2006
169.0 x 133.0 cm
MACBA - Muzej suvremene umjetnosti u Buenos AiresuRučno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po narudžbi od strane naših umjetnika. ( Prebacite na print
Prebacite na digitalnu sliku)
Odaberite jednu od naših unaprijed definiranih veličina koje odgovaraju izvornim proporcijama umjetničkog djela.
Možete unijeti vlastite dimenzije kako bi odgovarale određenom okviru ili prostoru. Ako odabrana veličina ne odgovara proporcijama izvorne slike, izrezat ćemo umjetničko djelo ili proširiti sliku dodatnim ručno oslikanim elementima. Digitalni nacrt bit će vam poslan na odobrenje prije početka proizvodnje.
Imajte na umu da pregled na ekranu ne prikazuje stvarno izrezivanje ili proširivanje. Samo će nacrt točno prikazati konačni sastav.
Iako su dostupne prilagođene veličine, preporučujemo odabir dimenzije s preddefiniranog popisa kako bismo očuvali izvorne proporcije.
Isporuka širom svijeta () u roku od 3-4 tjedna umjesto standardnih 5 tjedana. (11 Rujan). Bez kompromisa u kvaliteti.
Rhombus
Veličina reprodukcije
Born in the vibrant cultural landscape of Buenos Aires in 1975, Carla Paola Bertone has emerged as a profound architect of space and texture. Her journey into the heart of abstraction was not merely a pursuit of aesthetic beauty, but a rigorous intellectual exploration of lineage and form. Through her formal training at the National University of Arts in Buenos Aires, culminating in an MFA in 2004, Bertone began to weave herself into the rich tapestry of the Argentine geometric tradition. Her academic pursuits were deeply rooted in the study of masters such as Yente, Diyi Laañ, and Lidy Prati, a scholarly endeavor that allowed her to understand the genealogical evolution of abstraction in her homeland.
Bertone’s work serves as a bridge between the historical weight of geometric movements and a contemporary, tactile sensibility. While her influences can be traced back to the monumental simplicity of Josef Albers and the spiritual expansiveness of Barnett Newman, she departs from their pursuit of flatness. Instead, Bertone invites the viewer into a multidimensional realm where light and shadow dance across manipulated surfaces. Her practice is characterized by an extraordinary dedication to craftsmanship, where the canvas becomes a site of physical transformation through the application of pigment layers, resin coatings, and complex additive and subtractive techniques.
The essence of Bertone’s artistic language lies in her ability to imbue geometric precision with organic depth. Her repertoire is remarkably diverse, spanning various mediums that challenge the boundaries between painting, sculpture, and environment. To experience a Bertone piece is to engage with a deliberate manipulation of materiality:
In each of these mediums, Bertone seeks to achieve a state of luminosity and simplicity. She avoids the trap of mere decoration, instead using texture to create a sense of "living" geometry. By meticulously building up surfaces, she creates a topography that changes as the viewer moves around the work, ensuring that her art is never static but rather a continuous dialogue between the object and the observer.
The significance of Carla Paola Bertone’s contribution to contemporary abstraction lies in her refusal to let geometry remain purely cerebral. While her foundations are built upon the rigorous logic of the Argentine tradition, her execution is deeply sensory. She has successfully modernized the geometric lexicon by introducing a tactile dimension that speaks to the human desire for touch and physical connection.
Through her innovative use of resin and pigment layering, she has redefined how we perceive the "flat" plane of abstract art. Her work stands as a testament to the idea that abstraction can be both intellectually rigorous and emotionally resonant. As she continues to push the boundaries of what geometric art can achieve, Bertone remains a vital figure in the ongoing evolution of contemporary Argentine abstraction, leaving an indelible mark on the way we perceive form, light, and the very substance of space.
1975 - , Argentina