अवधि

गति

1. Male Nude. Academic Study — बेंजामिन वेस्ट

भाव

विषय

1. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — फेडरिको बारोची, 1583
2. A male nude — पॉल सेज़ान, 1863
3. Nude Male Figure with a Sword — अलेक्सांद्र कैबनेल, 1878
4. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — फेडरिको बारोची, 1583
5. Youth with Arms Upraised — हIlaire जर्मेन एदग डेगास

कीवर्ड्स

स्वर

मुख्य रंग

1. Drawing for Bedroom Painting No. 15 — टॉम वेसेलमैन, 1968
2. Figure studies of a male youth — जॉन सिंगर सार्जेंट
3. Nude Male Figure with a Sword — अलेक्सांद्र कैबनेल, 1878
4. Kneeling Male Nude — मिखाइल एंजेलो
5. A male nude — पॉल सेज़ान, 1863
6. Youth with Arms Upraised — हIlaire जर्मेन एदग डेगास
7. Study of a Male Nude 3 — थियोडोर क्लेमेंट स्टील
8. Male Nude. Academic Study — बेंजामिन वेस्ट
9. Two male figure studies and St Peter — पिसानेलो
10. Study for Figure in a Hammock — hugo robus
11. Untitled (Study for — जेनी सेजेस, 1993
12. Studies after the Model — जान लीवेन्स, 1660
13. Upraised Right Hand, with Palm Facing Outward: Study for Saint Peter — राफेल कॉक्सिए, 1518
14. Study of a Male Nude 7 — थियोडोर क्लेमेंट स्टील
15. Male Reclining — विलियम ऑर्पेन
16. Study of two dogs — जेम्स वार्ड
17. The Ilissus, from the Parthenon West Pediment — थॉमस कोल
18. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — फेडरिको बारोची, 1583
19. Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — फेडरिको बारोची, 1583
20. A recumbent male nude — हंस बाल्डुंग
21. Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) — फेडरिको बारोची, 1579
22. Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) — फेडरिको बारोची, 1595

अन्य

1. Nude — Namık İsmail
2. Child seen from behind, standing between its mother's knees — गुएर्चीनो