Impressions giclées ou sur toile de qualité musée, avec une production rapide et des finitions au choix. ( Acheter la peinture faite à la main
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Choisissez parmi nos formats prédéfinis qui respectent les proportions originales de l’œuvre.
Vous pouvez saisir vos propres dimensions pour vous adapter à un cadre ou à un espace spécifique. Si la taille sélectionnée ne correspond pas aux proportions de l'image originale, nous recadrerons l'œuvre ou étendrons l'image avec une bordure en miroir ou une couleur unie. Une maquette numérique vous sera envoyée pour approbation avant le début de la production.
Veuillez noter que l'aperçu à l'écran ne reflète pas le recadrage ou l'extension réelle. Seule la maquette montrera avec précision la composition finale.
Bien que des tailles personnalisées soient disponibles, nous vous recommandons de choisir une dimension dans la liste prédéfinie afin de préserver les proportions originales.
Livraison dans le monde entier () en 2 semaines au lieu des 4/5 semaines habituelles. (22 septembre)
Composition avec La Joconde
Format de la reproduction
Kazimir Severinovich Malevich, a titan of Russian avant-garde art and arguably the father of Suprematism—a revolutionary movement that championed pure geometric abstraction—produced “Composition with Mona Lisa” in 1914. This striking collage isn't merely a copy of Leonardo da Vinci’s famed portrait; it’s an audacious reimagining, infused with Cubist fragmentation and imbued with Malevich’s uncompromising belief in the liberation of art from representational constraints.
Malevich's approach was profoundly influenced by his early explorations of Impressionism, Symbolism, Fauvism, and Cubism. However, a pivotal trip to Paris in 1912 exposed him to the burgeoning energies of European artistic experimentation—particularly Futurism—driving him toward a radically different aesthetic path. The resulting artwork is characterized by its stark black background punctuated with vibrant pinks and blues, juxtaposed against meticulously arranged books and a solitary cat. This deliberate inclusion of familiar elements serves as an ironic counterpoint to Malevich’s pursuit of absolute non-objectivity.
At the core of Malevich's artistic vision lay Suprematism—a doctrine he articulated in 1915, asserting that art should transcend visual illusion and strive for pure feeling. “Composition with Mona Lisa” embodies this ethos perfectly. The artist abandons any attempt to depict reality, opting instead for a geometric framework dominated by squares and rectangles—symbols of stability and universality—that deliberately obscure the image of Da Vinci’s Mona Lisa.
The inscription “Partial Eclipse” etched onto the canvas adds another layer of significance. Malevich interpreted this celestial event as a catalyst for artistic liberation, mirroring his own desire to break free from conventional artistic conventions. As he famously declared, "I have destroyed the ring of the horizon, and escaped the circle of objects," reflecting the profound shift in perspective that characterized Suprematism—a movement determined to dismantle established artistic hierarchies and embrace the boundless potential of abstract expression.
"Composition with Mona Lisa" stands as a testament to Malevich’s unwavering commitment to innovation and his pioneering role in shaping 20th-century art history. Its meticulous execution—primarily utilizing oil on canvas—demonstrates the artist's mastery of technique while simultaneously conveying an emotional resonance rooted in contemplation and intellectual inquiry. This artwork continues to inspire artists and collectors alike, serving as a powerful reminder that true artistic greatness lies in daring to challenge conventions and forging new paths toward creative expression.
1878 - 1935 , Ukraine