Post-Monuments, Memphis (Jefferson Davis, erected 1964)

Matthew Shain: Exploring Memory Through Photographic Witness

Matthew Shain’s artistic path began in San Francisco, where he cultivated a dual passion for journalism and visual art—a combination that instilled within him an innate understanding of storytelling and aesthetic exploration. This formative blend shaped his worldview and underpinned his subsequent artistic endeavors. Armed with a Bachelor of Science degree in Journalism with an emphasis on creative advertising from the University of Colorado Boulder (2000), Shain established a robust foundation in visual communication before furthering his studies with a Bachelor of Fine Arts degree in Photography from California College of the Arts (2005). This dual academic grounding provided him with invaluable tools for interpreting and representing the world around him. Recognizing the importance of intellectual depth, Shain pursued an MFA in Visual Art at UC Riverside (2012), cementing his commitment to rigorous artistic investigation and expanding his creative repertoire. He wasn’t merely acquiring technical skills; he was delving into philosophical concepts that would inform his artistic vision—a pursuit driven by a desire to engage with complex ideas and challenge conventional perspectives. This period solidified Shain's belief in the transformative power of art as a medium for confronting difficult truths and fostering critical reflection. His artistic focus quickly gravitated toward exploring themes of memory and confronting societal monuments, particularly those honoring figures whose legacies remain contentious—most notably Jefferson Davis. Driven by this intellectual curiosity, Shain embarked on “Post-Monuments,” a groundbreaking photographic project that meticulously documented the lingering impact of historical narratives on contemporary consciousness. The series centers around a striking black & white image of a memorial erected in Memphis, Tennessee – an artwork designed to provoke contemplation about remembrance and the inescapable influence of past actions. It’s a deliberate choice to confront viewers with uncomfortable realities and encourage them to question accepted interpretations of history. Shain's artistic career has traversed major urban centers including New York City, Los Angeles, Chicago, San Francisco, Atlanta and New Orleans—a testament to his adaptability and willingness to embrace diverse cultural landscapes. His exhibitions have garnered considerable acclaim from prestigious institutions such as The Museum of Fine Arts Houston and the Special Collections of Rivera Library at UC Riverside, demonstrating his ability to connect with audiences and establish himself as a respected voice within the art community. Beyond formal presentations, Shain’s work has appeared in influential publications like Humble Arts Collector’s Guide to Emerging Art Photography (2008), Harper’s Ferry Review (asu press), New York Magazine, Vice.com and Time Magazine—underscoring his commitment to disseminating artistic ideas beyond the gallery walls. Shain's photographic style is characterized by meticulous attention to detail and a masterful use of black & white imagery – a stylistic decision that powerfully conveys emotion and emphasizes the core essence of each subject. This deliberate aesthetic choice reflects Shain’s belief in the power of simplicity to communicate profound truths, mirroring his broader artistic philosophy. His work stands as a compelling reminder of the importance of confronting uncomfortable narratives and questioning established interpretations of history—a legacy destined to inspire future generations of artists and thinkers alike.