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Pavle Beljanski Memorial Collection

Acheter une reproduction de Old Porcelain

Since he was thrown out of his studio in the District Hall tower by the occupaying forces upon his return from a interment camp to Sombor, Konjović worked for a time at his relative’s, aunt Malka’s [Vukićević] home, where this painting was done as well. At the time his powerful gesture, flaming colours and global rhythm of the painting gave way to the emphasis on accentuating the tonal values of colours, the subject matter and the role of the painted motif, remaining faithful to his own powerful and unique creative personality. Old Porcelain is a painting of monumental concept and extraordinary accumulated power, with tense facture, full to the point of bursting. In order to accentuate even more its rusticity and force, the artist often replaced the brush with a spatula. Radoslav Putar, a famous art critic from Zagreb, called this painting in the 1960s “a masterpiece of modern Yugoslav painting.” At the time the picture was painted, art critics (Jovan Popović, Branko Šotra) were fiercely attacking Milan Konjović’s art from the viewpoint of the pragmatic requirements of socialist realism: art was supposed to be topical and clear in content, realistic and easily interpretable in form, a means of mass-education in the hands of daily politics. Konjović was made a target of critics as the director of the Sombor museum, (opened in October 1945 in an adapted building with Pavle Beljanski’s collection) for spreading decadent western art. “In spite of the attacks, I was able to preserve the Beljanski collection in the Sombor museum. Pavle had already told me that he was going to give it as a gift to Vojvodina in memory of his family who had been killed. Beljanski is a remarkable person, and as a man he has a pure soul and a heart of gold. Infatuated and crazy about those paintings of his, he was willing to make any sacrifice for them. It was in the Sombor museum that he first saw his collection as a whole and as the fruit of his labour. I am of the opinion, and I wish to say it, that this collection is our anthology assembled with a most artistic sensitivity, with masterpieces of our painting between the two wars, chosen from each artist with refined taste and vast knowledge of an extraordinarily cultured collector. Beljanski is indeed one of our great men,” Katarina Ambrozić recorded Konjović’s words.

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Biographie de l'artiste

Early Life and Education

Milan Konjović Милан Коњовић | |\n|---|---|\n| Born | January 28, 1898 | (aged 95)\n| Nationality | Serbian |\n| Education | Academy of Fine Arts,\n\nMilan Konjović’s artistic journey commenced in Sombor, Serbia, where he was born into a family deeply rooted in Serbian culture. From a young age, he demonstrated an innate talent for visual arts, nurturing his passion through diligent study at the Academy of Fine Arts. This formative education equipped him with foundational knowledge and techniques that would shape his distinctive style throughout his prolific career.

Artistic Periods and Recognition

Konjović’s artistic output spanned six distinct periods, each reflecting a nuanced evolution in his stylistic sensibilities and engagement with prevailing artistic currents. These phases showcased an extraordinary adaptability—from the initial explorations of Expressionism to later ventures into Byzantine themes—demonstrating a profound understanding of art history.

Parisian Influence (1924-1932)

A pivotal moment arrived when Konjović relocated to Paris in 1924, immersing himself within the vibrant epicenter of European artistic innovation. The Parisian milieu profoundly impacted his creative vision, fostering experimentation and prompting him to adopt techniques characteristic of Modernism.

Notable Works and Style

Konjović’s oeuvre comprises a remarkable collection of paintings—primarily executed on board and canvas—characterized by bold colors and masterful brushwork. His distinctive style seamlessly blends influences from Expressionism with elements of Byzantine iconography, resulting in compositions imbued with spiritual depth and visual dynamism.
Among his most celebrated pieces are “Harvest,” “My Studio II,” and “Old Porcelain,” each exemplifying Konjović’s artistic prowess and capturing the essence of his era. These artworks stand as enduring symbols of Serbian art history.

Legacy and Remembrance

Milan Konjović's contribution to Serbian art is undeniable, cemented by his membership within the Serbian Academy of Sciences and Arts (SANU). His unwavering dedication to scholarship and artistic excellence ensured that his legacy would endure for generations to come. Explore more on WahooArt Discover other renowned artists like Gustav Klimt: [https://WahooArt.com/@/gustavklimt](https://WahooArt.com/@/gustavklimt) Learn about the history of art and its evolution through WahooArt's comprehensive database: /fr/art/list/

Milan Konjović

1898 - 1993 , Serbie

En bref

Artistic Movement Or Style: Modernisme
Artists Or Movements Influenced By This Artist: ['Expressionisme']
Artists Who Influenced This Artist: ['Gustav Klimt']
Date Of Birth: Janvier 28, 1898
Date Of Death: Octobre 20, 1993
Full Name: Milan Konjović
Nationality: Serbe
Notable Artworks:
- Récolte
- Mon atelier II
Place Of Birth: Sombor, Serbie

Old Porcelain

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Œuvres similaires

Biographie de l'artiste

Early Life and Education

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