Djelo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski ne možemo izraditi niti prodati identičnu reprodukciju. Ova se zaštita provodi u skladu s međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su utvrđeni u Američki zakon o autorskom pravu – Title 17.
Ova metoda u potpunosti je usklađena s autorskim pravima jer ne uključuje kopiranje ili dupliciranje zaštićenih umjetničkih djela. Umjesto toga, riječ je o kreativnoj reinterpretaciji – novoj slici koja je dobila utjecaj na izvornik, ali nije identična njemu.
Giclée tisak muzejske kvalitete ili otisak na platnu uz brzu proizvodnju i fleksibilne opcije završne obrade. ( Naručite ručno oslikano reprodukciju
Prebacite na digitalnu prodaju slika)
Odaberite jednu od naših unaprijed definiranih veličina koje odgovaraju izvornim proporcijama umjetničkog djela.
Unesite širinu i visinu koja vam je potrebna, kako bi odgovarali vašem okviru ili zidu. Print se može samo izrezati, nikada ne može biti veći od slike, stoga veličina s drugačijim oblikom gubi dio slike. Šaljemo vam digitalni prikaz (mockup) na odobrenje prije bilo kakve štampe. Slika prikazana na ovoj stranici ne prikazuje stvarni rez — to čini samo digitalni prikaz.
Dostava širom svijeta () u roku od 2 tjedna umjesto standardnih 4/5 tjedana. (27 Listopad)
Moving waves
Veličina reprodukcije
Julio Le Parc (born September 23, 1928) is an Argentina-born artist celebrated for his pioneering work in both Op Art and Kinetic Art. His career has been marked by a commitment to challenging traditional artistic conventions and engaging viewers through interactive experiences.
Le Parc’s early life was shaped by modest economic circumstances. At the age of thirteen, he moved with his mother and brothers to Buenos Aires, where he attended the School of Fine Arts. This period proved formative, exposing him to the burgeoning artistic avant-garde movement in Argentina.
Le Parc’s artistic journey began with a growing interest in exploring new forms of visual expression. He was influenced by:
He quickly became a precursor to both Kinetic and Op Art, seeking to create artworks that engaged the viewer’s perception and challenged static notions of form.
A pivotal moment in Le Parc's career was his co-founding of the Groupe de Recherche d’Art Visuel (GRAV) in Paris in 1960. This collective aimed to investigate the possibilities of visual art through experimentation and collaboration. His work gained international acclaim, culminating in winning the Grand Prize for Painting at the 33rd Venice Biennale in 1966.
Le Parc’s artworks are characterized by:
Le Parc was not only an artist but also a socially conscious individual. In May 1968, he participated in the Atelier Populaire, a workshop that produced protest posters during the student uprisings in France. His involvement led to his expulsion from France, highlighting his commitment to political activism.
Following his exile, Le Parc continued to live and work in Cachan, France. He has remained a significant figure in modern art history, influencing generations of artists with his innovative approach to visual perception and interactive art. He was again bestowed the Konex Award from Argentina in 2022, recognizing his enduring impact.
Julio Le Parc’s contributions have been instrumental in expanding the boundaries of modern art. He:
His work continues to be exhibited in museums and galleries worldwide, solidifying his place as a leading figure in 20th and 21st-century art.
1928 - , Argentina