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Apollo 13 on the Pad

  • Date de création1970
  • Dimensions61.0 x 46.0 cm

Discover Fletcher’s captivating pop soundscapes & honest lyrics exploring love, identity, & vulnerability. Explore his evolving artistry from ‘Undrunk’ to ‘In Search of the Antidote.’

Giclées et impressions d'art

Impressions giclées ou sur toile de qualité musée, avec une production rapide et des finitions au choix. (Commander la reproduction peinte à la main Commander la reproduction peinte à la mainAcheter l'image haute résolution Acheter l'image haute résolution)

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CM
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Choisissez parmi nos formats prédéfinis qui respectent les proportions originales de l’œuvre.

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Vous pouvez saisir vos propres dimensions pour vous adapter à un cadre ou à un espace spécifique. Si la taille sélectionnée ne correspond pas aux proportions de l'image originale, nous recadrerons l'œuvre ou étendrons l'image avec une bordure en miroir ou une couleur unie. Une maquette numérique vous sera envoyée pour approbation avant le début de la production.
Veuillez noter que l'aperçu à l'écran ne reflète pas le recadrage ou l'extension réelle. Seule la maquette montrera avec précision la composition finale.
Bien que des tailles personnalisées soient disponibles, nous vous recommandons de choisir une dimension dans la liste prédéfinie afin de préserver les proportions originales.

Livraison dans le monde entier () en 2 semaines au lieu des 4/5 semaines habituelles. (30 août)

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Livraison express gratuite dans le monde entier
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Toile de lin de qualité supérieure
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Assurance transport complète
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Garantie de remboursement des droits de douane
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Garantie de fidélité des couleurs
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Politique de retour de 60 jours (uniquement en cas de défaut)
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Garantie de remboursement à 100%
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Offre de tarifs dégressifs

Prix total

$ 68

reproduction

Apollo 13 on the Pad

Giclées et impressions d'art

Format de la reproduction

-

Prix total

$ 68


Biographie de l'artiste

The Raw Vitality of Fletcher Martin

Fletcher Martin was an artist whose life and work were defined by a rugged, unyielding authenticity, mirroring the diverse and often harsh landscapes he traversed. Born in 1904 in Palisade, Colorado, Martin’s early years were far from the sheltered existence of many of his contemporaries. Raised in a family of seven children, his youth was shaped by the migratory rhythms of the American West, leading him through Idaho and Washington. Before he ever picked up a brush with professional intent, Martin had lived the very lives he would later immortalize on canvas. He worked as a printer from the age of twelve, labored as a lumberjack, and even stepped into the ring as a professional boxer. These formative, visceral experiences provided him with an unparalleled reservoir of subject matter, imbuing his art with a grit and physical presence that few self-taught masters could replicate.

His artistic development was a testament to the power of autodidacticism. While he lacked formal academic training, Martin possessed an extraordinary eye for movement and tension. His time in the U.S. Navy from 1922 to 1926 broadened his horizons, yet it was his immersion in the burgeoning art movements of the early 20th century that truly forged his style. A pivotal moment in his career came through his association with the legendary Mexican muralist David Alfaro Siqueiros. Serving as an assistant to Siqueiros, Martin was exposed to the monumental scale and social urgency of Mexican Muralism, a movement that emphasized bold, often political imagery and a profound connection to the human struggle. This influence is palpable in Martin’s later works, where the weight of the subject matter is matched by a powerful, structural approach to composition.

A Legacy of Motion and Might

Martin’s oeuvre is most celebrated for its unflinching depictions of strength, conflict, and the human condition. He became renowned for his evocative images of military life during World War II, capturing the tension and uncertainty of a world at war with a reporter's eye and an artist's soul. However, it was perhaps in the sporting arena that his technique truly shone. His depictions of boxing—often described as brutal and intense—utilize flat shapes and a strategic lack of shadow to heighten the sense of kinetic energy. In masterpieces such as "Toe to Toe," the viewer is thrust into the ring, feeling the impact of every blow through Martin’s masterful use of dynamic movement and stark, impactful forms.

Beyond the boxing ring and the battlefield, Martin was a significant contributor to the American mural tradition under the New Deal's Section of Painting and Sculpture. His commissions, such as "Mail Transportation" for the San Pedro Federal Building, demonstrated his ability to weave social narrative into large-scale public works. Even when faced with controversy—as seen with his WPA mural study "Mine Rescue," which was met with local resistance due to its honest portrayal of mining perils—Martin remained committed to a truthful representation of labor and life. His career, which eventually led him to the vibrant artistic community of Guanajuato, Mexico, remains a profound chapter in American art history, representing a bridge between the raw experience of the frontier and the sophisticated evolution of modern printmaking and muralism.

L'essentiel de l'artiste

  • Artistic Movement Or Style: Color Woodcut
  • Artists Or Movements Influenced By This Artist: ['WPA']
  • Artists Who Influenced This Artist:
    • Charles Martin Hardie
    • David Alfaro Siqueiros
  • Date Of Birth: April 19, 1904
  • Date Of Death: May 30, 1979
  • Full Name: Fletcher Martin
  • Nationality: American
  • Notable Artworks:
    • Flame Pit Seconds After Launch
    • Boy Picking Flowers, Tunisia
  • Place Of Birth: Palisade, Colorado