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Corner of the Studio

  • Date de création1932
  • Dimensions153.0 x 102.0 cm

Explore les œuvres cubistes et synthchromistes innovantes de Henry Lee McFee, pionnier de l’art occidental ! Découvrez son rôle essentiel dans l’histoire artistique américaine et ses peintures emblématiques. Reproductions originales disponibles chez WahooArt.com.

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Prix total

$ 272

reproduction

Corner of the Studio

Technique de reproduction

Format de la reproduction

-

Prix total

$ 272

The Corner of the Studio is a captivating oil on canvas painting created by Henry Lee McFee in 1932. Measuring 153 x 102 cm, this artwork is a testament to McFee's skill in capturing the essence of a lived-in space. Currently housed at the Smithsonian American Art Museum, this painting is a must-see for art enthusiasts.

Artistic Style and Influences

McFee's work is characterized by his unique blend of modernist and cubist styles, which is evident in the Corner of the Studio. The painting features a desk with a chair, surrounded by books, a bottle, and vases, creating a cozy atmosphere. The use of bold lines and geometric shapes adds to the overall sense of depth and dimension. Key Features:
  • The painting's color palette is predominantly muted, with earthy tones dominating the scene.
  • The composition is balanced, with the desk and chair serving as the central focal point.
  • The artist's use of light and shadow creates a sense of warmth and intimacy.

Artist Background and Inspiration

Henry Lee McFee was an American cubist painter, born in 1886. He was a prominent member of the Woodstock artists colony and is known for his contributions to the development of modern art in America. The Corner of the Studio is a reflection of McFee's fascination with capturing everyday life and the human experience. For more information on Henry Lee McFee and his works, visit /art/list/?Filter=ARD2KB-Henry-Lee-Mcfee-Corner-of-the-Studio. To explore other notable artists and their paintings, check out /en/art/list/
The Corner of the Studio is a remarkable example of McFee's artistic skill and his ability to transform ordinary spaces into extraordinary works of art. As a masterpiece of American modernism, it continues to inspire and captivate audiences today.

Biographie de l'artiste

Early Life and Artistic Influences

Henry Lee McFee (April 14, 1886 – March 19, 1953) emerged as a pivotal figure in American modernist painting, particularly within the vibrant Woodstock artists colony. Born in St. Louis, Missouri, McFee’s formative years were marked by a disciplined military education at Kemper Military School in Boonville, shaping his dedication to precision and observation—qualities that would permeate his artistic endeavors. A substantial inheritance afforded him access to formal art training at the Stevenson Art School in Pittsburgh, where he honed his skills and absorbed foundational principles of tonalist painting under Birge Harrison. However, it was Woodstock, New York, that truly ignited McFee’s creative spirit. The immersive environment fostered by the Art Students League and the intellectual discourse surrounding artists like Cézanne profoundly impacted his artistic vision, propelling him toward experimentation with cubism and synchromism—movements championed by Picasso and Braque respectively. This exposure to avant-garde ideas fundamentally altered his aesthetic sensibilities, setting him on a path towards groundbreaking innovation.

Woodstock Artists Association and Artistic Development

In 1919, McFee joined forces with fellow Woodstock luminaries Andrew Dasburg, Carl Eric Lindin, John Carlson, and Frank Swift Chase to establish the Woodstock Artists’ Association—a collective dedicated to fostering artistic innovation and collaborative exploration. Recognizing the power of shared inspiration, McFee embraced this opportunity to push boundaries alongside kindred spirits. The association served as a crucible for McFee's evolving style, encouraging him to challenge conventions and embrace new techniques. Influenced by Roger Fry and Clive Bell’s writings on aesthetic theory—particularly their consideration of Giotto and the Florentine Renaissance painters—McFee wrestled with questions of beauty and representation. His early canvases demonstrated a masterful command of color and form, reflecting the stylistic currents of the era while retaining an unmistakable personal voice—a characteristic that would define his subsequent artistic output. He meticulously studied the works of Cézanne, analyzing his use of perspective and simplification to achieve expressive depth.

Notable Exhibitions and Recognition

McFee’s commitment to artistic excellence was recognized through numerous prestigious exhibitions across the United States. His debut solo show at the Rehn Gallery in 1927 garnered critical acclaim, establishing him as a rising star within the burgeoning modernist landscape. Critics lauded his meticulous attention to detail and his ability to convey emotion through subtle tonal variations—a hallmark of tonalist painting that distinguished him from many of his contemporaries. Subsequent showings at institutions like the Carnegie Institute, Pennsylvania Academy of Fine Arts, Corcoran Gallery, Museum of Modern Art, and Whitney Museum showcased his distinctive approach to painting—characterized by meticulous detail and expressive color palettes—solidifying his reputation as one of America’s foremost artists. He was awarded a Guggenheim Fellowship in 1940, affording him invaluable time for research and artistic development. During this period, he held positions at Claremont Graduate School and the Chouinard Art Institute in Los Angeles, where he mentored aspiring painters and disseminated his knowledge of modernist principles.

Collaboration with Bentley Schaad and Legacy

McFee’s artistic partnership with Bentley Schaad proved to be particularly fruitful, resulting in a shared exploration of Californian landscapes and the interplay between abstraction and representation. Their collaborative efforts underscored McFee's belief in dialogue and mutual inspiration—a philosophy that extended beyond his studio walls. Together they tackled complex compositional challenges, striving for harmonious balance while simultaneously conveying a sense of dynamism. His enduring legacy resides not only in his iconic paintings but also in his role as a catalyst for artistic innovation within the Woodstock artists colony and beyond—a testament to his unwavering dedication to craft and his profound contribution to American art history. McFee’s work continues to resonate with viewers today, demonstrating the timeless power of observation and expressive color.
Henry Lee McFee

Henry Lee McFee

1886 - 1953 , États-Unis

L'essentiel de l'artiste

  • Artistic Movement Or Style: Cubisme et Synchromisme
  • Artists Or Movements Influenced By This Artist:
    • Picasso
    • Braque
  • Artists Who Influenced This Artist:
    • Birge Harrison
    • Cézanne
  • Date Of Birth: 14 avril 1886
  • Date Of Death: 19 mars 1953
  • Full Name: Henry Lee McFee
  • Nationality: Américain
  • Notable Artworks:
    • Coin du Studio
    • Retour
  • Place Of Birth: Saint-Louis, Missouri