Djelo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski ne možemo izraditi niti prodati identičnu reprodukciju. Ova se zaštita provodi u skladu s međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su utvrđeni u Američki zakon o autorskom pravu – Title 17.
Ova metoda u potpunosti je usklađena s autorskim pravima jer ne uključuje kopiranje ili dupliciranje zaštićenih umjetničkih djela. Umjesto toga, riječ je o kreativnoj reinterpretaciji – novoj slici koja je dobila utjecaj na izvornik, ali nije identična njemu.
Giclée tisak muzejske kvalitete ili otisak na platnu uz brzu izradu i raznolike opcije završne obrade. (
Kupi ručno oslikano djelo Prebacite na digitalnu sliku)
Odaberite jednu od naših unaprijed definiranih veličina koje odgovaraju izvornim proporcijama umjetničkog djela.
Unesite potrebnu širinu i visinu kako bi odgovarali vašem okviru ili zidu. Print se može samo izrezati, nikada ne može biti veći od slike, stoga format s drugačijim omjerom stranica uzrokuje gubitak dijela slike. Prije bilo kakve štampe šaljemo vam digitalni prikaz (mockup) na odobrenje. Slika prikazana na ovoj stranici ne prikazuje stvarni rez — to prikazuje isključivo digitalni prikaz.
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Self-portrait
Veličina reprodukcije
The artwork titled Self-portrait was created by the artist Antonio Laccabue in 1954. This specific piece is a representation of the artist himself, captured during a period of his life marked by significant personal movement and transition. The work exists as a physical record of the artist's presence and his relationship to the surrounding environment.
This painting is currently held within a permanent collection. The specific location and repository for this work are as follows:
The provenance of the work links it directly to the archives of the Fondazione - Archivio Antonio Ligabue di Parma. This institution maintains the historical record of the artist's output in Parma, Italy. The 1954 date marks a specific point in the chronology of Laccabue's career, distinguishing this particular composition from his other self-portraits produced in different years.
The composition is centered on a portrait of a man. This central figure is characterized by a furrowed brow and an intense gaze directed toward the viewer. The subject's facial features are set against a background that integrates elements of a landscape. This setting includes trees and buildings, which are rendered with simplified and geometric shapes. The arrangement combines the human form with these environmental components, merging portraiture and landscape into a single field of view.
The spatial organization of the work follows these specific structural elements:
The arrangement of the man within the landscape creates a sense of integration between the subject and the surroundings. The background elements, such as the buildings and trees, lack traditional depth cues, resulting in a flattened perspective. This approach emphasizes the relationship between the figure and the simplified shapes of the environment.
The execution of this 1954 work relies on a heavy, tactile impasto technique. Thick, gestural brushstrokes define the surface, creating a rugged terrain of ridges and valleys across the canvas. This physical depth results in a highly textured surface that catches light unevenly. The application of paint is vigorous, giving the work a sculptural quality that emphasizes the materiality of the medium.
The stylistic approach leans towards Expressionism and Abstract Expressionism. Rather than adhering to realistic color representation, the artist employs colors expressively to define form and mood. The visual language is characterized by:
The composition utilizes a flattened perspective. Traditional depth cues are absent, which directs attention toward the raw use of line and the physical texture of the oil paint. The style is reminiscent of the textured grit found in the works of Antoni Tàpies, prioritizing the physical presence of the paint over precise anatomical or environmental realism.
Antonio Laccabue produced several other works that explore the theme of self-representation. These include Self-portrait with a fly (1960) and another Self-portrait from 1960. His output also features Self-portrait with dog (1957). These pieces demonstrate his continued interest in the intersection of the human figure and specific subjects.
The artist's broader body of work is defined by specific subject matter and color application. His paintings often feature depictions of animals and landscapes. These subjects are rendered with a focus on color and form. His reputation is built upon these colorful depictions of the natural world.
Ponavljajuće teme u radovima umjetnika Antonio Laccabue uključuju expressionist roots, post-war reflection, swiss modernism echoes, personal introspection, fragmented identity, symbolic landscape, artist's self-portrait series, exploring inner states; djelo "Self-portrait" fokusira se na self-portrait, landscape art, expressionist style, fragmented forms, melancholy mood, textured painting, geometric shapes.
Originalno djelo "Self-portrait" autora Antonio Laccabue čuva se u muzeju Fondazione - Archivio Antonio Ligabue di Parma, Parma, Italy. Reprodukcija omogućuje prikazivanje ovog djela u vašem domu.
Dostupna je i prezentacija slika na stranici Galerija slika za djelo "Self-portrait" autora Antonio Laccabue.
1899 - 1965 , Švicarska
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Opcija stakla dostupna je samo za dimenzije manje od 110 cm
