Untitled (1956) on Zakhar Hatsyatryanin kuuluisin maalaus, jota säilytetään Armenian kansallinen galleria -museossa kaupungissa Jerevan. Untitled (1954) ja Untitled (1960) ovat seuraavat kaksi maailman tunnetuinta teosta. Tässä ovat Zakhar Hatsyatryan teoksista 80 eniten keräilijöiden ja museokävijöiden katsomia 55 teosta, sisältäen teoksen vuosiluvun, museon sekä tarinan jokaisesta teoksesta.
Sijoitus perustuu suosiotulokseemme, joka yhdistää kunkin teoksen hakuja, vierailuja ja tilauksia. Päivitetty marraskuu 2026.
Museo, jossa on eniten tämän sivun maalauksista.
| Museo | Kaupunki | Zakhar Hatsyatryan teokset | Tämän listan maalaukset |
|---|---|---|---|
 Armenian kansallinen galleria |
Jerevan | 55 | Untitled, Untitled, Untitled |
Untitled (1956), Armenian kansallinen galleria, Jerevan. Seuraavina ovat Untitled (1954) ja Untitled (1960).
32 vuotta vanha: Untitled on peräisin vuodelta 1956 ja Zakhar Hatsyatryan on syntynyt vuonna 1924.
Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled ja Untitled. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Luettelossamme on 80 teosta taiteilijalta Zakhar Hatsyatryan, aikaväliltä 1954–2004.
Suurin osa niistä sijaitsee kohteessa Armenian kansallinen galleria (Jerevan). Yllä oleva taulukko listaa museot yksitellen.
Ajanjaksona 1970s: 24 sivun 55 teoksista on peräisin tuolta ajalta, mukaan lukien Untitled.
Tämän sivun vanhin on Untitled (1954) ja uusin Untitled (2004).
Untitled, Untitled ja Untitled ovat yksi 55 teoksesta tällä sivulla, jotka kuuluvat Armenian kansallinen galleria, Jerevan kokoelmaan.
Zakhar Hatsyatryan was born in the village of Sarnakunq, within the Sisian region. His early years were interrupted by the onset of the Great Patriotic War, a time that pulled him away from his schooling and toward the front lines. When the conflict ended, he returned to his homeland to begin a formal study of art. In 1946, he entered the Yerevan Fine Arts College after Panos Terlemezyan, eventually graduating in 1948. His hands, once shaped by the necessities of war, turned instead to the deliberate movements of the brush.
His life was marked by a steady presence in the Armenian and Russian art communities. He did not merely paint; he taught, serving as a professor at the Armenian State Pedagogical University after Khachatur Abovyan. His commitment to his peers and his history led him to serve as the Chairman of the Veterans’ Association of St. Petersburg and as the President of the Council of war artists veterans in Saint Petersburg. He carried the weight of his experiences into his work, a man who understood both the stillness of a landscape and the heavy reality of history.
The recognition he received reflected a lifetime of disciplined practice and service. His contributions were noted through several specific honors:
The work of Zakhar Hatsyatryan remains held within the National Gallery of Armenia, Yerevan, where many of his pieces reside. His output spanned several decades, with recorded works dating from 1954 to 2004. One notable piece from his early period is an untitled work from 1956. His paintings are not merely objects of observation but are pieces of a life lived through significant shifts in the landscape of the twentieth century. He passed away in his 92nd year, leaving behind a body of work that remains a part of the visual history of his people.
