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Bernardo Strozzi
The Annunciation

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Bernardo Strozzi

The Annunciation

Oil On Canvas
WallArt
Baroque
1643
Early Modern
145.0 x 120.0 cm
Szépművészeti Múzeum

Experience the dramatic Baroque piety of Bernardo Strozzi's Annunciation (1643), featuring Mary and an angel in rich detail; bring this masterpiece home.

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Otkrijte Bernardoa Strozzija (1581-1644), ključnog talijanskog baroknog slikara i gravira. Poznat po bogatim bojama, venecijanskom stilu i djelima poput 'Vizije sv. Dominika'. Istražite njegovo naslijeđe!

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Giclée / Umjetnički otisak

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W692G $12

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W940BG $15

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H24-SILVER $40

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Detalji gravirane brončane pločice

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Detalji prozirne akrilne pločice

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Detalji crne akrilne pločice

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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ExclamationCircle Opcija stakla dostupna je samo za dimenzije manje od 110 cm

The Annunciation

Giclée / Umjetnički otisak

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ExclamationCircle Za umjetnička djela ili reprodukcije veće od 105 cm (otprilike 41 inča) na bilo kojoj strani, okvir će biti poslan kao komplet za samostalnu montažu. Ova metoda osigurava sigurnu dostavu i sprječava oštećenja tijekom transporta.

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Osnovne informacije

Subject or theme: The Annunciation
Movement: Baroque
Year: 1643
Notable elements or techniques:
- Religious scene
- Angel and Virgin Mary
Artistic style: Naturalistic
Dimensions: 145 x 120 cm

Kviz o umjetnosti

Svako pitanje ima samo jedan točan odgovor.

Pitanje 1:

What is the primary subject matter depicted in this artwork?

A portrait of a Doge

The Annunciation

A religious martyrdom scene

Pitanje 2:

Which Italian Baroque painter is credited with creating 'The Annunciation' in 1643?

Pietro Sorri

Bernardo Strozzi

Cesare Corte

Pitanje 3:

According to the description, what action is central to the interaction between the angel and the Virgin Mary?

The angel pointing towards a distant object.

The angel holding out his hand towards the Virgin.

Mary reading aloud from a scroll.

Pitanje 4:

Bernardo Strozzi's early training took place in the workshop of which painter?

Pietro Sorri

Cesare Corte

Doge Francesco Erizzo

Pitanje 5:

The painting was created in what year, placing it within the Baroque period?

1596

1643

1644

Opis djela

The Divine Encounter: An Examination of The Annunciation

To stand before this depiction of The Annunciation is to step across the threshold into a moment suspended between the earthly and the divine. Bernardo Strozzi, master of the Italian Baroque, has captured not merely an event, but a profound spiritual resonance. The scene unfolds with breathtaking narrative tension: the Virgin Mary, poised in contemplation, receiving the monumental news that will alter the course of human history. Her gentle focus upon the book she holds suggests a life already steeped in sacred knowledge, grounding the miraculous within the realm of scholarly devotion.

The composition is richly populated, drawing the viewer into its intimate drama. The angel, an embodiment of celestial messenger, extends his hand with palpable grace toward Mary. This gesture is more than mere communication; it is a conduit for divine will, rendered with Strozzi’s characteristic dramatic flair. Observe the surrounding figures—those witnesses on either side—whose varied gazes and postures serve to amplify the gravity of the moment, creating a vibrant tapestry of human reaction to the sublime.

Baroque Drama and Venetian Light

Painted in 1643, this work sits squarely within the heart of the Baroque period, an era defined by emotional intensity, dramatic movement, and heightened theatricality. Strozzi, whose career saw him traverse Genoa and ultimately flourish in Venice, masterfully employs the techniques that characterize this style. While his early training provided a solid foundation, it is here that his mature handling of light and shadow—the very essence of Baroque drama—shines through. The interplay between illuminated skin tones and the deeper, more shadowed folds of drapery gives the scene an almost tangible dimensionality.

The technique itself speaks to skilled craftsmanship. Strozzi’s ability to render textures—from the soft fall of Mary's garments to the implied sheen on the angel's robes—is remarkable. It is a painting that demands close viewing, rewarding the observer with details that reveal layers of artistic intention.

Symbolism Woven into Sacred Space

Every element within this canvas seems imbued with symbolic weight. The book Mary studies represents scripture and divine law, suggesting that her acceptance of God's plan is an act both miraculous and intellectually understood. The presence of the decorative object near the bottom right corner, perhaps a vase or altar piece, anchors the sacred narrative within a recognizable, richly furnished domestic or chapel setting. These details prevent the scene from feeling purely ethereal; instead, they root the divine mystery in a tangible, beautiful reality.

The overall emotional impact is one of hushed awe. It is not the bombast of pure ecstasy, but rather the profound quietude that follows revelation—a moment where the soul stills itself before the infinite. This balance between dramatic action and serene contemplation makes it endlessly captivating to the modern eye.

A Statement for the Collector's Space

For those seeking an artwork that transcends mere decoration, this reproduction offers a window into Counter-Reformation spirituality rendered with unparalleled artistic vigor. Its scale (145 x 120 cm) allows it to command attention in a grand hall or a richly appointed study, serving as the focal point for contemplation. Owning a piece echoing Strozzi’s genius means acquiring not just pigment on canvas, but a narrative of faith, drama, and masterful technique—a timeless conversation starter that speaks volumes about an appreciation for history's greatest artistic achievements.

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Drawing 4

Frederick Childe Hassam

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Various Types of Torii Arch

Eugène Louis Boudin

Dutch Windmills

Gustave Doré

The Inferno, Canto 32, lines 97-98. Then seizing on his hinder scalp, I cried. “Name thee, or not a hair shall tarry here.”

