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According to the pricelist of the Scherrebek workshop this frieze was designed to be mounted above a piano or a couch. The bottom border has a design of terracotta footed cups. Behind them, just like a view from a terrace, appears the endless sea. The dark blue water is disturbed by parallel, lighter blue waves. In contrast to the waves there are seagulls flying over the water, some of them reaching down to grab a fish. The horizon is high above the water, the sky is terracotta, with yellowish clouds. Eckmann follows the decorative, effective principles he used on the larger «Five swans» tapestry. The motifs are clear, the colours are vivid, the border of the tapestry cuts into the main picture, which is typical of folkloric tapestries and thus follows the Art Nouveau tendency of «non-finished» pictures. The sea-scene is not bordered, the top and bottom edges are lined by thin, blue or yellow stripes and are enriched with fringes. As far as we know, seventy-six copies were made of the tapestry described above.

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Biographie de l'artiste

A Pioneer of Floral Jugendstil

Otto Eckmann (1865-1902) stands as a pivotal figure in the vibrant realm of Jugendstil, or Art Nouveau, cementing his place among Germany’s most celebrated decorative artists. Born in Hamburg, he embarked on an artistic journey characterized by innovation and a profound engagement with Japanese aesthetics—a fusion that profoundly shaped his distinctive visual language.

Early Artistic Training & Influences

Eckmann's formative years were spent honing his craft at the Kunstgewerbeschule Hamburg and Nürnberg, followed by studies at Munich’s Akademie der Bildenden Künste. These foundational experiences instilled in him a meticulous approach to design and established a bedrock of technical skill that would underpin his subsequent endeavors. Notably, Eckmann was deeply influenced by Lovis Corinth, whose expressive realism served as a counterpoint to the prevailing stylistic trends of his time.

Career Highlights: Graphic Design & Typography

Eckmann’s professional life blossomed in the realm of graphic design and typography—disciplines where he achieved remarkable success. His collaborations with Pan (1895) and Jugend (1896) showcased his mastery of blending Japanese calligraphy with medieval font designs, a stylistic decision that exemplifies the Gesamtkunstwerk ethos central to Jugendstil. He secured prestigious commissions for S. Fischer Verlag, crafting a logo that embodies elegance and sophistication—a testament to his versatility as an applied artist. Furthermore, Eckmann’s role as instructor at Unterrichtsanstalt des königlichen kunstgewerbemuseums Berlin ensured the transmission of artistic knowledge to future generations.

Notable Works & Artistic Style

Eckmann's artistic style distinguishes itself through dimensionality—a deliberate departure from the flattened perspectives prevalent in Art Nouveau. His pioneering use of woodblock print for Jugend magazine drew inspiration directly from Japanese printing techniques, demonstrating his commitment to exploring new visual vocabularies. The resulting prints are characterized by rich textures and intricate details, reflecting Eckmann’s fascination with natural forms and patterns. Perhaps most enduring is Eckmann Typefaces (1900-1902), designed in collaboration with AEG—these fonts remain iconic examples of Jugendstil typography, embodying both beauty and functionality. His contributions extended beyond decorative arts to encompass furniture design, where he skillfully integrated organic motifs into elegant pieces that epitomized the aesthetic ideals of the era.

A Tragic Legacy

Eckmann’s artistic brilliance was tragically curtailed by tuberculosis at the age of 37—a premature end to a life dedicated to creative expression. Despite his untimely demise, Otto Eckmann's legacy persists as an inspiration for artists and designers worldwide, securing his place as one of Art Nouveau’s foremost luminaries. His work continues to resonate with audiences today, reminding us of the transformative power of artistic vision and innovation.

Otto Eckmann

1865 - 1902 , Allemagne

L'essentiel de l'artiste

Artistic Movement Or Style: Jugendstil / Art Nouveau
Artists Or Movements Influenced By This Artist: ['Japanese calligraphy']
Artists Who Influenced This Artist: ['Lovis Corinth']
Date Of Birth: November 19, 1865
Full Name: Otto Eckmann
Nationality: German
Notable Artworks:
- Portrait de Sylvia von Harden
- Les joueurs de skat
Place Of Birth: Hamburg, Germany

Flock of seagulls (tapestry)

Description de la pièce

Biographie de l'artiste

Reproduction à l'huile faite à la main

Cadre de reproduction

White $1

Blurside $1

Extended $1

P118B $10

P118H $10

P118W $10

P438Z $10

P508JH $12

P508YH $12

P805H $10

P805Z $10

P919BZ $10

P919G $10

P919XJ $10

P959ZH $10

P968JZ $12

W106C $8

W218G $10

W218JH $8

W218Y $10

W307PJ $10

W316G $10

W316PJ $8

W316Y $10

W398PJ $8

W4111J $10

W500HY $15

W500JH $15

W692G $12

W849H $8

W940BG $15

W953PJ $8

H24-GOLD $30

H24-SILVER $30

H36-GOLD $45

H36-SILVER $45

Framed

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Niveau d'expertise de l'artiste

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Détails de la plaque en bronze gravée

Détails de la plaque en acrylique transparent

Détails de la plaque en acrylique noir

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Production urgente

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Livraison express gratuite dans le monde entier

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Assurance transport complète

Garantie de remboursement des droits de douane

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Politique de retour de 100 jours (uniquement en cas de défaut)

Garantie de remboursement à 100%

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$ 272

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Artiste de prestige

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Cadre de reproduction

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Cartel

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Vernis de protection

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Personnaliser mon œuvre

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Livraison express

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