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HOUSE House

Dan Stockholm : Sculpteur danois explorant l’architecture et l’histoire à travers la sculpture. Son processus performatif crée des vaisseaux d’histoires – une approche artistique unique et spécifique aux lieux.

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Prix total

$ 272

reproduction

HOUSE House

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Prix total final

$ 272

What makes a house a home? While two spaces may appear identical, the difference might lie in the capacity for a home that has been lived in, physically touched, to encode and retain memory – the smells, patterns, feelings and recollections that accrue with habit. The senses of touch and smell have a particularly strong physical relationship to emotion and memory, and we say something is ‘touching’ when it emotionally impacts us. Over time, memories can form their own architecture.After Dan Stockholm’s father passed away in 2013, the artist initiated an action that reflects on the physicality of touch and acts of mourning and memory – the results of which are assembled in his installation HOUSE (2013–16). The installation includes documentation of an action during which Stockholm, over the course of three days, physically touched the complete outer surface of his father’s red brick home. After the final square inch was touched, Stockholm began making a number of negative plaster casts of his hands performing different gestures. HOUSE comprises a forest-like arrangement of steel scaffolding bars, known as standards, on which the cast negatives of Stockholm’s hands are mounted using steel rods, The scaffolding standards recall not only a house, but also the supporting structures of memory, and the way it is constructed and reconfigured through time or distance. Stockholm’s plaster casts bear the red prints of hands and fingers in various positions, like silent gestures standing for the ineffable act of mourning.

Biographie de l'artiste

Dan Stockholm: A Sculptor's Dialogue With Place and Time

Dan Stockholm, born in Thisted, Denmark in 1982, is a Danish artist whose practice centers on sculpture as a conduit for exploring the relationship between architecture, history, and human experience. His artistic vision transcends mere representation; instead, he seeks to create “performative process,” where his works become vessels carrying narratives of their own genesis – a method that imbues each piece with a profound sense of place and temporal depth. Stockholm’s fascination lies in sites imbued with historical significance and narrative tension, prompting him to engage in what he describes as “creative archaeology.” This meticulous research informs his work, which draws upon diverse finds and materials to construct visual landscapes that are simultaneously specific and universal.
  • Early Influences: Stockholm’s artistic journey began amidst the Scandinavian landscape, fostering an appreciation for natural forms and textures that would later permeate his sculptural explorations. The rugged beauty of the fjords and the weathered surfaces of ancient stones undoubtedly shaped his formative aesthetic sensibilities.

Methodology: The Performative Process – Sculpting Memory

The “performative process” is central to Stockholm’s approach. He doesn't simply craft objects; he actively engages with them—altering their surfaces, reshaping their contours—to generate works that embody the story of their creation. This technique elevates sculpture beyond static form into a dynamic dialogue between artist and material. Inspired by thinkers like Walter Benjamin and Giorgio Agamben, Stockholm’s method prioritizes disruption and transformation as pathways to uncovering hidden meanings. He meticulously considers how these substances interact with each other and with the environment, mirroring the broader forces shaping our planet’s history—a reflection of geological time itself.
  • Technique: Stockholm's sculptural process involves a deliberate layering of techniques – casting, carving, assemblage – each contributing to the overall narrative of the piece. He favors materials that possess inherent qualities of permanence and decay, recognizing that these processes are inseparable from artistic expression.

Material Exploration: Stone, Metal, Resin – Echoes of Time

Stockholm consistently utilizes materials that resonate with geological time – stone, metal, and resin – reflecting his preoccupation with permanence and transformation. He meticulously considers how these substances interact with each other and with the environment, mirroring the broader forces shaping our planet’s history. His sculptural explorations often incorporate reclaimed materials—fragments of buildings, weathered timbers—transforming them into evocative representations of past eras. This conscious selection of materials underscores Stockholm's belief that art can serve as a form of historical remembrance.
  • Notable Materials: Stockholm frequently employs granite and basalt – stones bearing witness to millennia of geological upheaval – alongside oxidized steel and translucent resin, creating sculptures that convey both solidity and ethereal beauty.

Architectural Resonance: Sites of Memory and Transformation

Stockholm's artistic endeavors consistently gravitate toward architectural spaces—particularly churches like Storkyrkan in Stockholm and Duomo in Orvieto—where he seeks to capture the essence of historical narratives. These structures serve as catalysts for his creative process, prompting him to investigate how they embody cultural memory and undergo continuous evolution over time. His meticulous attention to detail extends beyond mere visual representation; he strives to convey the tactile qualities of these spaces – the coolness of stone, the warmth of wood—creating sculptures that resonate with the sensory experience of encountering history. He draws inspiration from monumental architecture, mirroring the grandeur and solemnity of sacred spaces.
  • Influences: Stockholm cites architects such as Carlo Scarpa and Tadao Ando as formative figures, recognizing their mastery of materiality and spatial composition.

Historical Significance & Contemporary Relevance

Stockholm’s sculptures are not merely aesthetically pleasing objects; they are imbued with a profound intellectual dimension—a reflection of the artist's engagement with philosophical concepts concerning time, space, and memory. Like Signorelli's frescoes in Duomo, Stockholm’s work aims to evoke emotion and contemplation, inviting viewers to engage with themes of life, death, and the passage of time. His artistic practice operates within a lineage that stretches back to ancient civilizations—a recognition of the enduring power of myth and ritual. By reimagining traditional forms through a contemporary lens, Stockholm ensures that his work speaks to audiences across generations, reaffirming the timeless relevance of artistic expression.
  • Recognition: Stockholm’s sculptures have been exhibited internationally at institutions such as Moderna Museet in Stockholm and Galerie Nationale Suisse in Zurich, cementing his position as one of Denmark's leading contemporary sculptors.
Dan Stockholm

Dan Stockholm

1982 - , Danemark

En bref

  • Artistic Movement Or Style: Sculpture & Creative Archaeology
  • Artists Or Movements Influenced By This Artist: ['Contemporary Sculpture']
  • Date Of Birth: 1982
  • Full Name: Dan Stockholm
  • Nationality: Danish
  • Notable Artworks: ['HOUSE House']
  • Place Of Birth: Thisted, Denmark