Gustave Doré

The Seven League Boots

Gustave Doré

Jacob Keeping Laban's Flock

Gustave Doré

Satan in Council

Gustave Doré

Richard I the Lionheart massacres captives in reprisal

Gustave Doré

Richard I the Lionheart delivering Jaffa

Biografija umjetnika

Rano djetinjstvo i edukacija

Bernardo Strozzi, poznat i pod imenima il cappuccino i il prete genovese, bio je istaknuti talijanski barokni slikar i gravir koji je rođen 1581. godine u Genovi, u Italiji. Njegovo rano umjetničko oblikovanje odvijalo se u radionici Cesare Corte, manje poznatog genovizkog slikara, pod čijim je vodstvom Strozzi usavršavao svoje vještine sve do 1596. godine. Nakon toga, pridružio se radionici Pietra Sorrija, inovativnog slikara iz Sjene, koji je Strozzija usmjerio prema prirodističkijem stilu.

Umjetnička karijera

Strozzijeva karijera može se podijeliti u dva glavna razdoblja: njegove rane godine u Genovi i kasniji rad u Veneciji. U Genovi je sudjelovao u brojnim projektima, uključujući freske u koralu crkve San Domenico, koje su naručili članovi obitelji Doria.

Ključna djela:
Vidište svetog Dominika (raj) (pripremna uljana bozzetto za svod, nalazi se u Museo dell’Accademia Ligustica u Genovi)
Portret dože Francesca Erizza (naslikan ubrzo nakon njegovog dolaska u Veneciju)

Utjecaj i naslijeđe

Strozzijeva moćna umjetnost, prepoznatljiva po bogatim bojama i širokim potezima četkice, ostavila je značajan trag umjetničkom razvoju kako u Genovi, tako i u Veneciji. Smatra se jednim od glavnih utemeljitelja venecijanskog baroknog stila.

Istaknuti meceni:
doža Francesco Erizzo
katolički kardinal i venecijanski patrijarh Federico Baldissera
istaknuti venecijanski umjetnici, uključujući Claudio Monteverdija i Barbaru Strozzi

Kasni život i smrt

Strozzijeve kasnije godine obiljeo je njegov rad kao inženjer. Preminuo je u Veneciji 1644. godine, ostavivši za sobom naslijeđe svestranog i plodnog umjetnika. Pogledajte više djela Bernarda Strozzija na WahooArt: [https://WahooArt.com/@/bernardo-strozzi](https://WahooArt.com/@/bernardo-strozzi) Istražite Pinacoteku di Vicenza, Italija, koja prikazuje djela iz različitih razdoblja i stilova: [https://WahooArt.com/art.nsf/o/a@d3afpd](https://WahooArt.com/art.nsf/o/a@d3afpd)

Bernardo Strozzi

1581 - 1644 , Italija

Osnovne informacije

Artistic Movement Or Style: Barok
Artists Or Movements Influenced By This Artist: ['Venetski barok']
Artists Who Influenced This Artist:
- Cesare Corte
- Pietro Sorri
Date Of Birth: 1581.
Date Of Death: 1644.
Full Name: Bernardo Strozzi
Nationality: Talijana
Notable Artworks:
- Obrazovanje sv. Dominika
- Portret dože Erizza
- Sv. Lavrencijije daje milostinu
Place Of Birth: Genova, Italija

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Otkrijte 10 remekdjela barokne umjetnosti koja su obilježila epohu! Karavaggio, Bernini, Rubens i drugi majstori. Istražite priče iza slika, tehnike i vječne ljepote. Inspirirajte se za svoj interijer s WahooArt.com - vrhunskim reprodukcijama i kuriranim idejama za dekoraciju doma.

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Bernardo Strozzi: Cijela kolekcija

Istražite umjetnička djela organizirana prema temama, stilovima i karakteristikama.

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Opis kolekcionarskog predmeta

Biografija umjetnika

Tehnika i materijal reprodukcije

Opcije okvira za reprodukciju

White $1

Blurside $1

Extended $1

P118B $10

P118H $10

P118W $10

P438Z $10

P508JH $12

P508YH $12

P805H $10

P805Z $10

P919BZ $10

P919G $10

P919XJ $10

P959ZH $10

P968JZ $12

W106C $8

W218G $10

W218JH $8

W218Y $10

W307PJ $10

W316G $10

W316PJ $8

W316Y $10

W398PJ $8

W4111J $10

W500HY $15

W500JH $15

W692G $12

W849H $8

W940BG $15

W953PJ $8

H24-GOLD $40

H24-SILVER $40

H36-GOLD $60

H36-SILVER $60

Framed

Dimenzije reprodukcije

Zaštitni lak

Pločica s natpisom

Detalji gravirane brončane pločice

Detalji prozirne akrilne pločice

Detalji crne akrilne pločice

Hitra izrada i dostava

Uključene pogodnosti

Besplatna ekspresna dostava širom svijeta

Visokokvalitetno laneno platno

Potpuno osiguranje dostave

Jamstvo povrata carine i uvoznih poreza

Garancija vjernog podudaranja boja

Politika povrata u roku od 60 dana (samo u slučaju nedostataka)

Jamstvo povrata 100% novca

Popust na više proizvoda

Ukupna cijena

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Sažetak

Giclée / Umjetnički otisak

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Opcije uokvirivanja

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Natpisna pločica

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Zaštitni lak

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Hitna dostava

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Brza dostava

Uključeno u cijenu

Ukupna cijena

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Osnovne informacije

Kviz o umjetnosti

Opis djela

The Divine Encounter: An Examination of The Annunciation

Baroque Drama and Venetian Light

Symbolism Woven into Sacred Space