Huile sur toile peinte à la main, avec cadre et dimensions personnalisés, réalisée sur commande par nos artistes. ( Passer au format impression
Passer au format image numérique)
Choisissez parmi nos formats prédéfinis qui respectent les proportions originales de l’œuvre.
Vous pouvez saisir vos propres dimensions pour l'adapter à un cadre ou à un espace spécifique. Si la taille sélectionnée ne correspond pas aux proportions de l'image d'origine, nous recadrerons l'œuvre ou prolongerons la peinture avec des éléments peints à la main supplémentaires. Une maquette numérique vous sera envoyée pour approbation avant le début de la production.
Veuillez noter que l'aperçu à l'écran ne reflète pas le recadrage ou l'extension réels. Seule la maquette montrera fidèlement la composition finale.
Bien que des tailles personnalisées soient disponibles, nous vous recommandons de sélectionner une dimension dans la liste prédéfinie afin de préserver les proportions d'origine.
Livraison dans le monde entier () en 3 à 4 semaines au lieu des 5 semaines habituelles. (24 septembre). Aucun compromis sur la qualité.
Ground Ground
Format de la reproduction
In the profound and visceral performance piece Ground Ground, the boundaries between human industry, animal instinct, and the very foundation of our existence are blurred through a hauntingly beautiful act of creation. The work presents a scene that is simultaneously ancient and urgently contemporary, capturing a moment where the rhythmic toil of a donkey and its handler carves a permanent record into a sea of wet cement. This is not merely a demonstration of agricultural tradition; it is a heavy, tactile exploration of the Anthropocene—that epoch in which human influence has become an indelible, often irreversible, mark upon the earth. As the plough drags through the grey, viscous medium, it leaves behind furrows that mimic the fertile fields of antiquity, yet the choice of concrete serves as a stark, sobering reminder of our encroaching urban landscapes and the hardening of the natural world.
The visual narrative is one of deep, rhythmic movement. One can almost feel the resistance of the setting cement against the wooden blade of the plough and hear the heavy breathing of the donkey, brought from the outskirts of Istanbul to participate in this durational ritual. The man, dressed simply in a blue shirt, acts as both guide and witness, embodying the historical partnership between species that has defined human survival for millennia. There is a profound intimacy in this interaction—a silent dialogue between the handler, the beast, and the earth. Through this lens, the act of ploughing becomes a metaphor for the way we shape our environment, leaving scars that are as much about our progress as they are about our loss of connection to the organic rhythms of nature.
For the discerning collector or interior designer, Ground Ground offers a powerful centerpiece that invites contemplation on themes of sustainability, heritage, and the cyclical nature of life. The piece possesses a raw, sculptural quality; even when captured in photographic form, the textures of the wet cement and the rugged presence of the animal evoke a sensory experience that is both grounding and unsettling. It is an artwork that demands space, not just physically, but intellectually. It serves as a poignant reminder that while we may attempt to pave over the past with urban expansion, the fundamental traces of labor and the primal bond between human and nature continue to etch themselves into the very fabric of our shared reality.
Integrating a high-quality reproduction of such a profound work into a curated space allows for a continuous dialogue between the modern interior and the elemental forces of the world. It provides an anchor of authenticity, bringing a sense of historical weight and ecological awareness to a room. Whether placed in a minimalist gallery setting or a sophisticated residential study, Ground Ground acts as a window into the complex, beautiful, and often precarious relationship we maintain with the ground beneath our feet.
1911 - 2005 , Chine