Djelo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski ne možemo izraditi niti prodati identičnu reprodukciju. Ova se zaštita provodi u skladu s međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su utvrđeni u Američki zakon o autorskom pravu – Title 17.
Kao poštovana i legalna alternativa, nudimo prilagođena, ručno oslikana umjetnička djela inspirirana originalom. Naši vješti i profesionalni umjetnici pažljivo proučavaju stil, raspoloženje i umjetničku bit originala kako bi stvorili novo, jedinstveno djelo koje izaziva isti osjećaj – ostajući pritom vlastito, originalno stvaralaštvo.
Ova metoda u potpunosti je usklađena s autorskim pravima jer ne uključuje kopiranje ili dupliciranje zaštićenih umjetničkih djela. Umjesto toga, riječ je o kreativnoj reinterpretaciji – novoj slici koja je dobila utjecaj na izvornik, ali nije identična njemu.
Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po narudžbi od strane naših umjetnika. ( Prebacite na prodaju printova
Prebacite na digitalnu prodaju slika)
Odaberite jednu od naših unaprijed definiranih veličina koje odgovaraju izvornim proporcijama umjetničkog djela.
Unesite širinu i visinu koja vam je potrebna, kako bi odgovarali vašem okviru ili zidu. Budući da je ovo ručno oslikano djelo, umjetnik može malo proširiti rubove slike ili ih skratiti kako bi postigao željeni oblik — izbor je vaš. Prije početka slikanja poslat ćemo vam digitalni prikaz (mockup) radi potvrde. Slika prikazana na ovoj stranici ne predstavlja stvarni rezultat — samo digitalni prikaz to čini.
Isporuka širom svijeta () u roku od 3-4 tjedna umjesto standardnih 5 tjedana. (22 Listopad). Bez kompromisa u kvaliteti.
Lighthouse
Veličina reprodukcije
Sir Michael Craig-Martin stands as a monumental figure in the landscape of contemporary art, a conceptual artist and painter whose influence stretches far beyond the canvas. Born in Dublin, Ireland, his early life was marked by a global journey, spending much of his childhood in Washington, D.C. This international upbringing provided a diverse backdrop for a developing eye, shaped by encounters with religious imagery in stained-glass windows and the profound impact of Mark Rothko’s work at the Phillips Collection. His artistic education was equally expansive, moving from the Lycée Français in Bogotá, Colombia, to the prestigious Académie de la Grande Chaumière in Paris, and eventually to Yale University. It was during his time at Yale that he encountered the minimalist theories of Josef Albers, a transformative experience that would forever inform his understanding of color and form.
The work of Craig-Martin is defined by an unwavering commitment to geometric precision and a deliberate rejection of illusionistic depth. His aesthetic often utilizes bold, flat planes of color and meticulously rendered objects that invite the viewer into a meditative state. Whether depicting a vibrant red can filled with toothbrushes in Savarin Can (Turquoise) or exploring the profound themes of absence and memory in Tricycle, his technique remains strikingly consistent. He employs a signature style characterized by clean lines and an intellectual rigor that emphasizes the materiality of the subject. In pieces like Full Life, he demonstrates a unique ability to blend disparate elements—such as a blue motorcycle and scattered chairs—to create a sense of complexity and depth through color contrast rather than traditional shading.
Beyond his individual creations, Craig-Martin’s historical significance is deeply rooted in his role as a mentor and educator. As an emeritus Professor of Fine Art at Goldsmiths, he played a pivotal role in fostering the development of the Young British Artists, many of whom were his students. His conceptual masterpiece, An Oak Tree, remains one of the most iconic works associated with his name, embodying the experimental spirit of his era. Through his memoir, On Being An Artist, he has shared his wisdom and reflections on the creative process with aspiring artists worldwide. His career is a testament to the power of conceptual clarity, bridging the gap between the rigorous traditions of minimalism and the provocative energy of contemporary movement.
1941 - , Ireland