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Ova metoda u potpunosti je usklađena s autorskim pravima jer ne uključuje kopiranje ili dupliciranje zaštićenih umjetničkih djela. Umjesto toga, riječ je o kreativnoj reinterpretaciji – novoj slici koja je dobila utjecaj na izvornik, ali nije identična njemu.
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David Drew Zingg was born in Montclair, United States of America, on December 14, 1923. He received his education at Columbia University in New York City, where he majored in history and literature. His initial foray into the professional world began with a position in the newsroom of NBC. During World War II, Zingg volunteered for the U.S. Army Air Force, serving in England. He then transitioned to becoming a war correspondent for the Armed Services Radio, covering events in France and Germany.
In 1950, Zingg married Elizabeth Foulk, and together they had three sons: Peter, Christopher, and Drew. His professional path took a turn when he briefly served as the editor of the United Fruit Company’s internal publication, Unifruitco. Subsequently, he worked as an editor, writer, and reporter for prominent magazines like Look and Life in New York City.
Zingg's career truly blossomed as a freelance photographer. He contributed his work to numerous prestigious publications including Look, Life, Esquire, Show, Town & Country, GQ, Sports Illustrated, Vogue, Interview, El Paseante, Zoom, Modern Photography, and Popular Photography. His photographs also graced the pages of major newspapers like The New York Times, The London Sunday Times, The Sunday Telegraph, and The Observer.
Zingg’s photographic work is particularly recognized for his documentation of Brazil's development. He captured significant moments in the construction of Brasilia, showcasing the nation's progress and transformation. Beyond photography, Zingg played a crucial role in arranging the landmark 1962 Bossa Nova concert at New York's Carnegie Hall, an event that helped popularize the genre internationally.
David Drew Zingg’s contributions to photography and journalism are enduring. His work is preserved in esteemed institutions such as the George Eastman Museum and the National Portrait Gallery. He left behind a rich visual record of his time, particularly his extensive documentation of Brazilian culture and society. His ability to capture candid moments and significant events solidified his place as a notable photojournalist.
1923 - 2000 , United States of America