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Harlequin
Veličina reprodukcije
The figure of the Harlequin emerges from a series of interlocking planes, caught in a moment of geometric stillness. There is no soft flesh here, only the sharp edges of rectangular blocks and overlapping surfaces that suggest a body without ever fully revealing one. The character, a familiar ghost from the traditions of Commedia dell’arte, feels disassembled, as if the very air around him is breaking into shards. Lines move with an angular precision, defining crisp boundaries where grey, brown, and green tones meet. A subtle hint of blue or gold catches the eye, appearing briefly before receding back into the muted, earthy palette that dominates the composition.
The sculpture exists as a study in weight and volume achieved through flat, intersecting shapes. It rejects the illusion of deep space, choosing instead to present a construction of light and shadow that feels both solid and fractured. The surface carries a matte quality, a choice that lends the figure a sense of solemnity. Every edge is deliberate. Every intersection of bronze suggests a reconstruction of a person from the constituent parts of modern thought.
In this work, the fragmentation of the form mirrors the fractured reality of the era following World War I. The atmosphere is heavy with a sense of isolation and contemplation. As the world grapples with profound disillusionment, the Harlequin becomes a vessel for these modern anxieties. The deconstruction of the human figure into geometric components reflects a broader movement to dismantle established norms and explore new modes of seeing. There is a quiet tension in the way the planes overlap, creating a sense of depth that remains stubbornly two-dimensional.
The emotional impact lies in this very tension between presence and absence. The figure embodies an alienation that feels deeply rooted in the postwar zeitgeist. By stripping away realistic shading and traditional anatomy, the work invites a focus on the intellectual structure of the subject. It is a portrait of a character caught in the act of being broken down and rebuilt, reflecting a period where old certainties had vanished, leaving only the sharp, clear lines of a new, uncertain perspective.
Zabilježene vrijednosti za "Harlequin" autora Juan Gris su: svjetlina brilliant, luminancija Luminous.
Djelo "Harlequin" datira iz 1917 godine. Taj datum smješta rad unutar karijere Juan Gris i pripadajućeg mu razdoblja.
Originalno djelo "Harlequin" nalazi se u muzeju Philadelphia Art Museum, a rad je u javnom vlasništvu – autorska prava su istekla.
1887 - 1927 , Hrvatska
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Opcija stakla dostupna je samo za dimenzije manje od 110 cm
