na ovoj stranici možete naručiti kao ručno oslikano ulje na platnu muzejske kvalitete ili kao umjetničku tisku, u odabranoj veličini, izravno sa stranice samog djela.
Isaak Ilyich Levitan rođen je 30. kolovoza 1860. godine u shtetlu pod nazivom Kibarty, koji se nalazio u Avgustovskoj guberniji u Kongresnoj Poljskoj, koja je tada bila dio Ruskog carstva. Odrastao je u obitelji koja je bila siromašna, ali koja je negovala duboko poštovanje prema obrazovanju. Njegov otac, Elyashiv Levitan, bio je sin rabina i završio je svoje studije u Jeshiva školi. Takvo podrijetlo pružilo je temelj pismenosti i dubokog razmišljanja, čak i dok se obitelj suočavala s svakodnevnim borbama svoje ekonomske stvarnosti.
Godine 1873. mladi umjetnik upisao je Moskovsku školu slikarstva, skulpture i arhitekture. Njegove rane godine tamo provedene su u odjelu za kopiranje, gdje je učio osnove forme i imitacije. Nakon godinu dana takvog discipliniranog studija, prešao je u naturalistički odjel kako bi počeo razvijati vlastiti način promatranja svijeta. Tijekom tog formativnog razdoblja, radio je pod vodstvom nekoliko značajnih učitelja, uključujući Alexei Savrasov, Vasily Perov i Vasiliya Polenova. Ovi mentori pomogli su u oblikovanju tehničkih vještina koje će definirati njegov kasniji rad.
Isaak Levitan je nadrasao puku prikazivanje pejzaža, razvijajući ono što će postati poznato kao "pejzaž raspoloženja". Njegov cilj nije bio samo zabilježiti fizičke značajke ruskog ruralnog područja; umjesto toga, koristio je prirodni svijet kako bi izrazio unutarnje stanje ljudske duše. Njegov pristup snažno se oslanjao na pažljivo primjenjivanje svjetla i boje kako bi potaknuo specifične emocije u promatraču. To je rezultiralo scenama koje često djeluju teško od tihe kontemplacije ili osjećaja bolnog čežnje, hvatajući prolazni trenutak samoće unutar prostranstva prirode.
Njegov tehnički proces bio je ukorijenjen u pedantnom realizmu, no u svoja djela na platnu izrađena uljanim bojama unio je izrazitu, ekspresivnu energiju. Često je radio slobodnim, teksturiranim potezima kistom koji su se slojevali jedan na drugom kako bi izgradili osjećaj atmosfere. Kako bi postigao duboki osjećaj dubine i uhvatio suptilnu, eteričnu kvalitetu svjetla, koristio je tehnike lazure. Slojevitim nanošenjem tankih slojeva boje preko osnovnih slojeva, mogao je stvoriti meke, blistave prijelaze koji se vide u njegovim prikazima sumraka ili svjetlucavoj površini rijeke.
Levitanov život bio je utkan u čvrsto povezano tkivo kreativnih umova. U društvu Konstantina Korovina, Mihaila Nesterova i arhitekta Fedora Šehtela pronašao je srodne duše. Ta prijateljstva nisu bila puka društvena poznanstva; ona su bila dio zajedničkog jezika forme i osjećaja. Njegova veza s Nikolajem Čehovom, bratom slavnog dramaturga, bila je posebno bliska, pružajući mu stabilnu prisutnost usred složenosti profesionalnog života. Kroz te ljude, Isaak Levitan bio je dio šireg pokreta mislioca i stvaratelja koji su nastojali redefinirati rusku estetiku.
Njegove profesionalne pripadnosti odražavale su duboku posvećenost promjenjivoj umjetničkoj sceni. Godine 1891. postao je član udruženja Peredvizhnici, grupe koja je bila aktivna još od 1870. godine. To ga je udruživanje postavilo među značajni kolektiv umjetnika posvećenih cilju iznošenja umjetnosti narodu. Bio je i član grupe "Svijet umjetnosti", čime je dodatno učvrstio svoje mjesto u intelektualnim strujama tog vremena. Te pripadnosti nisu bile samo titule, već su predstavljale njegovo aktivno sudjelovanje u promjenjivom pejzažu ruske kulture.
Do 1898. godine, njegov utjecaj preselio je iz ateljeja u učionicu. Imenovan je voditeljem studija pejzaža u Moskovskoj školi slikarstva, kiparstva i arhitekture. U toj ulozi pomogao je oblikovati smjer sljedeće generacije, prenoseći tehničke i emocionalne uvide koje je prikupljao tijekom cijele svoje karijere. Poučavao je s istom onom tihom intenzitetom koji je obilježavao njegov vlastiti pristup prirodnom svijetu.
Levitanova sposobnost da tišinu ruskog ruralnog krajolika pretvori u duboki osjećaj emocije možda je najvidljivija u njegovom djelu iz 1890. godine, Tihi samostan. Ova slika prikazuje skriven samostan smješten u mirnoj šumi, koristeći rijeku i drveni most kako bi pogled usmjerila prema crkvenom tornju. To je prava studija samoće. Slično tome, njegova slika iz 1895. godine, Zlatna jesen, odražava promjene godišnjih doba kroz pažljivo uravnoteženost svjetla i boje. Godine 1897. stvorio je Proljetnu poplavu, djelo koje ostaje značajan dio kolekcije Tretyakov galerije i jasan primjer njegove povezanosti s prirodnim krajolikom.
Kako se njegov stil razvijao, pristup temama postajao je sve složeniji. Vladimirka, ili Vladimirski autoput, nudi mračniji pogled na zemlju, prikazujući put kojim su prolazili oni poslan u kaznene kolonije u Sibir. Ovo djelo nosi težinu koja nadilazi puku scenografiju. Čak i njegova kasnija djela pokazuju promjenu u načinu na koji je obrađivao formu; Olujni dan udaljava se od strogo realističkih prikaza, naginjući radije prema apstraktnijem i emotivnijem izražavanju. Do trenutka kada je 1899. godine dovršio Noć pod mjesečinom, koristio je svjetlo i sjenu kako bi na platnu stvorio duboki osjećaj prisutnosti.
Isaak Levitan promijenio je smjer ruskog pejzažnog slikarstva, odstupajući od puke dokumentacije krajolika prema nečemu daleko osobnijem i dubljem. Postao je centralna figura u razvoju „pejzaža raspoloženja“, stila koji je prirodni svijet koristio kao ogledalo unutarnjeg stanja ljudske duše. Njegova platna često djeluju psihološki ili filozofski, kao da drveće i rijeke odslikavaju tihe, neizrečene misli. Umjesto da se fokusira na veličanstveno ili dramatično, on je dubinu pronašao u suptilnim promjenama svjetlosti i u miru šumskih čistina.
Njegova prisutnost u svijetu umjetnosti duboko je prožlažila kroz njegov rad u podukstu i povezanost s pokretom Peredvizhniki. Vodio je studio pejzaža u Moskovskoj školi slikarstva, kiparstva i arhitekture, pomažući da oblikuje način na koji će buduće generacije doživljavati ruski krajolik. Njegovo djelo ostaje temelj ruskog umjetničkog naslijeđa, bilježeći specifičan osjećaj nacionalnog identiteta kroz prikazivanje ravnica i šuma. Čak i u svojim kasnijim godinama, njegov pristup koloru i svjetlu nastavio je utjecati na to kako umjetnici prevode atmosferu mjesta na platno.
